Antiquities

Sculpture, painting, jewelry, vases, and objects of daily life from ancient Greece, Rome, and Etruria

Also posted in People & Places

Ancient Sculpture Inspires Contemporary Jewelry

Jivita Harris-Casey in her studio
Jivita Harris-Casey in her studio. Photo courtesy of and © Jivita Harris-Casey

Jewelry designer Jivita Harris-Casey crafts silver using centuries-old techniques. More»

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Also posted in Art & Archives, Sculpture and Decorative Arts

A Young Girl Holding Doves

Marble Relief with a Young Girl Holding Doves
Courtesy of www.metmuseum.org

A masterpiece of Greek sculpture is on special loan to the Getty Villa More»

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Also posted in #GettyInspired, Ancient World, Art & Archives

Poem for a Victorious Athlete

Detail of the face and shoulders of the Statue of a Victorious Youth / Greek

Of time, frailty, and fleeting victories. More»

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Also posted in Art & Archives, Behind the Scenes

Unlocking the Secrets of Ancient Egyptian Funerary Portraits through Modern Technology

Joy Mazurek, assistant scientist at the Getty Conservation Institute, sampling a mummy portrait
Joy Mazurek, assistant scientist at the Getty Conservation Institute, sampling a mummy portrait (J. Paul Getty Museum, 71.AP.72) for binding media analysis.

Funerary portraits yield their secrets. More»

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Also posted in Ancient World, Art & Archives, Editor's Picks, Getty Villa, technology

A Brief Introduction to Roman Mosaics

Mosaic face from Mosaic Floor with a Bear Hunt / Roman
Detail of a corner panel from Mosaic Floor with a Bear Hunt, A.D. 300–400, Roman, from near Baiae, Italy. Stone tesserae, 51–68 1/2 × 34 1/2–58 ¼ in.

15 key facts about this colorful and long-lasting art form More»

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Also posted in Art & Archives, Getty Villa, Scholarship

When an Amphora Is Not Just an Amphora: Greek Antiquities as Presidential Gifts

President Dwight D. Eisenhower receives ancient artifacts from Prime Minister Spyros Markezinis.
Photo courtesy of the Eisenhower Presidential Library, Abilene, Kansas.

Why did the Greek state give antiquities to U.S. officials as diplomatic gifts? More»

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Also posted in #GettyInspired, Art & Archives, Getty Villa, technology

Illustrating the World’s Most Notorious Troublemakers

How Raven Brought Light into the World / Philip
How Raven Brought Light into the World by Philip Carerra from his series The Art of Mischief: Illustrating the World’s Most Notorious Troublemakers

Dreamlike illustrations inspired by ancient art and myth. More»

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Also posted in Ancient World, Art & Archives, Editor's Picks

Potions and Poisons: Classical Ancestors of the Wicked Witch, Part 1

Vessel with Leda and the Swan; Attributed to Painter of Louvre MNB 1148 (Greek (Apulian), active 350 - 330 B.C.); Apulia, South Italy; about 330 B.C.; Terracotta; 90.2 x 26 cm (35 1/2 x 10 1/4 in.); 86.AE.680
Vessel with Leda and the Swan; Attributed to Painter of Louvre MNB 1148 (Greek (Apulian), active 350 - 330 B.C.); Apulia, South Italy; about 330 B.C.; Terracotta; 90.2 x 26 cm (35 1/2 x 10 1/4 in.); 86.AE.680

The curious evolution of the witch in ancient literature. More»

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Also posted in Ancient World, Art & Architecture, Art & Archives, Getty Villa

A Guide to Euripides’ Medea

Mixing Vessel with Medea Departing in a Chariot
Mixing Vessel with Medea Departing in a Chariot (detail), about 400 B.C., attributed to the Policoro Painter. Terracotta, 19 7/8 x 19 5/8 in. The Cleveland Museum of Art, Cleveland, Ohio, Leonard C. Hanna Jr. Fund, 1991.1. Photo: Tim Evanson on Flickr, CC BY-SA 2.0

Unpacking the ancient, bloody myth of Medea. More»

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Also posted in Ancient World, Art & Archives, Conservation

Bronze Patinas, Noble and Vile

Detail of patina on a Roman bronze statue of Cupid
Statue of the Infant Cupid (detail), Roman, A.D. 1–50, Roman. Bronze with silver and copper, 25 3/16 in. high. The J. Paul Getty Museum, 96.AB.53

They’re all made from the same stuff, so why do bronze statues come in so many different colors? More»

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      Composed from memories and from drawings made during his travels in Italy, Jean-Baptiste-Camille Corot painted this view for the Paris Salon of 1839. A dramatic colored sky and a few lone figures appealed to the melancholic sensibilities of the Romantic critics of the time.

      05/01/16

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