X-radiography

Posted in Conservation, Getty Conservation Institute, J. Paul Getty Museum, Paintings

Studying Picasso’s “Woman”

Studying Picasso's Femme at the Getty
Fondation Beyeler, Riehen/Basel, Beyeler Collection. © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

A close look at Picasso’s paints. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Sculpture and Decorative Arts

Looking Under Judy Chicago’s Car Hood

The back (wall) side of Judy Chicago's Car Hood

This is the second in a series of conservators’ reflections on artworks in Pacific Standard Time. In 1964 Judy Chicago created this wall-mounted sculpture, Car Hood, from a steel car hood and traditional automotive paint. The work was on loan… More»

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Posted in Antiquities, Behind the Scenes, Conservation, Getty Villa, J. Paul Getty Museum

Looking at Apulian Vases in a New Light

Loutrophoros / Greek, 300s B.C.

Since 2008, the antiquities conservation and curatorial departments at the J. Paul Getty Museum have been working with colleagues at the Antikensammlung in Berlin to study and conserve a group of South Italian (Apulian) vases dating to the 4th century… More»

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Posted in Behind the Scenes, Conservation, Getty Villa

Seeing Art’s Bones: X-Raying Plant Fiber Objects at the Getty Villa

X-raying objects at the Getty Villa: Jeff Maish measures the distance between the table and the machine, while student Tessa de Alarcon adjusts the equipment to the desired height

We’re all familiar with the X-rays used to take images of people’s bones and teeth at medical and dental facilities. But did you know this same technology can also be used to examine the internal structures of museum objects? At… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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