Funky Four Plus One at The Kitchen (November 22, 1980) from The Kitchen on Vimeo.
When Sha-Rock took the stage at The Kitchen, which is celebrating its 50th anniversary this year, the Chelsea art space was hosting a women’s festival called Dubbed in Glamour. South Bronx hip-hop was already converging with the ecosystem of punks, queer folks, nightclubbers, artists, and avant-garde weirdos of lower Manhattan. Funky 4 + 1 also performed at grubby punk venues like the Mudd Club, and their upbeat hit single, “That’s the Joint,” of that same year was later sampled by the Beastie Boys. Edit DeAk, the Hungarian-born critic who organized the all-female festival, was an art world fixture whose Soho loft was tagged by graffiti artists Jean-Michel Basquiat, Fab 5 Freddy, and Futura 2000. Among those joining Funky 4 + 1 in the line-up were Blondie’s Debbie Harry, John Waters muse Cookie Mueller, and Angel Jack from San Francisco psych outfit the Cockettes.
“Here was a community of artists in SoHo, all pulling their hair out to outsmart each other and be the most innovative, to create new art, to create new styles, something completely new in history, and in comes this phenomenon of rap which experimented with language and performance and achieved that revolutionary new art, that wholly new form of expression without all the effect and pretense and self-consciousness that plagued the art world. This is what I think really captured the downtown scene’s attention,” said Sarah Cooper, who organizes performance at the Getty Center and studies experimental practices of the 1970s and ’80s.
Funky 4 + 1 had so impressed the downtown underground that, while on tour with the Sugarhill Gang and Grandmaster Flash and the Furious Five, the group got a call from Debbie Harry asking them to perform on the episode she was hosting of Saturday Night Live. They were the first hip-hop group ever to appear on national television. “We were giving the world the rawness of what was going on in The Bronx at that time,” said Sha-Rock.
While the dawn of hip-hop is commonly associated with male rappers like Grandmaster Flash, Sha-Rock’s legacy today is not as well-known as it should be. “Sha-Rock, as part of the Funky 4, had such poise in her style and command of the mic; she was truly a star of hip-hop pioneer culture,” said Charlie Ahearn, director of the film Wild Style, which documented the art form’s early days in the city. But as the forebear to contemporary artists like Nicki Minaj, Lil’ Kim, Missy Elliott, and Cardi B, MC Sha-Rock—Sha-Rock!—deserves an important place in music history.