Photographs, Film, and Video

The still and moving photographic image, from the dawn of photography to new experiments in video art, filmmaking, and digital media

Also posted in Art, J. Paul Getty Museum

Children in Another World: The Photographs of Arthur Tress

Boy with Root Hands, New York, New York, 1971. Arthur Tress (American, born 1940). Gelatin silver print. The J. Paul Getty Museum, Los Angeles. © Arthur Tress.
Boy with Root Hands, New York, New York, 1971, Arthur Tress. Gelatin silver print, 10 1/16 x 10 3/16 in. The J. Paul Getty Museum, 2013.68.13. © Arthur Tress

The inner lives of children take form in the American photographer’s surreal, compelling images. More»

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Also posted in Art, Exhibitions and Installations

Diorama-rama: History Behind Glass

Polar Bear, 1976, Hiroshi Sugimoto (Japanese, born 1948), gelatin silver print, © Hiroshi Sugimoto, The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council
© Hiroshi Sugimoto

Photographer Hiroshi Sugimoto plays with dioramas’ tension between real and fake, fact and spectacle. More»

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Also posted in Art, Exhibitions and Installations

What Ansel Adams Taught Me

Mt. Williamson, Sierra Nevada, from Manzanar, California / Ansel Adams
© 2014 The Ansel Adams Publishing Rights Trust

The photographer was nothing like this young artist imagined. More»

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Also posted in Art

Show Us Your #VictorianPose

#Victorian Pose

Look judgy and flash your monocle! The #VictorianPose sweepstakes is here. More»

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Also posted in Exhibitions and Installations, Getty Research Institute

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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Also posted in Art, Exhibitions and Installations

This Exhibition Is a Total Trip—Through Time

ATRIPTHROUGHTIME

Going to the museum means traveling back in time—and we’ve got the video evidence to prove it. More»

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Also posted in Art

A Love Story Told in Pictures

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The greatest romance of the 19th century, captured on camera. More»

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Also posted in Art, Exhibitions and Installations

Four Minds on Herzog: A Conversation with Glenn Phillips

Glenn Phillips in Werner Herzog's Hearsay of the Soul
Curator Glenn Phillips, photographed inside Werner Herzog’s installation Hearsay of the Soul

“You’re only rewarded by any encounter with an artwork if you get something out of it.” How to approach Werner Herzog. More»

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Also posted in Art

Getty Curators Pick the Best Art Movies Ever Made (And a Few of the Worst)

movie_posters

Art on the silver screen, from beautifully rendered dramas to eyebrow-raising campfests. More»

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Also posted in Art, Exhibitions and Installations

Four Minds on Herzog: A Conversation with Nancy Perloff

Nancy Perloff in Werner Herzog's Hearsay of the Soul
Curator Nancy Perloff, photographed inside Werner Herzog's installation Hearsay of the Soul

“The end is a kind of apotheosis. Maybe that sounds too romantic or spiritual. But the single most remarkable thing is that you lose all sense of time.” More»

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    • photo from Tumblr

      Painted in 1632, separated 1927, and reunited today, these paintings of this man and his wife live together in the collection.

      His smize tells all.

      Portrait of a Man, 1632, Nicolaes Eliasz Pickenoy. Dutch. J. Paul Getty Museum.

      08/20/14

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