Getty Conservation Institute

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Also posted in Behind the Scenes, Conservation

Conservation Tools: The GC/MS Instrument

Joy Mazurek of the Getty Conservation Institute with a GC/MS instrument
Joy Mazurek of the Getty Conservation Institute explaining what happens inside the GC/MS instrument during analysis.

This scientific tool helps conservators understand artwork from the tiniest of samples. More»

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Also posted in Behind the Scenes, Conservation

Ksours and Kasbahs

Detail of a wall painting in the Residence of the Caid, Kasbah Taourit, Ouarzazate, Morocco
Detail of a wall painting in the Residence of the Caid, Kasbah Taourit, Ouarzazate, Morocco

One of Africa’s most important sites of earthen architecture is the focus of an international conservation project. More»

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Also posted in Behind the Scenes, Conservation, Exhibitions and Installations

Science Behind Glass

Getty Conservation Institute scientist Vincent Beltran working on high-tech frames
Photo: S. Warren

Santa Ana winds are no match for these high-tech frames. More»

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Also posted in Behind the Scenes, Conservation

The Flawless L.A. Look

Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s
Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s

Conservation scientists are working with L.A. artists to conserve their delicate sculpture. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

Letting Jackson Pollock’s “Mural” Speak for Itself

Tom Learner and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural
Tom Learner (left) and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural

“It was time to do something.” Jackson Pollock’s Mural, conserved. More»

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Also posted in Behind the Scenes, Conservation

Rings of Fire: Research at Synchrotron Facilities

Synchrotron Research Center
Late night at the Synchrotron Research Center in Stoughton, WI.

Conservation science never sleeps! And sometimes conservation scientists don’t either. What is it like to run experiments during the graveyard shift? More»

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Also posted in Behind the Scenes, Conservation, Education

Boot Camp for Conservators Explores X-Ray Fluorescence Spectrometry

XRF analysis of The Title Makers / Alfred Jensen
Artwork: Yale University Art Gallery

In a joint Yale-Getty program, conservators learn to harness physics to analyze art. More»

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Also posted in Ancient World, Conservation

Inside the Bulla Regia Model Field Project | Getty Voices

GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren
GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren

What does it take to preserve an entire ancient Roman structure? More»

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Also posted in Conservation, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Also posted in Architecture and Design, Behind the Scenes, Conservation

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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      It’s only temporary!

      We’re saying “see you later” to Modern Rome as it travels abroad to reunite with its sibling paintings at the first major retrospective of Turner’s late work.

      #LateTurner

      08/29/14

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