Architecture and Design

Our built environment in sketches, study models, architectural photographs, writings, letters, and more, 1500 to now

Also posted in Getty Research Institute, Research

Treasures from the Vault: The Ada Louise Huxtable Archive

Portrait of Ada Louise Huxtable, 1970s
Photograph by L. Garth Huxtable

Inside the archive of one of the greatest 20th-century writers on architecture. More»

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Also posted in Art, Exhibitions and Installations, Getty Research Institute

10 Features of L.A.’s Union Station Not to Miss

lights_southpatio3blog

The top ten hidden design gems of L.A.’s Union Station. More»

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Also posted in Behind the Scenes, Getty Research Institute, Research

Connecting Seas: The Getty Research Institute in Manila

Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez
Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez

“For all of us, the trip was revelatory on many levels.” More»

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Also posted in Art

Which Artist Would You Recommend to a Space Alien?

Malin House ("Chemosphere") / John Lautner
Malin House ("Chemosphere"), 1960, designed by John Lautner. Photo by Julius Shulman, 1961. Julius Shulman Photography Archive. The Getty Research Institute, 2004.R.10

A beginner’s guide to the human mind and heart. More»

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Also posted in Art

Architecture as Art in Culver City

BeehiveHoriz

“Public art can contribute to defining a city’s identity and to unifying its vision,” and buildings contribute to this identity too! More»

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Also posted in Getty Research Institute, Photographs, Film, and Video

Dynamic L.A.: Images from the Julius Shulman Photography Archive Now Available

Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960
Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960. Julius Shulman photography archive. The Getty Research Institute, 2004.R.10

6,500 newly digitized images depict the development of Los Angeles architecture across decades. More»

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Also posted in Getty Research Institute, Prints and Drawings, Voices

Getty Voices: From Paint to Pixels

Four color spheres
In Philipp Otto Runge, Farben-Kugel (Hamburg, 1810), plate opposite p. 15 Hand-colored etchings 85-B14217 Research Library, The Getty Research Institute

How do you transform a 19th-century watercolor into a digital logo? More»

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Also posted in Behind the Scenes, Conservation, Getty Conservation Institute

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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Also posted in Behind the Scenes, Conservation, Getty Research Institute

Conserving Architectural Models: Behind the Scenes in the Research Institute Conservation Lab

Tom Learner and Juliane Wattig, working on an architectural model
Photo: Scott S. Warren

How are architectural models conserved? A look at the field, and two displayed in “Overdrive.” More»

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Also posted in Getty Center, Photographs, Film, and Video

Do Androids Dream of Electric L.A.?

Do Androids Dream of Electric L.A.?
Rutger Hauer as Roy Batty in Blade Runner, 1982. Courtesy of and © The Blade Runner Partnership | © Warner Bros. Entertainment Inc.

As some parts of the world approach the dystopian, cyberpunk 2019 Los Angeles depicted in Blade Runner, the film’s relation to architecture and environment is worth another look. More»

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      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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