Manuscripts and Books

Art in bound form, from medieval manuscripts adorned with jewel colors and gold to contemporary artist’s books

Also posted in J. Paul Getty Museum, Photographs, Film, and Video

See Authentic Medieval Hand-to-Hand Combat in New Video

Details of two men fighting with swords in the medieval manuscript Flower of Battle
Combat with Sword (detail) in Fiore Furlan dei Liberi da Premariacco, The Flower of Battle, The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

A new video brings 15th-century fighting moves to life. More»

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Also posted in Art

The Art of Seduction

A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v
A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v

Is this medieval book a warning lesson, or a shocking incitement to sin? More»

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Also posted in Getty Research Institute, Photographs, Film, and Video, Research

100,000 Digitized Art History Materials from the Getty Research Institute Now Available in the Digital Public Library of America

Barnsdall Park / Julius Shulman
Barnsdall Park, Shulman Retrospective (Los Angeles, California), 1969, photographed by Julius Shulman. Print: Frank Taylor. The Getty Research Institute, 2004.R.10 (Job 4460)

There’s a new place to explore digital treasures from the vast collections of the Getty Research Institute. More»

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Also posted in Getty Research Institute, Research

A Quest to Uncover History Through Handwriting

Combat with Swords (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v
Combat with Swords (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

The study of old handwriting combines detective work, scholarship, and a little bit of magic. More»

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Also posted in Antiquities, Art, Paintings, Sculpture and Decorative Arts

Whale Tales and Sea Monsters

Venus on the Waves (detail), 1769, Francois Boucher. J. Paul Getty Museum.
Venus on the Waves (detail), 1769, Francois Boucher. J. Paul Getty Museum.

What is worse than a shark? Oh, that’s right. A lot. More»

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Also posted in Art, J. Paul Getty Museum, Research

Revisiting a Florentine Master

Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida.  Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida.  Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in.  Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311
Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida. Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida. Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in. Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311

New research on Pacino di Bonaguida, a central figure in the rise of the Renaissance in Florence. More»

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Also posted in Art, Education, J. Paul Getty Museum

A Better World through Chivalry

A boy is never too young to practice being a gentleman.
 
Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.
A boy is never too young to practice being a gentleman. Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.

Chivalry gets a 21st-century, multi-generational spin through these artists’ workshops. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

“The Chivalry Project” Remakes Chivalry for the 21st Century

The Chivalry Project

Contribute to a collective digital rulebook, now through November 30. More»

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Also posted in Art

A Medievalist’s Viewing Guide to “Game of Thrones,” Season 4

Chess Problem (detail) from Book of Chess Problems, late 14th century.  Tempera colors and gold leaf on parchment, 9 ¾ x 6 5/8 in. (24.8 x 16.8 cm). Ms. Ludwig XV 15, fol. 97
Chess Problem (detail) from Book of Chess Problems, late 14th century. Tempera colors and gold leaf on parchment, 9 ¾ x 6 5/8 in. (24.8 x 16.8 cm). Ms. Ludwig XV 15, fol. 97

What a season it was. Let’s watch it again, manuscripts in hand. More»

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Also posted in Art, J. Paul Getty Museum

Medieval Manuscripts Alive

Medieval Manuscripts Alive - languages

Hear medieval manuscripts read aloud. First up: Ge’ez, the language of the Ethiopian church. More»

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      Transit is a huge part of the history of Los Angeles.

      Los Angeles Union Station is the first publication to take a deep look at the design influences of L.A.’s Union Station and how the station came to be. Flip on through.

      #NowReading is a series with @gettypubs that celebrates books, reading everywhere, and art.

      10/23/14

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