Art

From Stone Age sculpture to contemporary architecture, 6,500 years of art from the collections of the Getty Museum and the Getty Research Institute

Also posted in Education, J. Paul Getty Museum, Manuscripts and Books

A Better World through Chivalry

A boy is never too young to practice being a gentleman.
 
Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.
A boy is never too young to practice being a gentleman. Initial T: The Apostles; Boys Playing a Game, about 1320-25, in Breviary. The J. Paul Getty Museum, Ms. Ludwig IX 2, fols. 356v–357.

Chivalry gets a 21st-century, multi-generational spin through these artists’ workshops. More»

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Also posted in Education

What Mask Do You Wear?

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What is the Mobile Arts Platform and why should you tell us what mask you wear? More»

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Also posted in J. Paul Getty Museum, Prints and Drawings

This Just In: Three Drawings from the Dutch Golden Age

A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)
A Hollyhock, 1682, Herman Saftleven (Dutch, 1609-1685). Watercolor, gouache and black chalk, 35.2 x 25.2 cm. © Christie's Images Limited (2014)

A peasant portrait, botanical watercolor, and winter scene join the Getty Museum’s collection More»

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Also posted in Architecture and Design

Planning for Utopia

August 9, 1974 (Washington, D.C.)
August 9, 1974 (Washington, D.C.)

Photographs and Memories Reveal the Darker Side of a Symbol of Postwar Suburban Order. More»

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Also posted in Getty Villa

Searching for Murmurs of History

Caption: Elana Mann, Villa Murmurs study, 2014: Photo: Jean-Paul Leonard, courtesy of the artist
Caption: Elana Mann, Villa Murmurs study, 2014: Photo: Jean-Paul Leonard, courtesy of the artist

What does history sound like? More»

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Also posted in Exhibitions and Installations, Getty Villa

Curators’ Choice: Byzantine Treasures

Pectoral Cross / Greek
Photo © Benaki Museum, Athens

Four treasures not to miss when you visit the Byzantine art exhibition at the Getty Villa. More»

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Also posted in Education, J. Paul Getty Museum

“L.A. Summer of Learning” Turns the City into an Open-Air Classroom

Los Angeles Summer of Learning

Make your own summer camp with this new citywide program. More»

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Also posted in Behind the Scenes, Exhibitions and Installations, Getty Center

Theater for the Wonderfully Grotesque: A Playlist for James Ensor

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Dark and obscure songs that mirror the grotesque sensibilities of James Ensor. More»

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Also posted in Sculpture and Decorative Arts

Sculpting Gravity

Floating Curvilinear Arc / Geyer and McMillin
Photo © Don Milici, courtesy Pasadena Museum of California Art

Making visible the earth’s elegance, through art. More»

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Also posted in Exhibitions and Installations, Getty Center, J. Paul Getty Museum

Be a Part of “Fuzzy Grids II”

A family builds Fuzzy Grids II at the Getty Center
Building "Fuzzy Grids II" at the Getty Center

Be a part of an oversize living artwork at the Getty Center. More»

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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit wacko. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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