Manuscripts and Books

Art in bound form, from medieval manuscripts adorned with jewel colors and gold to contemporary artist’s books

Posted in Manuscripts and Books

The Medieval Battle That Launched Modern English

Scenes from the Life of Saint Alexis in the St. Albans Psalter / Alexis Master
Dombibliothek Hildesheim

English owes its rich vocabulary to a military conquest that took place 947 years ago. More»

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Also posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Voices

Getty Voices: Living with the St. Albans Psalter

Conservator's hands holding the parchment of the St. Albans Psalter
Artwork: Dombibliothek Hildesheim. Photo: Peter Kidd

Studying a precious manuscript, page by page, illumination by illumination. More»

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Also posted in Art, Exhibitions and Installations, Voices

Getty Voices: Saints and Heroes

The Martyrdom of Saint Apollonia / Lieven van Lathem
The Martyrdom of Saint Apollonia, 1469, Lieven van Lathem. Tempera colors, gold leaf, gold paint, silver paint, and ink on parchment, 2 1/2 x 1 13/16 in. The J. Paul Getty Museum, Ms. 37, fol. 50v

Saints are all around us, whether we realize it or not. In the Middle Ages, it was even more so. More»

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Also posted in Behind the Scenes, Getty Research Institute, Miscellaneous

What Do Paleographers Do?

paleography_featured

It’s nothing to do with fossils—paleographers are specialists in old handwriting. More»

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Also posted in Art, Getty Research Institute, Voices

Artists of the Getty Graffiti Black Book on Style, Street Art, and Special Books

Gorgs
Page by Gorgs from the artists' book L.A. Liber Amicorum

Hear from prominent graffiti artists who helped shape a 143-artist collaboration representing L.A. street art. More»

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Also posted in Art, J. Paul Getty Museum

Sicily, The International Island

The Crucifixion and the Harrowing of Hell / Sicilian
The Crucifixion and the Harrowing of Hell in a New Testament, Sicilian, late 1100s. Tempera colors, gold leaf, and ink on parchment, 9 11/16 x 6 3/8 in. The J. Paul Getty Museum, Ms. Ludwig I 5, fol. 191v

Medieval Sicily was a hotbed of political turmoil and artistic innovation. More»

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Also posted in Education, J. Paul Getty Museum, Research

Thrust, Parry, Download!

Aiming Points on the Body / Fiore dei Liberi, Fior di Battaglia
Aiming Points on the Body (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 32

Fight like it’s 1410 with this zesty combat manuscript, free to download via the new Open Content Program. More»

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Also posted in Art, Research, Voices

Graffiti Black Book | Getty Voices

LALiberAmicorum_earlymeeting
One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

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Also posted in Art, Exhibitions and Installations

A Field Guide to Renaissance Gardens

The Temptation of Adam and Eve / Boucicaut Master
The Temptation of Adam and Eve (detail) in Concerning the Fates of Illustrious Men and Women, about 1415, Boucicaut Master. Tempera colors, gold leaf and gold paint on parchment, 16 9/16 x 11 5/8 in. The J. Paul Getty Museum, Ms. 63, fol. 3

In the Renaissance as now, gardens came in many forms and carried many associations. A visual tour. More»

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Also posted in Behind the Scenes, Research, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

mellini_featured

Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

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      The idealized countryside painted by a native city dweller.

      This light and color study wasn’t meant for exhibition, but rather was a way for Corot to explore his new scenery outside of the studio. 

      Houses near Orleans, about 1830, Jean-Baptiste-Camille Corot. J. Paul Getty Museum.

      08/21/14

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