Behind the Scenes

Inside the work of the Getty, from international field projects to maintaining the gardens

Also posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Parallel Exhibitions on Renaissance Courts

Initial L: The Nativity, Master B. F., about 1542–45. Archivio Storico Civico e Biblioteca Trivulziana, Milan
Corale A, fol. 33 (© Comune di Milano. All rights reserved.)
Initial L: The Nativity, Master B. F., about 1542–45. Archivio Storico Civico e Biblioteca Trivulziana, Milan Corale A, fol. 33 (© Comune di Milano. All rights reserved.)

Los Angeles and Milan host parallel exhibitions of illuminated manuscripts. More»

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Also posted in Ancient World, Getty Foundation, Getty Villa, J. Paul Getty Museum

Grad Intern Diary: Jacquelyn Clements

Jacquelyn Clements

Studying Greece’s enchanting landscape. More»

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Also posted in Conservation, Getty Conservation Institute

Conservation Tools: The Microfading Tester

Vincent Beltran uses a microfading tester on a tapestry from the Getty Museum’s collection

Measuring color changes in light-sensitive works of art. More»

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Also posted in Exhibitions and Installations, Getty Research Institute, Prints and Drawings

Louis XIV’s Golden Dome

Facade of the Church of the Invalides / Pierre Lepautre after Jules Hardouin-Mansart
Facade of the Church of the Invalides, 1687, Pierre Lepautre after Jules Hardouin-Mansart. Etching and engraving from a bound volume of 14 prints (Bâtiments du roi, Paris, 1687). The Getty Research Institute, 1392-604

A rare print for the dome of the Invalides in Paris reflects Louis XIV’s ambitions to make Paris “a new European center of architectural magnificence.” More»

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Also posted in Education, Getty Center, Getty Villa, Getty360

Summer Family Fun at the Getty

Family enjoying Garden Concerts for Kids at the Getty
Family enjoying Garden Concerts for Kids

Free summer activities for kids and parents at the Getty Center and Getty Villa More»

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Also posted in Ancient World, Getty Villa, Getty360

Classicist Edith Hall on Ancient Conflict Resolution, Robots, and Why Knowing Greek History Would Make the World a Better Place

© Michael Wharley Photography 2013

“I would like to teach every young person some bits of Homer, Greek drama, Plato, Aristotle, Livy and Tacitus. The world would be a better place.” More»

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Also posted in Conservation, Getty Conservation Institute, Sculpture and Decorative Arts

Outdoor Sculpture at Long Beach Campus Gets a Fresh Look

Duet after repainting. Courtesy University Art Museum, California State University, Long Beach
Duet after repainting. Courtesy University Art Museum, California State University, Long Beach

CSU Long Beach’s remarkable outdoor sculpture collection is being newly conserved More»

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Also posted in Getty Foundation, Philanthropy

Getty Foundation Launches Searchable Online Grant Database

Screencap of the Getty Foundation's new grant database. Courtesy of the Getty Foundation
Screencap of the Getty Foundation's new grant database. Courtesy of the Getty Foundation

Access to grant data across the Foundation’s entire 30-year history. More»

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Also posted in Getty Research Institute

6 Questions for the Getty’s Institutional Archivist

Nancy Enneking, Head of Institutional Records at the Getty, reviews photographs with her team of institutional archivist.
Nancy Enneking, Head of Institutional Records at the Getty, reviews photographs with her team of institutional archivist.

From a model of the Getty Center to a corrupt floppy disk, it’s all in there. More»

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Also posted in J. Paul Getty Museum, Manuscripts and Books

Deathly Meditations in Medieval Manuscripts

The Martyrdom of Saint Sebastian, Master of Sir John Fastolf, about 1430-40. The J. Paul Getty Museum, Ms. 5, fol. 36v
The Martyrdom of Saint Sebastian, Master of Sir John Fastolf, about 1430-40. The J. Paul Getty Museum, Ms. 5, fol. 36v

Death is coming. Prepare with these images from illuminated manuscripts. More»

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      arsvitaest:

      Spanish iris, morning glory and cherries

      Author: Georg Flegel (German, 1566-1638)
      Date: 1630
      Medium: Watercolor and gouache with white highlights on paper; traces of black chalk; several paint stains
      Location: Kupferstichkabinett (Museum of Prints and Drawings), Berlin

      07/02/15

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