Antiquities

Sculpture, painting, jewelry, vases, and objects of daily life from ancient Greece, Rome, and Etruria

Also posted in Art, Paintings

#MusePose Gets Physical

MusePose_blog

What’s next in our monthly Instagram challenge? Bring a friend… More»

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Also posted in Ancient World, Art

Plato’s Academy Awards (or, What the Ancient Greeks Have to Do with the Oscars)

Attic Panathenaic Amphora, 490 -480 B.C., Greek. 25 9/16 inches by 15 7/8 inches. J. Paul Getty Museum.
Attic Panathenaic Amphora, 490 -480 B.C., Greek. 25 9/16 inches by 15 7/8 inches. J. Paul Getty Museum.

What do the ancient Greeks have to do with the Oscars? More»

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Also posted in Art, Paintings

#MusePose, February Edition

Tristan as King Louis XIV - MusePose

Are you a king? A goddess? SHOW IT. More»

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Also posted in Ancient World, Exhibitions and Installations, Getty Villa

Three Ways to Avoid the Freeways: Transport Advice from Apulian Vases

Funerary Vessel with Phrixos on the Ram, 340–310 B.C., Attributed to the Phrixos Group. Created in Ceglie del Campo, Italy, Apulia. Terracotta, 18 1/2 in. diam. Antikensammlung, Staatliche Museen zu Berlin. © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius
Antikensammlung, Staatliche Museen zu Berlin. © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

Sick of driving? Hitch a ride on these mythical creatures. More»

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Also posted in Getty Villa, J. Paul Getty Museum

Meet Jeffrey Spier, the Getty Museum’s New Antiquities Chief

Getty Museum's senior curator of antiquities, Jeffrey Spier, in the East Garden at the Getty Villa
Getty Museum's senior curator of antiquities, Jeffrey Spier, in the East Garden at the Getty Villa

What the Getty Museum’s new senior curator of antiquities has on his to-do list. More»

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Also posted in Ancient World, Education

The Fine Art of Feasting in Roman Gaul

Pompeiian wall painting depicting autumn produce / Roman, A.D. 70
Wall painting from Pompeii (around A.D. 70) depicting autumn produce, grapes, apples, and pomegranates overflowing a large glass bowl, next to a tilting amphora and a terracotta pot of preserved fruit

A taste of mealtime in ancient France. More»

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Also posted in Ancient World, J. Paul Getty Museum

Acrobatic Feats of the Ancient Wine Party

Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky
Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky

Wine makes a man do strange things. More»

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Also posted in Art, Manuscripts and Books, Paintings, Sculpture and Decorative Arts

Whale Tales and Sea Monsters

Venus on the Waves (detail), 1769, Francois Boucher. J. Paul Getty Museum.
Venus on the Waves (detail), 1769, Francois Boucher. J. Paul Getty Museum.

What is worse than a shark? Oh, that’s right. A lot. More»

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Also posted in Art, J. Paul Getty Museum

3D Scanning Meets Ancient Art

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Ancient art is the subject of a 3D scanning pilot at the Getty Museum. More»

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Also posted in Ancient World, Getty Villa, J. Paul Getty Museum

Power in a Mummy Portrait

Mummy Portrait of Isidora / Isidora Master
Mummy Portrait of a Woman (detail), about A.D. 100–110, attributed to the Isidora Master. Linen, pigment, and gold; encaustic on wood, 18 7/8 x 14 3/16. The J. Paul Getty Museum, 81.AP.42

This woman is still beautiful and self-assured, 2,000 years after her portrait was painted. More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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