Exhibitions and Installations

Thematic exhibitions and gallery installations featuring and complementing the permanent collections

Also posted in Getty Conservation Institute, J. Paul Getty Museum

Letting Jackson Pollock’s “Mural” Speak for Itself

Tom Learner and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural
Tom Learner (left) and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural

“It was time to do something.” Jackson Pollock’s Mural, conserved. More»

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Also posted in Getty Research Institute, Photographs, Film, and Video

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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Also posted in Art, Getty Research Institute

Colorful Board Game Turns the French Colonies into Child’s Play

Trading Game: France - Colonies / O.P.I.M.
Trading Game: France—Colonies, 1941, O.P.I.M. (Office de publicite et d'impression), Breveté S.G.D.G. Lithograph on linen, 22 7/8 x 32 1/4 in. The Getty Research Institute, 970031.6

Through game play, French children master the craft of colonialism. More»

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Also posted in Art, Photographs, Film, and Video

This Exhibition Is a Total Trip—Through Time

ATRIPTHROUGHTIME

Going to the museum means traveling back in time—and we’ve got the video evidence to prove it. More»

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Also posted in Art, Getty Research Institute, Voices

Portraits of Africa, from Colonization to E-Waste | Getty Voices

Triumph of the Will (FARDC Soldiers Demonstrate the Purpose of an Old Belgian Commando Training Structure at Rumangabo Military Base) / Richard Mosse
© Richard Mosse. Courtesy Jack Shainman Gallery

Richard Mosse and Pieter Hugo create arresting portraits that evoke Africa’s colonial past. More»

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Also posted in Art, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Glenn Phillips

Glenn Phillips in Werner Herzog's Hearsay of the Soul
Curator Glenn Phillips, photographed inside Werner Herzog’s installation Hearsay of the Soul

“You’re only rewarded by any encounter with an artwork if you get something out of it.” How to approach Werner Herzog. More»

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Also posted in Art, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Nancy Perloff

Nancy Perloff in Werner Herzog's Hearsay of the Soul
Curator Nancy Perloff, photographed inside Werner Herzog's installation Hearsay of the Soul

“The end is a kind of apotheosis. Maybe that sounds too romantic or spiritual. But the single most remarkable thing is that you lose all sense of time.” More»

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Also posted in Art, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Anne Woollett

Anne Woollett
Curator Anne Woolett, photographed inside the installation Hearsay of the Soul

The deep appeal of the imagined landscape. More»

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Also posted in Art, Manuscripts and Books

Art and Experience in Canterbury and L.A.

Installation view of Canterbury and St. Albans at the Getty Center
Inside Canterbury and St. Albans at the Getty Center. Pages from the St. Albans Psalter, foreground: Bibliothek Hildesheim. Stained-glass panels from the Ancestors of Christ Windows, Courtesy Dean and Chapter of Canterbury

A medieval prayer book was a personal liturgical space. Small and portable, one needed only to open the book to enter. More»

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Also posted in Art, J. Paul Getty Museum, Prints and Drawings

Ancient Myth, Contemporary Politics

Paris and Helen, 1786, Jacques-Louis David (French, 1748 - 1825), pen and black ink and brush and gray wash, The J. Paul Getty Museum, Los Angeles
Paris and Helen, 1786, Jacques-Louis David. Pen and black ink and brush and gray wash, 7 3/16 x 9 in. The J. Paul Getty Museum, 83.GA.192

Jacques-Louis David made Greco-Roman myths directly relevant to the contemporary public, as this sly drawing shows. More»

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      From you have I been absent in the spring,
      When proud-pied April, dressed in all his trim,
      Hath put a spirit of youth in everything,
      That heavy Saturn laughed and leaped with him,
      Yet nor the lays of birds, nor the sweet smell
      Of different flowers in odor and in hue,
      Could make me any summer’s story tell,
      Or from their proud lap pluck them where they grew.
      Nor did I wonder at the lily’s white,
      Nor praise the deep vermilion in the rose;
      They were but sweet, but figures of delight,
      Drawn after you, you pattern of all those.
      Yet seemed it winter still, and, you away,
      As with your shadow I with these did play.

      —William Shakespeare, born April 23, 1564

      Vase of Flowers (detail), 1722, Jan van Huysum. The J. Paul Getty Museum

      04/23/14

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