Manuscripts and Books

Art in bound form, from medieval manuscripts adorned with jewel colors and gold to contemporary artist’s books

Also posted in J. Paul Getty Museum

Misconceptions about the Middle Ages, Debunked through Art History

The Trinity, Book of Planets, Anatomical Treatise, Liber synonimorum, shortly after 1464. German. J. Paul Getty Museum.
The Trinity, Book of Planets, Anatomical Treatise, Liber synonimorum, shortly after 1464. German. J. Paul Getty Museum.

It’s all fun and games until somebody gets clubbed. More»

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Also posted in Art, Behind the Scenes, J. Paul Getty Museum

#GettyCloser to Art Behind the Scenes

Small_GettyCloser

Calling all art nerds for our next behind-the-scenes tweetup. More»

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Medieval Meditations on the Human Condition

Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso
Initial K: Caritas from Gradual, Master of the Cypresses (Pedro de Toledo?), about 1430-1440. The J. Paul Getty Museum, Ms. 15, verso

In honor of Day With(out) Art, a selection of images that make us more human. More»

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Also posted in Art, Getty Research Institute

600 Historic Recipes for Potions, Paints, and Pastes

Screen Shot 2014-11-25 at 2.27.34 PM

Vintage recipes for pretty much anything, for free! More»

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Also posted in J. Paul Getty Museum

The Ghost That Wasn’t There

A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7
A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7

What does an invisible ghost look like? Um, well, like this. More»

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Also posted in Behind the Scenes, Education, Exhibitions and Installations

Museum Visitors Write the Rules of 21st-Century Chivalry

Be Aware of Others

Visitors common-sense (and sometimes hilarious) rules for 21st-century behavior. More»

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Also posted in J. Paul Getty Museum

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

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Also posted in J. Paul Getty Museum, Photographs, Film, and Video

See Authentic Medieval Hand-to-Hand Combat in New Video

Details of two men fighting with swords in the medieval manuscript Flower of Battle
Combat with Sword (detail) in Fiore Furlan dei Liberi da Premariacco, The Flower of Battle, The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

A new video brings 15th-century fighting moves to life. More»

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Also posted in Art

The Art of Seduction

A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v
A Lover Entering the Bedroom of His Beloved in Romance of the Rose, about 1405, unknown illuminator, made in Paris. Tempera colors, gold leaf, and ink on parchment bound between pasteboard covered with dark red morocco, 14 7/16 x 10 1/4 in. The J. Paul Getty Museum, Ms. Ludwig XV 7, fol. 62v

Is this medieval book a warning lesson, or a shocking incitement to sin? More»

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Also posted in Getty Research Institute, Photographs, Film, and Video, Scholarship

100,000 Digitized Art History Materials from the Getty Research Institute Now Available in the Digital Public Library of America

Barnsdall Park / Julius Shulman
Barnsdall Park, Shulman Retrospective (Los Angeles, California), 1969, photographed by Julius Shulman. Print: Frank Taylor. The Getty Research Institute, 2004.R.10 (Job 4460)

There’s a new place to explore digital treasures from the vast collections of the Getty Research Institute. More»

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      Studying anything at a museum gives me a peek into what might have gone through the minds of other creatives. Being with the art in person, I am able to capture so much more with my eyes than what I would from studying a photograph. The sensation you get when looking at a piece in real life is incomparable. I would recommend to any artist, if possible, studying real pieces up close before just diving into studying photos.

      —Artist @franklinlei, profiled for our #GettyInspired series today on the Iris

      Pages from Franklin’s notebook with sketches of Bernini’s Bust of Pope Paul V and Riccio’s Virgin and Child at the Getty Museum

      02/11/16

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