Photographs, Film, and Video

The still and moving photographic image, from the dawn of photography to new experiments in video art, filmmaking, and digital media

Also posted in Art, Exhibitions and Installations

Tableaux of the Seasons

The Princess Royal and Prince Arthur as “Summer” in the Tableaux of the Seasons, 1854, Roger Fenton. Royal Collection Trust / Her Majesty Queen Elizabeth II 2014
Royal Collection Trust / Her Majesty Queen Elizabeth II 2014

The royal children enact the seasons in a rare album now on display at the Getty Museum. More»

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Also posted in Art, Getty Research Institute, Research, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

Re-Picturing Photographic History

Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto
Left: Arrangement of Botanical Specimens, 1838m William Henry Fox Talbot. Photogenic drawing negative, 8 13/16 x 7 1/4 in. The J. Paul Getty Museum, 84.XM.1002.10. Right: Arrangement of Botanical Specimens, 1839, 2008, Hiroshi Sugimoto. Gelatin silver print, 36 7/8 x 29 1/2 in. The J. Paul Getty Museum, 2013.64.9. © Hiroshi Sugimoto

Why is contemporary artist Hiroshi Sugimoto taking pictures of 175-year-old prints? More»

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Also posted in Art

Does Art Belong on a City Bus?

Out the Window / Ann Kameko
Photo courtesy of Ann Kameko

An artist creates an urban opera set inside a bus, with joyful movement as the plot. More»

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Also posted in Art, J. Paul Getty Museum

Children in Another World: The Photographs of Arthur Tress

Boy with Root Hands, New York, New York, 1971. Arthur Tress (American, born 1940). Gelatin silver print. The J. Paul Getty Museum, Los Angeles. © Arthur Tress.
Boy with Root Hands, New York, New York, 1971, Arthur Tress. Gelatin silver print, 10 1/16 x 10 3/16 in. The J. Paul Getty Museum, 2013.68.13. © Arthur Tress

The inner lives of children take form in the American photographer’s surreal, compelling images. More»

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Also posted in Art, Exhibitions and Installations

Diorama-rama: History Behind Glass

Polar Bear, 1976, Hiroshi Sugimoto (Japanese, born 1948), gelatin silver print, © Hiroshi Sugimoto, The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council
© Hiroshi Sugimoto

Photographer Hiroshi Sugimoto plays with dioramas’ tension between real and fake, fact and spectacle. More»

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Also posted in Art, Exhibitions and Installations

What Ansel Adams Taught Me

Mt. Williamson, Sierra Nevada, from Manzanar, California / Ansel Adams
© 2014 The Ansel Adams Publishing Rights Trust

The photographer was nothing like this young artist imagined. More»

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Also posted in Art

Show Us Your #VictorianPose

#Victorian Pose

Look judgy and flash your monocle! The #VictorianPose sweepstakes is here. More»

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Also posted in Exhibitions and Installations, Getty Research Institute

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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Also posted in Art, Exhibitions and Installations

This Exhibition Is a Total Trip—Through Time

ATRIPTHROUGHTIME

Going to the museum means traveling back in time—and we’ve got the video evidence to prove it. More»

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