Photographs, Film, and Video

The still and moving photographic image, from the dawn of photography to new experiments in video art, filmmaking, and digital media

Also posted in Art, J. Paul Getty Museum

The Bully Has Left the Room

Untitled / George Seeley
Untitled, about 1903, George Seeley. Platinum print, 19.2 x 24.3 cm. The J. Paul Getty Museum, Los Angeles, 84.XM.163.3.

While James Ensor is away, Pictorialist photographs will play. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

An Intimate View of Tokyo

captions
Picnic #2, 1998, Masato Seto. Silver-dye bleach print. The J. Paul Getty Museum, 2006.34.1. Purchased with funds provided by the Photographs Council. © Masato Seto

Four photographers capture an intimate view of the most populous cities in the world: Tokyo. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

Transformed by Minor White

Vicinity of Naples, New York / Minor White
The Minor White Archive, Princeton University Art Museum, bequest of Minor White (MWA 55-48). © Trustees of Princeton University

“Two of Minor White’s images helped me to survive.” More»

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Posted in Photographs, Film, and Video

5 Questions about the State of Photography in L.A. Today

Los Angeles at dusk

Quick takes on photography and L.A. from four experts. More»

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Also posted in Art

The Photographs That Helped Save a National Icon

Cathedral Rocks / Watkins
Cathedral Rocks 2600ft., Yosemite, 1861, Carleton Watkins, from the album Photographs of the Yosemite Valley

Carleton Watkins’s powerful images helped convince Congress to save Yosemite. More»

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Also posted in Art, Getty Center

Artists, Educators, and Curators on L.A. and Photography

George Baker, professor of art history at UCLA, offering the keynote address. On screen: photograph by Julia Margaret Cameron
George Baker, professor of art history at UCLA, offering the keynote address. On screen: photograph by Julia Margaret Cameron

Photography turned 175 this year. Audio and recaps from the special celebratory symposium. More»

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Also posted in Art

The California Dream, In Photographs

View to patio and swimming pool, Mr. and Mrs. Jack Moss residence, Pacific Palisades, c. 1944
View to patio and swimming pool, Mr. and Mrs. Jack Moss residence, Pacific Palisades, c. 1944, Maynard Parker

A foil to Julius Shulman’s B&W glamour, Maynard Parker captured middle-class modernism. More»

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Also posted in Art, Exhibitions and Installations

Tableaux of the Seasons

The Princess Royal and Prince Arthur as “Summer” in the Tableaux of the Seasons, 1854, Roger Fenton. Royal Collection Trust / Her Majesty Queen Elizabeth II 2014
Royal Collection Trust / Her Majesty Queen Elizabeth II 2014

The royal children enact the seasons in a rare album now on display at the Getty Museum. More»

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Also posted in Art, Getty Research Institute, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

Re-Picturing Photographic History

Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto
Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto

Why is contemporary artist Hiroshi Sugimoto taking pictures of 175-year-old prints? More»

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      …”the clarity of the cold carnation of old skin, the creases of the smile, the folds made by the passage of time; the powerful pleating of the forehead…”

      The detail of his wrinkles, blood vessels, and moles is a realistic rendering uncommon in formal portraiture of the time. This was made by a friend.

      Portrait of Louis de Silvestre, about 1753, Maurice-Quentin de la Tour. J. Paul Getty Museum.

      08/31/14

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