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Inside the work of the Getty, from international field projects to maintaining the gardens

Also posted in Getty Research Institute, Manuscripts and Books, Publications, Research

New Digital Publication Reveals the Workings of Art History

Pietro Mellini’s Inventory in Verse, 1681 - home page
The GRI’s first born-digital publication, Pietro Mellini’s Inventory in Verse, 1681

New born-digital book offers a new model for publishing in art history. More»

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Also posted in Getty Foundation, Paintings, Research

New E-Book Explores Early Netherlandish Art

Screen capture showing The Legend of St. Joseph / follower of Robert Campin
Detail of The Legend of St. Joseph, possibly ca. 1490–1500, follower of Robert Campin. Hoogstraten, Church of St. Catherine. From Frames and Supports in 15th- and 16th-Century Southern Netherlandish Painting

New online resource explores panel paintings of the 1400s and 1500s More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Light, Paper, Process: Reinventing Photography

Spin (C-824) / Marco Breuer

Seven photographers revel in process, experiment, chance, and the happy mistake. More»

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Also posted in Art, Getty360, J. Paul Getty Museum, Manuscripts and Books

Drink Like a Renaissance Prince

Left: Initial S: The Conversion of Saint Paul, attributed to Pisanello and the Master of the Antiphonal Q of San Giorgio Maggiore, probably northern Italy, about 1440-1450. The J. Paul Getty Museum, Ms. 41, verso. Right: The Italian wine region Colli Piacentini in the Emilia-Romagna province. Photo: Francesco Secchi (Wikimedia Commons)
Left: Initial S: The Conversion of Saint Paul, attributed to Pisanello and the Master of the Antiphonal Q of San Giorgio Maggiore, probably northern Italy, about 1440-1450. The J. Paul Getty Museum, Ms. 41, verso. Right: The Italian wine region Colli Piacentini in the Emilia-Romagna province. Photo: Francesco Secchi (Wikimedia Commons)

Wines good enough for a Renaissance prince. More»

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Also posted in J. Paul Getty Museum, Miscellaneous, Photographs, Film, and Video

This Is How Fun Looked in the 1850s

The Billiard Room, Mentmore House / Roger Fenton
The Billiard Room, Mentmore House, about 1858, Roger Fenton. Albumen silver print, 11 15/16 x 12 1/16 in. The J. Paul Getty Museum, 2001.27

There’s more to this game of billiards than meets the eye. More»

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Also posted in Getty Research Institute, Photographs, Film, and Video, Research

Gregory Markopoulos’s Film “Galaxie” Screens at the Getty

Still of Jasper Johns from Galaxie, Gregory R. Markopoulos
Still of Jasper Johns from Galaxie, Gregory R. Markopoulos (1966, 16mm)

Free screening of a landmark film from the famously elusive director. More»

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Also posted in Art, Conservation, J. Paul Getty Museum, Research, Sculpture and Decorative Arts

Conserving Barbara Hepworth’s “Figure for Landscape”

Figure for Landscape / Hepworth
Figure for Landscape, 1960, Barbara Hepworth. Bronze, 107 x 52 x 27 in. The J. Paul Getty Museum, Gift of Fran and Ray Stark, 2005.108. © Bowness, Hepworth Estate

Barbara Hepworth’s bronze figure is conserved. More»

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Also posted in Art, Getty Villa

Are Westerners Weird about Death?

19th-century mummy, Burgio, Sicily (detail)
Photo courtesy of and © Paul Koudounaris

“After the Enlightenment, we made a very determined effort to ghettoize the dead.” More»

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Also posted in J. Paul Getty Museum, Photographs, Film, and Video

Coming in 2016: Robert Mapplethorpe

Thomas / Mapplethorpe
Jointly acquired by the Los Angeles County Museum of Art, with funds provided by The David Geffen Foundation and The J. Paul Getty Trust. The J. Paul Getty Museum, 2011.7.31. © Robert Mapplethorpe Foundation

A major retrospective of the artist’s work is coming in March 2016. More»

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Also posted in Art, Education, J. Paul Getty Museum

Be a Fool for Art

#MusePose - Ideal Female Heads
Ideal female heads x4

More fun posing with art! More»

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      “Though I called them satyrs, they showed nothing of the satyr except little horns and a goatish head; all the rest of their form was human.”

      A satyr designed by Benvenuto Cellini, but cast by an unknown artist. Cellini was fired from his palace gig and left his wax molds behind. 

      04/19/15

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