Behind the Scenes

Inside the work of the Getty, from international field projects to maintaining the gardens

Also posted in J. Paul Getty Museum, Manuscripts and Books

The Ghost That Wasn’t There

A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7
A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7

What does an invisible ghost look like? Um, well, like this. More»

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Also posted in Education, Exhibitions and Installations, Manuscripts and Books

Museum Visitors Write the Rules of 21st-Century Chivalry

Be Aware of Others

Visitors common-sense (and sometimes hilarious) rules for 21st-century behavior. More»

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Also posted in J. Paul Getty Museum, Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

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Also posted in Getty Research Institute, Photographs, Film, and Video

Two Unforgettable Films about World War I

Still from J'Accuse featuring undead soldiers questioning their sacrifice
Still from J'Accuse

Two classics screen for the war’s centenary. More»

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Also posted in Getty Foundation

The Getty Foundation’s 30th Anniversary

Shelf of exhibition catalogues from Pacific Standard Time: Art in L.A., 1945-1980
Pacific Standard Time publications

A look back at the Getty Foundation’s 30 years of support for study and preservation of the visual arts. More»

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Also posted in J. Paul Getty Museum, Manuscripts and Books, Photographs, Film, and Video

See Authentic Medieval Hand-to-Hand Combat in New Video

Details of two men fighting with swords in the medieval manuscript Flower of Battle
Combat with Sword (detail) in Fiore Furlan dei Liberi da Premariacco, The Flower of Battle, The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

A new video brings 15th-century fighting moves to life. More»

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Also posted in Art, Research

Beyond Borders: The Humanities in the Digital Age

Terms for marble in multiple languages, superimposed on a carved marble sculpture of Athena
Selected multilingual terms from the entry for marble in the Art & Architecture Thesaurus

The Web has revolutionized the way we study art and culture. More»

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Also posted in Art, Photographs, Film, and Video

Mikiko Hara Answers Your Questions about Photography

Mikiko with her camera in front of her photograph on view in In Focus: Tokyo
Mikiko with her camera in front of her photograph on view in In Focus: Tokyo

10 questions for Japanese street photographer Mikiko Hara. More»

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Also posted in Conservation, Getty Research Institute

Preventing Digital Decay

Digitally decayed scan of a book from the Getty Research Institute / Bernard Picart
Crop of a digitally decayed scan of a page from Ceremonies et coutumes religieuses de tous les peuples du monde, representeées par des figures dessinées de la main de Bernard Picard, avec une explication historique, & quelques dissertations curieuses, 1723–1743. The Getty Research Institute, 1387-555

Digital files are fragile. What to do? More»

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Also posted in Art, Photographs, Film, and Video

Beyond Mikiko Hara’s Viewfinder

Untitled (Is As It), negative 1996; print about 2007, Mikiko Hara. Chromogenic print. 14 x 14 inches. J. Paul Getty Museum. Purchased with funds provided by the Photographs Council. © Mikiko Hara

Why do Mikiko Hara’s photographs look so familiar? More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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