J. Paul Getty Museum

Eight thousand years of art on view in two locations, plus a year-round offering of education programs, music, theater, and more

Also posted in Manuscripts and Books

The Ghost That Wasn’t There

A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7
A Monk and Guy’s Widow Conversing with the Soul of Guy de Thurno (detail) in The Vision of the Soul of Guy de Thurno, Simon Marmion, 1475. The J. Paul Getty Museum, Ms. 31, fol. 7

What does an invisible ghost look like? Um, well, like this. More»

Tagged , , , , Leave a comment
Also posted in Manuscripts and Books

Delightfully Horrifying Manuscript Illuminations

Halloween5

Selections from the collection for Halloween. More»

Tagged , , , , , Leave a comment
Also posted in Manuscripts and Books, Photographs, Film, and Video

See Authentic Medieval Hand-to-Hand Combat in New Video

Details of two men fighting with swords in the medieval manuscript Flower of Battle
Combat with Sword (detail) in Fiore Furlan dei Liberi da Premariacco, The Flower of Battle, The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 20v

A new video brings 15th-century fighting moves to life. More»

Tagged , , , , , Leave a comment
Also posted in Art, Sculpture and Decorative Arts

Three Reasons to Love Marie-Antoinette

Color print of Queen Marie-Antoinette
Queen Marie-Antoinette, about 1789, Pierre-Michel Alix after Elisabeth-Louise Vigée Le Brun. Etching and wash manner, printed in blue, red, yellow, and black inks, 9 3/16 x 7 1/16 in. The National Gallery of Art, Widener Collection, 1942.9.2430. Image courtesy National Gallery of Art, Washington

Before her ill-fated end, Marie-Antoinette was a peerless patron of the decorative arts. More»

Tagged , , , , , 2 Responses
Also posted in Art, Education

Barbara Kruger and L.A. Teenagers Team Up to Ask, “Whose Values?”

Hello / Goodbye, an installation by Barbara Kruger at the Hammer Museum
Courtesy of Barbara Kruger. Photo: Brian Forrest

The contemporary artist will work with nearly 500 high schoolers to question, comment, and create. More»

Tagged , , , , Leave a comment
Also posted in Exhibitions and Installations

Peter Paul Rubens Unrolls in L.A.

It's almost up!
Tapestry © PATRIMONIO NACIONAL

See how Peter Paul Rubens’s enormous tapestries were installed at the Getty. More»

Tagged , , , , , , Leave a comment
Also posted in Exhibitions and Installations, Photographs, Film, and Video

“Where You and Image Blend”: On Learning from Minor White

Somerville, Massachusetts / Carl Chiarenza
© Carl Chiarenza

“Concentration, contemplation, and meditation were at his core whether making, studying, listening, or engaging. He preferred to be alone with silence, spirit, self.” More»

Tagged , , , , 1 Response
Also posted in Photographs, Film, and Video

Tokyo Stories

Still from Adrift in Tokyo / 2007
Courtesy of The Japan Foundation, Los Angeles

Three filmmakers have radically different takes on the city of Tokyo. More»

Tagged , , , , , , Leave a comment
Also posted in Photographs, Film, and Video

This Just In: The Sublime in the Everyday

Cookie in the Snow, Seacoal Camp, Lynemouth, Northumberland / Chris Killip
"Cookie" in the Snow, Seacoal Camp, Lynemouth, Northumberland, 1985, Chris Killip. Gelatin silver print, 10 7/8 x 13 3/8 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.25.11. © Chris Killip

Chris Killip’s photographs depict hard-working people in a bleak yet visually stunning setting. More»

Tagged , , , , , 1 Response
Also posted in Art, Exhibitions and Installations

Curator’s Talk on James Ensor Is a Gas

James_Ensor2

What you need to know about James Ensor, in 12 minutes. More»

Tagged , , , , 1 Response
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

  • Flickr