Yvonne Rainer

Posted in Art, Exhibitions and Installations

Does It Matter If Artists Are Queer?

Arches of the Dodd Building / Minor White
Arches of the Dodd Building (Southwest Front Avenue and Ankeny Street), Portland, Oregon, 1938, Minor White. Gelatin silver print, 13 3/16 x 10 5/16 in. Portland Art Museum, Fine Arts Program, Public Buildings Service, U.S. General Services Administration

“Should an artist’s sexuality even be a part of the academic and public dialogue?” More»

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Posted in Art, Behind the Scenes

Dancing Yvonne Rainer

Performance of Yvonne Rainer's Assisted Living: Good Sports 2 at DIA Beacon
Photo © Paula Court

Cerebral, challenging, enrapturing. What does it feel like to perform Yvonne Rainer’s work? More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

Yvonne Rainer in Her Own Words

Yvonne Rainer at the Getty Research Institute

Hear artist Yvonne Rainer read from her diaries. More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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