Yvonne Rainer

Posted in Art, Exhibitions and Installations

Does It Matter If Artists Are Queer?

Arches of the Dodd Building / Minor White
Arches of the Dodd Building (Southwest Front Avenue and Ankeny Street), Portland, Oregon, 1938, Minor White. Gelatin silver print, 13 3/16 x 10 5/16 in. Portland Art Museum, Fine Arts Program, Public Buildings Service, U.S. General Services Administration

“Should an artist’s sexuality even be a part of the academic and public dialogue?” More»

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Posted in Art, Behind the Scenes

Dancing Yvonne Rainer

Performance of Yvonne Rainer's Assisted Living: Good Sports 2 at DIA Beacon
Photo © Paula Court

Cerebral, challenging, enrapturing. What does it feel like to perform Yvonne Rainer’s work? More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Yvonne Rainer in Her Own Words

Yvonne Rainer at the Getty Research Institute

Hear artist Yvonne Rainer read from her diaries. More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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