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Giorgio Vasari’s Monumental Painting “Last Supper” Reemerges After Nearly 50 Years

Positioning the panel vertically to align the margins of the joint. Archives of the Opificio delle Pietre Dure, Firenze.
Positioning the panel vertically to align the margins of the joint. Archives of the Opificio delle Pietre Dure, Firenze.

For the first time in 47 years, the five wooden panels that make up Giorgio Vasari’s “Last Supper” are joined together again to make the artwork whole. More»

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Also posted in Art, Behind the Scenes, Conservation, Philanthropy, Photographs, Film, and Video

Getty Foundation Grant Helps Restore Daguerre’s Final Illusion

Conservation work being undertaken on Daguerre’s last surviving diorama in Bry-Sur-Marne
Courtesy of the office of Mayor Spillbauer of Bry-sur-Marne

Nestled in a church in a small town outside Paris, a massive diorama by Daguerre has been newly restored. More»

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Also posted in Behind the Scenes, Conservation, Education, Getty Conservation Institute

Conserving and Protecting Mosaics in the Mediterranean: The MOSAIKON Initiative

Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia
Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia

Featuring over 300 Roman and Byzantine mosaics, Bulla Regia in Tunisia is serving as an outdoor lab for mosaics conservation and training. More»

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Also posted in Art, Education, Philanthropy

Connecting the Art Historical Dots

Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy. © J. Paul Getty Trust
Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy.

A Getty Foundation initiative is expanding the frontiers of art history by bringing scholars together from around the globe. More»

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Also posted in J. Paul Getty Museum

Digital Success, Interactive Reading, and Other Open Questions about OSCI and Digital Publishing

catalogues2

How do we measure success in digital publishing? What’s better, an app or responsive design? What do we mean by “reading” now? More»

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Also posted in Behind the Scenes, Publications

New SFMOMA Catalogue Gives Museums 5 Reasons to Embrace Digital Publishing

SFMOMA's Rauschenberg Research Project

SFMOMA’s new online catalogue of Robert Rauschenberg’s work harnesses multimedia, archival material, and more. More»

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Also posted in Art, Publications, Voices

Getty Voices: OSCI and The Future of Digital Publishing

AnneHelmreich_digipubs

Digital isn’t just revolutionizing publishing. It’s revolutionizing the museum. More»

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Also posted in Behind the Scenes, Philanthropy

New Perspectives: Exploring Career Paths at the 2013 Getty Intern Arts Summit

Hilary_Walters
Hilary Walter, Program Assistant at the Getty Foundation, catches up with interns at the end of a great day.

A glimpse into the world of professional development for the Getty’s Multicultural Summer Interns. More»

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Also posted in Architecture and Design, Philanthropy

India’s Vibrant Cultural Heritage Comes to Life at Nagaur Fort

Nagaur, Sheesh Mahal: vault painting with ladies amid clouds and lightning bolts. © Courtauld Institute of Art
Nagaur, Sheesh Mahal: vault painting with ladies amid clouds and lightning bolts. © Courtauld Institute of Art

A 20-year project Initiated by the Getty Foundation at the Historic Fort Has Lasting Effects Located in northwest India, a two hour drive from the fortress city of Jodhpur in Rajasthan lies the Nagaur-Ahhichatragarh Fort. Begun in the 12th century… More»

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Also posted in Behind the Scenes

Getting “CAM-my” with Alumni of the Getty Internship Program

Alumni of the Getty Foundation's Multicultural Undergraduate Internship Program
Big smiles, big progress: Alumni of the Getty Foundation's Multicultural Undergraduate Internship Program at the annual conference of the California Association of Museums (CAM)

An alumna of the Foundation’s Multicultural Undergraduate Internship Program reflects on making and sustaining connections. More»

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      From you have I been absent in the spring,
      When proud-pied April, dressed in all his trim,
      Hath put a spirit of youth in everything,
      That heavy Saturn laughed and leaped with him,
      Yet nor the lays of birds, nor the sweet smell
      Of different flowers in odor and in hue,
      Could make me any summer’s story tell,
      Or from their proud lap pluck them where they grew.
      Nor did I wonder at the lily’s white,
      Nor praise the deep vermilion in the rose;
      They were but sweet, but figures of delight,
      Drawn after you, you pattern of all those.
      Yet seemed it winter still, and, you away,
      As with your shadow I with these did play.

      —William Shakespeare, born April 23, 1564

      Vase of Flowers (detail), 1722, Jan van Huysum. The J. Paul Getty Museum

      04/23/14

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