Exhibitions and Installations

Thematic exhibitions and gallery installations featuring and complementing the permanent collections

Also posted in Art, Photographs, Film, and Video

Diorama-rama: History Behind Glass

Polar Bear, 1976, Hiroshi Sugimoto (Japanese, born 1948), gelatin silver print, © Hiroshi Sugimoto, The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council
© Hiroshi Sugimoto

Photographer Hiroshi Sugimoto plays with dioramas’ tension between real and fake, fact and spectacle. More»

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Also posted in Art, Photographs, Film, and Video

What Ansel Adams Taught Me

Mt. Williamson, Sierra Nevada, from Manzanar, California / Ansel Adams
© 2014 The Ansel Adams Publishing Rights Trust

The photographer was nothing like this young artist imagined. More»

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Also posted in Ancient World, Antiquities, Getty Villa

If Statues Could Talk…

Statue of Tiberius in the Men's gallery at the Getty Villa / Roman
Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro

There’s a new emperor in town—an 8-foot-tall bronze Tiberius, to be exact. More»

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Also posted in Getty Conservation Institute, J. Paul Getty Museum

Letting Jackson Pollock’s “Mural” Speak for Itself

Tom Learner and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural
Tom Learner (left) and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural

“It was time to do something.” Jackson Pollock’s Mural, conserved. More»

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Also posted in Getty Research Institute, Photographs, Film, and Video

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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Also posted in Art, Getty Research Institute

Colorful Board Game Turns the French Colonies into Child’s Play

Trading Game: France - Colonies / O.P.I.M.
Trading Game: France—Colonies, 1941, O.P.I.M. (Office de publicite et d'impression), Breveté S.G.D.G. Lithograph on linen, 22 7/8 x 32 1/4 in. The Getty Research Institute, 970031.6

Through game play, French children master the craft of colonialism. More»

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Also posted in Art, Photographs, Film, and Video

This Exhibition Is a Total Trip—Through Time

ATRIPTHROUGHTIME

Going to the museum means traveling back in time—and we’ve got the video evidence to prove it. More»

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Also posted in Art, Getty Research Institute, Voices

Portraits of Africa, from Colonization to E-Waste | Getty Voices

Triumph of the Will (FARDC Soldiers Demonstrate the Purpose of an Old Belgian Commando Training Structure at Rumangabo Military Base) / Richard Mosse
© Richard Mosse. Courtesy Jack Shainman Gallery

Richard Mosse and Pieter Hugo create arresting portraits that evoke Africa’s colonial past. More»

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Also posted in Art, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Glenn Phillips

Glenn Phillips in Werner Herzog's Hearsay of the Soul
Curator Glenn Phillips, photographed inside Werner Herzog’s installation Hearsay of the Soul

“You’re only rewarded by any encounter with an artwork if you get something out of it.” How to approach Werner Herzog. More»

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Also posted in Art, Photographs, Film, and Video

Four Minds on Herzog: A Conversation with Nancy Perloff

Nancy Perloff in Werner Herzog's Hearsay of the Soul
Curator Nancy Perloff, photographed inside Werner Herzog's installation Hearsay of the Soul

“The end is a kind of apotheosis. Maybe that sounds too romantic or spiritual. But the single most remarkable thing is that you lose all sense of time.” More»

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    • photo from Tumblr

      Painted in 1632, separated 1927, and reunited today, these paintings of this man and his wife live together in the collection.

      His smize tells all.

      Portrait of a Man, 1632, Nicolaes Eliasz Pickenoy. Dutch. J. Paul Getty Museum.

      08/20/14

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