J. Paul Getty Museum

Eight thousand years of art on view in two locations, plus a year-round offering of education programs, music, theater, and more

Also posted in Antiquities, Manuscripts and Books

A Hero’s Journey and the Dance of Dragons

Alexander the Great Under Water
Alexander the Great Under Water (detail), about 1400–10, unknown artist, in the World Chronicle. The J. Paul Getty Museum, Ms. 33, fol. 220v

Over-the-top tales of Alexander the Great from the pages of medieval manuscripts. More»

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Also posted in Behind the Scenes, Photographs, Film, and Video

Designing an Exhibition, Wall by Wall

Joseph Valencia and Paul Martineau reviewing copy prints for an exhibition wall
Joseph Valencia and Paul Martineau reviewing copy prints for an exhibition wall

Putting photos on a wall—it’s harder than it looks More»

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Also posted in Manuscripts and Books, Sculpture and Decorative Arts

The Sun King Illuminated: An Emblem Book for Louis XIV

Escutcheon with a Landscape / Jacques Bailly
Escutcheon with a Landscape (detail) from Emblems for Louis XIV, text in French and Latin by Charles Perrault, illuminations by Jacques Bailly, about 1663–68. The J. Paul Getty Museum, Ms. 11, leaf 5

Sleuthing the symbols of Louis XIV in the Getty Center galleries. More»

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Also posted in Education, Getty360

Play’s the Thing at Museum Game Zone

Playing ShapeScapes at Museum Game Zone

A new pilot program is all about games. More»

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Also posted in Behind the Scenes, Photographs, Film, and Video

Inside the Photography of Ishiuchi Miyako

Ishiuchi photographs a detail of the jacket
Ishiuchi photographs a detail of the jacket

70 years later, the Hiroshima bombing gives rise to hopeful art. More»

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Also posted in Prints and Drawings

The Secrets of Renaissance Creativity

Studies of Figures behind a Balustrade / Andrea del Sarto
Studies of Figures behind a Balustrade (detail), about 1522, Andrea del Sarto. Red chalk, 6 7/8 x 7 7/8 in. The J. Paul Getty Museum, 92.GB.74

A curator’s take on Andrea del Sarto. More»

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Also posted in Art, Education

What’s the Value of a Museum Field Trip?

High school students in conversation with docent Barbara Atherton as they examine the Bust of Commodus.
High school students in conversation with docent Barbara Atherton as they examine the Bust of Commodus.

Do museum field trips really have value? More»

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Also posted in Photographs, Film, and Video

Opposites Attract

Tarascon / Charles Tarascon
Tarascon, 1852, Charles Nègre. Waxed paper negative with selectively applied pigment, 9 5/16 x 13 1/16 in. The J. Paul Getty Museum, 2015.43.9

For 19th-century photographers, the negative was the true work of art. More»

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Also posted in Sculpture and Decorative Arts

A Bronze God for the Sun King

Belvedere Antinous - detail of head and torso / Tacca
Belvedere Antinous (detail), about 1630, attributed to Pietro Tacca. Bronze, 25 1/2 in. high. The J. Paul Getty Museum, 2014.40

Travels of a bronze Hermes, from Florence to Paris to L.A. More»

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Also posted in Sculpture and Decorative Arts

Froth and Folly: Nobility and Perfumery at the Court of Versailles

Potpourri holder once owned by Madame de Pompadour
Detail of a potpourri holder once owned by Madame de Pompadour. One of a pair of vases (pots-pourris fontaine or pots-pourri à dauphins), about 1760, made at the Sèvres Manufactory with painted decoration attributed to Charles-Nicolas Dodin. The J. Paul Getty Museum, 78.DE.358

How did Louis XIV’s court smell? More»

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      Made with sweat and tears, literally

      Matthew Brandt incorporates the elements of his subject into the making—or unmaking—of his photographs. From lake water to sweat to saliva to tears, particles of the world in which he photographs influence the making of the print. 

      His photographs are now on view (with 5 other contemporary photographers) in Light, Paper, Process open through September 6.


      Rainbow Lake, WY A4, negative 2012; print 2013, Matthew Brandt. Chromogenic print, soaked in Rainbow Lake water, 30 x 40 in. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2014.16.2. © Matthew Brandt

      Will, 2007, Matthew Brandt. Salted paper print with tears, 2 5/8 x 2 in. Courtesy of the artist, Yossi Milo Gallery, New York and M+B Gallery, Los Angeles. © Matthew Brandt

      08/27/15

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