Getty Conservation Institute

Dedicated to advancing conservation practice around the world

Also posted in Architecture and Design, Behind the Scenes, Conservation

A Project of Seismic Proportions

Earthen structures in the vast adobe city of Chan Chan, capital of the Chimu Kingdom in present-day Perum

As Californians, we are well aware of the damage that results from earthquakes, even in new buildings constructed with modern materials. But what happens to historic buildings made of earthen materials such as adobe? These structures can be particularly vulnerable… More»

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Also posted in Exhibitions and Installations, Getty Center, Getty Research Institute, J. Paul Getty Museum

Countdown to Pacific Standard Time

Ablutions performance at Guy Dill’s studio
Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol

This morning we launched a new website dedicated to Los Angeles art from 1945 to 1980. Here you can get acquainted with Pacific Standard Time, the region-wide collaborative project that will tell the story of the L.A. art scene and… More»

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Also posted in Behind the Scenes, Getty Foundation, Getty Research Institute, J. Paul Getty Museum, J. Paul Getty Trust

Reflections on My First Days at the Getty—And What’s Next

Jack Brogan, fabricator, and Rani Singh of the Getty Research Institute inspect De Wain Valentine's Red Concave Circle in Brogan's studio in Inglewood, California, June 17, 2011

The J. Paul Getty Trust is an extraordinary arts institution. That I knew before coming to work at the Getty this week as its president and CEO. What I didn’t know—couldn’t know until I became a full part of this organization—was… More»

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Also posted in Art, Behind the Scenes, Conservation, Getty Research Institute, J. Paul Getty Museum, Sculpture and Decorative Arts

Conserving Lichtenstein’s “Three Brushstrokes”

Three Brushstrokes.  Copyright Estate of Roy Lichtenstein.  Gift of Fran and Ray Stark.
Three Brushstrokes. Copyright Estate of Roy Lichtenstein. Gift of Fran and Ray Stark.

A long lively stroke of deep brilliant blue, black, and white, a curved swipe of muted yellow, a short dab of red—perhaps you’ve seen artist Roy Lichtenstein’s colorful painted aluminum sculpture Three Brushstrokes on a visit to the Getty Center…. More»

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Also posted in Conservation

All Roads Lead to Rome

The Roman Forum

What brings a group of architects, conservators, engineers, geologists, scientists, and archaeologists from twenty countries and six continents to Rome? Rocks—or more accurately, stone. They have all come to participate in the 17th International Course on Stone Conservation, which began… More»

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Also posted in Behind the Scenes, Conservation, Research

From Green Umber to Azurite, Walnut Oil to Egyptian Sandstone, Reference Collection Helps Scientists Analyze Art Data

The Getty Conservation Institute's Art Kaplan, examining mineral samples found in the Reference Collection.

Art Kaplan is on a mission. At my request, he’s looking for a particular yellow pigment to show me—and there are hundreds of yellows to choose from, in drawers labeled Yellow Ochre, Lemon Ochre, Golden Yellow, French Yellow, and labels… More»

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Also posted in Conservation, Publications

Werner Herzog, Jean Clottes, and the Origins of Art

Rock art in Leliekloof, Eastern Cape, South Africa. Processions of people are typical of dancing scenes associated with altered states of consciousness. The sheep and dogs indicate that the paintings are less than 2,000 years old. Photo: Janette Deacon

I’ve long admired the films of Werner Herzog, so I was delighted to discover that his new film Cave of Forgotten Dreams, made in 3-D, is about the prehistoric paintings at Chauvet, in the Ardeche region of southeastern France. I… More»

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Also posted in Conservation

Conserving Mosaics in the Field: Challenges and Rewards

Mosaic of the Transfiguration in the basilica of the Holy Monastery of Saint Catherine, Sinai. Photo: Robert S. Nelson

Update: video of this lecture is available here. Amid the moon-like landscape of the Sinai, the Holy Monastery of Saint Catherine has stood unfailing for 17 centuries, unaltered by invasion or conquest. Imagine a place rooted in the ancient world… More»

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Also posted in Conservation, Exhibitions and Installations, Getty Foundation, Sculpture and Decorative Arts

Cambodia’s Enduring Mystery

Shiva's Bull, Nandin.  The National Museum of Cambodia.

The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the Khmer… More»

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Also posted in Conservation

What Do You Mean, “Sustainability and Cultural Heritage”?

Gold Rush-era building in Nevada City, California

When I talk about the importance of sustainability and cultural heritage, most people nod their heads—we’ve all heard the word “sustainable” in terms of the green revolution—but then a second later they usually ask, “Wait, what exactly do you mean?”… More»

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    • photo from Tumblr

      differenceetrepetition:

      Medieval methods of entertainment included sad dances and alienation parties.

      Tights are not pants, circa 1400something.


      05/19/13

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