Getty Conservation Institute

Dedicated to advancing conservation practice around the world

Also posted in Behind the Scenes, Conservation

The Flawless L.A. Look

Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s
Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s

Conservation scientists are working with L.A. artists to conserve their delicate sculpture. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

Letting Jackson Pollock’s “Mural” Speak for Itself

Tom Learner and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural
Tom Learner (left) and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural

“It was time to do something.” Jackson Pollock’s Mural, conserved. More»

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Also posted in Behind the Scenes, Conservation

Rings of Fire: Research at Synchrotron Facilities

Synchrotron Research Center
Late night at the Synchrotron Research Center in Stoughton, WI.

Conservation science never sleeps! And sometimes conservation scientists don’t either. What is it like to run experiments during the graveyard shift? More»

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Also posted in Behind the Scenes, Conservation, Education

Boot Camp for Conservators Explores X-Ray Fluorescence Spectrometry

XRF analysis of The Title Makers / Alfred Jensen
Artwork: Yale University Art Gallery

In a joint Yale-Getty program, conservators learn to harness physics to analyze art. More»

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Also posted in Ancient World, Conservation

Inside the Bulla Regia Model Field Project | Getty Voices

GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren
GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren

What does it take to preserve an entire ancient Roman structure? More»

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Also posted in Conservation, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Also posted in Architecture and Design, Behind the Scenes, Conservation

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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Also posted in Art, Conservation, Photographs, Film, and Video, Publications, Research

Getty Conservation Institute Releases Critical New Resource for Conserving Historic Photographs

An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection.
An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection

This new digital publication offers science-based tools to identify how photographs were made. More»

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Also posted in Conservation, Education, Voices

Getty Voices: Preserving the Photographs of the Middle East

Cairo
© Fouad Debbas Collection

Training a new generation of museum professionals to preserve the rich photographs collections of the Middle East. More»

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Also posted in Behind the Scenes, Conservation, Education, Getty Foundation

Conserving and Protecting Mosaics in the Mediterranean: The MOSAIKON Initiative

Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia
Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia

Featuring over 300 Roman and Byzantine mosaics, Bulla Regia in Tunisia is serving as an outdoor lab for mosaics conservation and training. More»

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      Olympian Census #4: Aphrodite

      Get the stats on your favorite (and not-so-favorite) gods and goddesses on view at the Getty Center.

      Roman name: Venus

      Employment: Goddess of Love and Beauty

      Place of residence: Mount Olympus

      Parents: Born out of sea foam formed when Uranus’s castrated genitals were thrown into the ocean

      Marital status: Married to Hephaestus, the God of Blacksmiths, but had many lovers, both immortal and mortal

      Offspring: Aeneas, Cupid, Eros, Harmonia, Hermaphroditos, and more

      Symbol: Dove, swan, and roses

      Special talent: Being beautiful and sexy could never have been easier for this Greek goddess

      Highlights reel:

      • Zeus knew she was trouble when she walked in (Sorry, Taylor Swift) to Mount Olympus for the first time. So Zeus married Aphrodite to his son Hephaestus (Vulcan), forming the perfect “Beauty and the Beast” couple.
      • When Aphrodite and Persephone, the queen of the underworld, both fell in love with the beautiful mortal boy Adonis, Zeus gave Adonis the choice to live with one goddess for 1/3 of the year and the other for 2/3. Adonis chose to live with Aphrodite longer, only to die young.
      • Aphrodite offered Helen, the most beautiful mortal woman, to Paris, a Trojan prince, to win the Golden Apple from him over Hera and Athena. She just conveniently forgot the fact that Helen was already married. Oops. Hello, Trojan War!

      Olympian Census is a 12-part series profiling gods in art at the Getty Center.

      08/03/15

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