Art

From Stone Age sculpture to contemporary architecture, 6,500 years of art from the collections of the Getty Museum and the Getty Research Institute

Also posted in Getty Research Institute, Manuscripts and Books, Photographs, Film, and Video, Research

100,000 Digitized Art History Materials from the Getty Research Institute Now Available in the Digital Public Library of America

Barnsdall Park / Julius Shulman
Barnsdall Park, Shulman Retrospective (Los Angeles, California), 1969, photographed by Julius Shulman. Print: Frank Taylor. The Getty Research Institute, 2004.R.10 (Job 4460)

There’s a new place to explore digital treasures from the vast collections of the Getty Research Institute. More»

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Also posted in Architecture and Design, Getty Foundation

Getty Foundation Announces “Keeping It Modern”

Keeping it Modern / A Getty Foundation initiative to conserve 20th-century architecture

A new initiative focuses on advancing the conservation of modern architecture. More»

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Also posted in Exhibitions and Installations, Photographs, Film, and Video

Minor White and Me

Minor White in Connecticut, 1973 / John J. Weiss
© jjweiss 1973/2014

“There was an interminable pause. Then Minor cleared his throat once more and asked, ‘When can you start?’” More»

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Also posted in Behind the Scenes

Art Experts Take to Twitter for Ask a Curator Day on Wednesday, September 17

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Poised for any question: Karen Hellman of the Getty Museum's Department of Photographs

Five Getty curators are on tap for a live Twitter Q&A this Wednesday. More»

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Also posted in Paintings

Long Looks from Island to Island

Old Couple / John Currin
Artwork © John Currin. Photo: Robert McKeever

Two paintings of lovers, decades and centuries apart. More»

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Also posted in Getty Research Institute, Manuscripts and Books, Research

A Quest to Uncover History Through Handwriting

Combat with Swords (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v
Combat with Swords (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

The study of old handwriting combines detective work, scholarship, and a little bit of magic. More»

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Also posted in Education

Will the Laptop Destroy the Coffee Shop?

Is the Internet killing public space? A Zocalo-Getty panel

Is the Internet making us weird? More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

Curator’s Talk on James Ensor Is a Gas

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What you need to know about James Ensor, in 12 minutes. More»

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Also posted in Exhibitions and Installations

Garry Winogrand’s Scenes of Ebulliance, and Unease

Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery
Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery

A retrospective now at the Met captures America’s postwar “out-of-control-ness” More»

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Also posted in J. Paul Getty Museum, Photographs, Film, and Video

The Bully Has Left the Room

Untitled / George Seeley
Untitled, about 1903, George Seeley. Platinum print, 19.2 x 24.3 cm. The J. Paul Getty Museum, Los Angeles, 84.XM.163.3.

While James Ensor is away, Pictorialist photographs will play. More»

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      Dressed in the finest 17th century fashions, a woman personifying September shops the local market.

      This sketch of September, the rich landscape, and bountiful harvest were made for paintings of the months for Elector Maximilian I of Bavaria for a dining hall in his Munich palace.

      Fashion Fridays explores art, history, and costume in the Getty collection.

      Personification of September, about 1644, Joachim von Sandrart. J. Paul Getty Museum.

      09/19/14

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