Exhibitions and Installations

Thematic exhibitions and gallery installations featuring and complementing the permanent collections

Also posted in Art, Getty Villa

Myth and Miraculous Performance: The Virgin Hodegetria

Icon with the Virgin and Child / Byzantine
Image courtesy of the Byzantine Museum, Kastoria, no. 457

Revered in Constantinople, the icon known as the Virgin Hodegetria was believed to hold special powers. More»

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Also posted in Behind the Scenes, Conservation, Getty Conservation Institute

Science Behind Glass

Getty Conservation Institute scientist Vincent Beltran working on high-tech frames
Photo: S. Warren

Santa Ana winds are no match for these high-tech frames. More»

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Also posted in Architecture and Design, Art, Getty Research Institute

10 Features of L.A.’s Union Station Not to Miss

lights_southpatio3blog

The top ten hidden design gems of L.A.’s Union Station. More»

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Also posted in Art

Hot Sauce, Be My Fiery Muse

Hot sauce / Michael Hsiung
Hot sauce + pen-and-ink = Michael Hsiung's ode to L.A. cuisine, the poster image for LA Heat: Taste Changing Condiments at the Chinese American Museum

How do you make art about Tapatío and Sriracha? First, eat many tacos… More»

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Also posted in Art, Getty Villa

Uncovering the History of a Long-Buried Byzantine Treasure

Hagia Sophia mosaic of the Virgin Mary
The Virgin Mary wears ornamented cuffs to secure her sleeves in this mosaic in Hagia Sophia. Photo from Mosaics of Thessaloniki: 4th to 14th century, ed. Charalambos Bakirtzis (Athens: 2012)

A woman’s gold cuff provides a window into the rich history of Thessaloniki. More»

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Also posted in Ancient World, J. Paul Getty Museum

What Did Byzantine Food Taste Like?

Spoons with Inscriptions / Byzantine
Image courtesy of and © Benaki Museum, Athens, 2013

In the kitchen with the Byzantines. More»

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Also posted in J. Paul Getty Museum, Photographs, Film, and Video

Re-Picturing Photographic History

Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto
Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto

Why is contemporary artist Hiroshi Sugimoto taking pictures of 175-year-old prints? More»

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Also posted in Ancient World, Art

A Trip through Byzantine Greece

Kastoria
Photo courtesy of the Hellenic Ministry of Culture and Sports

Three stunning sites in Greece are home to remarkable Byzantine art and architecture. More»

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Also posted in Ancient World, Antiquities, J. Paul Getty Museum

The Christian Empire that Grew from Classical Roots

Head of Aphrodite, A.D. 1–100, Roman, made in Athens, Greece. Marble, 15 3/4 in. high. National Archaeological Museum, Athens. Image courtesy of the National Archaeological Museum, Athens
National Archaeological Museum, Athens

Explore the Getty Villa’s summer exhibition “Heaven and Earth” through one of its most compelling masterpieces. More»

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Also posted in J. Paul Getty Museum, Manuscripts and Books

Medieval Masterpieces from Greece Now on View

The Divine Liturgy of Saint Basil in a liturgical scroll, Vermion, 1100s. Parchment, 26 x 10 in. Image courtesy of the National Library of Greece, Athens, cod 2759  [VEX.2014.2.73]
The Divine Liturgy of Saint Basil in a liturgical scroll, made in Vermion, 1100s. Parchment, 26 x 10 in. Image courtesy of the National Library of Greece, Athens, cod 2759

The largest presentation of Byzantine art ever seen in Los Angeles begins on Greek Independence Day. More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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