Getty Foundation

The Getty’s philanthropic arm, supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts

Also posted in Art, Getty Conservation Institute

Conserving Mosaics in the Middle East and North Africa, A MOSAIKON Trainer’s Account

mosaikon-1
A participant in 2014 MOSAIKON training workshop organized by the Centro di Conservazione Archeologica (CCA) and supported by the Getty Foundation conserves a second-century Roman mosaic

A conversation with mosaics expert Roberto Nardi about conservation training. More»

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Also posted in Art, Publications

Museum Catalogues from Eight Institutions You Can Now Read Online

The Online Scholarly Catalogue Initiative, or OSCI, led by the Getty Foundation, is finding solutions for the complex task of creating museum publications in a free digital format.
The Online Scholarly Catalogue Initiative, or OSCI, led by the Getty Foundation, is finding solutions for the complex task of creating museum publications in a free digital format.

Another online collections catalogue supported by the Getty Foundation has launched More»

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Also posted in Behind the Scenes

The Getty Foundation’s 30th Anniversary

Shelf of exhibition catalogues from Pacific Standard Time: Art in L.A., 1945-1980
Pacific Standard Time publications

A look back at the Getty Foundation’s 30 years of support for study and preservation of the visual arts. More»

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Also posted in Conservation, Getty Conservation Institute

Advancing Conservation Practice, One Intern At a Time

Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross
Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross

Graduate internships at the Getty Conservation Institute offer training in both conservation and leadership. More»

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Also posted in Behind the Scenes, Exhibitions and Installations

Art Historians Share Progress on Exhibitions for Pacific Standard Time: LA/LA

Discussion panel during the Pacific Standard Time workshop at the Getty Center, October 2014
Discussion panel during the Pacific Standard Time: LA/LA workshop

Work is in full swing on dozens of Pacific Standard Time exhibitions slated for 2017. More»

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Also posted in Photographs, Film, and Video

Seeing Each Other Differently

Sound of One Hand Clapping / Minor White
Reproduced with permission of the Minor White Archive, Princeton University Art Museum. © Trustees of Princeton University

Art brings a dad and his adult son together. More»

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Also posted in Architecture and Design

Getty Foundation Announces “Keeping It Modern”

Keeping it Modern / A Getty Foundation initiative to conserve 20th-century architecture

A new initiative focuses on advancing the conservation of modern architecture. More»

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Also posted in Behind the Scenes, Getty Villa

5 Tips for Making the Most of an Arts Internship

Corinne (left) and Gaby (center) in a productive meeting with Getty Villa exhibitions coordinator Robin McCarthy (right)
DO participate in meetings! Corinne (left) and Gaby (center) in a productive meeting with Getty Villa exhibitions coordinator Robin McCarthy (right)

Road-tested advice for launching your career in an arts organization. More»

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Also posted in Art, Research

Summer Camp for Art Historians

Photo: Frettie, CC By-SA 3.0

Three summer institutes convene art historians to push digital art history forward. More»

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Also posted in Behind the Scenes, Publications

New Digital Publication Zooms in on Claude Monet

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New digital catalogue from the Art Institute of Chicago lets you get up close and personal with Monet’s brushstrokes. More»

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    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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