Prints and Drawings

Works on paper from the Renaissance to 1900, including European drawings and a vast variety of prints, from Piranesi’s etchings to the first copperplate prints produced in China

Also posted in Art, Exhibitions and Installations, J. Paul Getty Museum

Ancient Myth, Contemporary Politics

Paris and Helen, 1786, Jacques-Louis David (French, 1748 - 1825), pen and black ink and brush and gray wash, The J. Paul Getty Museum, Los Angeles
Paris and Helen, 1786, Jacques-Louis David. Pen and black ink and brush and gray wash, 7 3/16 x 9 in. The J. Paul Getty Museum, 83.GA.192

Jacques-Louis David made Greco-Roman myths directly relevant to the contemporary public, as this sly drawing shows. More»

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Also posted in Architecture and Design, Getty Research Institute, Voices

Getty Voices: From Paint to Pixels

Four color spheres
In Philipp Otto Runge, Farben-Kugel (Hamburg, 1810), plate opposite p. 15 Hand-colored etchings 85-B14217 Research Library, The Getty Research Institute

How do you transform a 19th-century watercolor into a digital logo? More»

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Also posted in Art, Education, Exhibitions and Installations, Getty Center, J. Paul Getty Museum

The Art of Suggestion

Poetry of Paper haiku station with visitors

Visitors to the Getty Museum’s exhibition The Poetry of Paper reflect on negative space in the drawings on view by writing haiku. More»

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Also posted in Art, J. Paul Getty Museum

Father-and-Daughter Pastels by William Hoare Now on View

Henry Hoare, "The Magnificent," of Stourhead; Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury
L: Henry Hoare, “The Magnificent,” of Stourhead, about 1750–1760, William Hoare. R: Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury, about 1750–1760, William Hoare

Newly acquired portraits tell the unusual story of British banking heir Henry Hoare and the artist who depicted him. More»

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Also posted in Art, Getty Research Institute

Treasures from the Vault: The Unexplored Archive of Otto Muehl

Otto Muehl 7
Otto Muehl after Joseph Beuys’s Fat Chair, 1979. The Getty Research Institute, Otto Mühl papers, circa 1918-circa 1997

A peek into the sketchbooks of the controversial founder of Viennese Actionism. More»

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Also posted in Art, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum

Getty Voices: The Poetry of Paper

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Our new drawings exhibition takes an unusual look at negative space, through the lens of poetry. More»

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Also posted in Art, Getty Research Institute, Research

“The Everlasting Cycle of Becoming and Fading”: Thomas W. Gaehtgens on Philipp Otto Runge’s “Times of Day”

Detail of Night from the Times of Day suite / Philipp Otto Runge

“Runge’s prints represent far more than merely the times of day. The cycle of the day represents in fact the cycle of life.” More»

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Also posted in Art, Getty Research Institute

Philipp Otto Runge’s “Times of Day,” A Monument of German Romantic Art

Detail of the female figure in Evening from the Times of Day suite / Philipp Otto Runge

This remarkable four-print series depicts the coming and departing of light, which points to the cycles of life from conception to death. More»

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Also posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Voices

Researching the Renaissance

Julian Brooks in Florence with reproductions of Andrea del Sarto's Renaissance drawings
Florence, del Sarto, and I.

“It’s amazing to be immersed in Andrea del Sarto’s home city, his drawings, paintings, frescoes, and his life, normally all so far away when I’m in L.A.” More»

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Also posted in Art, Behind the Scenes, Exhibitions and Installations, Voices

Getty Voices: Looking East, Looking West

Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park
Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park

“Looking East” established a platform for international dialogue around art, history, and cultural exchange. More»

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      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

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