Paintings

Old Master paintings, oil sketches, ancient encaustic portraits, and more

Also posted in Art, J. Paul Getty Museum

The Italian Comedians Go on View in Elegant Company

The Italian Comedians / Antoine Watteau

The Getty Museum’s most recent painting acquisition, Jean-Antoine Watteau’s The Italian Comedians, is now on view at the Getty Center. It’s installed in Gallery S202 with an array of other 18th-century paintings in the collection, including one by Nicolas Lancret…. More»

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Also posted in Getty Research Institute

Vitaly Komar: Exploring the Lines Between Us

Where is the Line Between Us?, Komad and Melamid, and Douglas Davis

Komar and Melamid created canvases to represent the most wanted (and unwanted) visual imagery for different countries. The results were telling, and hilarious. More»

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Also posted in Art, J. Paul Getty Museum

Watteau’s Serious Clown Comes to the Getty

The Italian Comedians in a Park / Antoine Watteau

Antoine Watteau is famous for his theatrical pictures of the 18th-century French megarich at their elegant balls and fêtes galantes. Theater of a different kind figures in The Italian Comedians, a beautiful and poignant painting that has just joined the… More»

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Also posted in Conservation, Getty Foundation, Philanthropy

The Ghent Altarpiece in 100 Billion Pixels

Ghent Altarpiece - Brooch detail

It is now possible to zoom in to the intricate, breathtaking details of one of the most important works of art in the world, thanks to a newly completed website focused on the Ghent Altarpiece. A stunning and highly complex… More»

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Also posted in Art, J. Paul Getty Museum

James Ensor 2.0: “Christ’s Entry into Brussels” Becomes Performance Art

Two bottle stoppers from Vive L.A Social, Mathis Collins, 2011
Vive L.A Social (details), Mathis Collins, 2011. Images courtesy of Mathis Collins

The unruly figures in James Ensor’s massive painting Christ’s Entry into Brussels in 1889 have sneaked off the canvas and into bottles across Los Angeles. They’re the cast of characters in a new performance work by French artist Mathis Collins…. More»

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Also posted in Conservation, J. Paul Getty Museum

Madonna and Child Visit from Hearst Castle

Madonna and Child / school of Duccio di Buoninsegna

Starting tomorrow, a golden Virgin and Child from Duccio di Buoninsegna’s workshop will be adorning the Getty Center paintings galleries (North Pavilion, Gallery 201). Paintings by Duccio are astoundingly rare—there are fewer than 15 in existence, the Maestà in Siena… More»

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Also posted in Art, J. Paul Getty Museum

A “French ‘Mona Lisa’” Comes to L.A.: Manet’s “Portrait of Madame Brunet”

Portrait of Madame Brunet / Edouard Manet

Museum-quality paintings by Édouard Manet still remaining in private hands are exceptionally rare, and the Getty Museum is extremely fortunate in its most recent addition to the paintings collection: Manet’s Portrait of Madame Brunet, which goes on view at the… More»

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Also posted in Art, J. Paul Getty Museum

Anatomy of a Horse Painting

The Piebald Horse / Paulus Potter

In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small coterie… More»

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Also posted in Art, J. Paul Getty Museum

The Princess Is Back

Portrait of Leonilla, Princess of Sayn-Wittgenstein-Sayn by Franz Xaver Winterhalter in Gallery W201 at the Getty Center

In March, one of the most elegant women at the Museum was forcibly escorted out of the galleries. I was there and saw the whole thing. Princess Leonilla, who’d been on constant view since the Getty Center opened in 1997,… More»

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Also posted in Exhibitions and Installations, Sculpture and Decorative Arts

It Happened in L.A.: Artists Turn to Zen

Little Big Horn / Peter Voulkos

Artists’ studios aren’t generally thought of as meditative places. The stereotype is one of disarray—an image comes to mind of paintbrushes, sculpting tools, or other instruments of the trade strewn about a room, as if to signal an unruly creative… More»

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      The Union Oil Center was completed in 1958 and became the highest building in downtown Los Angeles (mostly thanks to the convenient hill it is situated upon). 

      This neighborhood became known for the 19th century oil boom. However, come the ’90s, the building was up for demolition. Saved by Hollywood, this building became the Los Angeles Center Studios complete with a “vertical backlot.” What other SoCal oil buildings have transformed in time? The Huntington has one.  

      We’re teaming up The Huntington’s tumblr to bring you historic Los Angeles images on Wednesdays through August 6 as part of No Further West.

      Union Oil Center, 1957, Julius Shulman. Getty Research Institute. Julius Shulman Photography Archive.

      07/23/14

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