Behind the Scenes

Inside the work of the Getty, from international field projects to maintaining the gardens

Also posted in Conservation, Getty Research Institute

Preventing Digital Decay

Digitally decayed scan of a book from the Getty Research Institute / Bernard Picart
Crop of a digitally decayed scan of a page from Ceremonies et coutumes religieuses de tous les peuples du monde, representeées par des figures dessinées de la main de Bernard Picard, avec une explication historique, & quelques dissertations curieuses, 1723–1743. The Getty Research Institute, 1387-555

Digital files are fragile. What to do? More»

Tagged , , , , , , , 2 Responses
Also posted in Art, Photographs, Film, and Video

Beyond Mikiko Hara’s Viewfinder

Untitled (Is As It), negative 1996; print about 2007, Mikiko Hara. Chromogenic print. 14 x 14 inches. J. Paul Getty Museum. Purchased with funds provided by the Photographs Council. © Mikiko Hara

Why do Mikiko Hara’s photographs look so familiar? More»

Tagged , , , , Leave a comment
Also posted in Conservation, Getty Conservation Institute, Getty Foundation

Advancing Conservation Practice, One Intern At a Time

Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross
Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross

Graduate internships at the Getty Conservation Institute offer training in both conservation and leadership. More»

Tagged , , , Leave a comment
Also posted in Art, J. Paul Getty Museum, Sculpture and Decorative Arts

Three Reasons to Love Marie-Antoinette

Color print of Queen Marie-Antoinette
Queen Marie-Antoinette, about 1789, Pierre-Michel Alix after Elisabeth-Louise Vigée Le Brun. Etching and wash manner, printed in blue, red, yellow, and black inks, 9 3/16 x 7 1/16 in. The National Gallery of Art, Widener Collection, 1942.9.2430. Image courtesy National Gallery of Art, Washington

Before her ill-fated end, Marie-Antoinette was a peerless patron of the decorative arts. More»

Tagged , , , , , 3 Responses
Also posted in Exhibitions and Installations, Getty Foundation

Art Historians Share Progress on Exhibitions for Pacific Standard Time: LA/LA

Discussion panel during the Pacific Standard Time workshop at the Getty Center, October 2014
Discussion panel during the Pacific Standard Time: LA/LA workshop

Work is in full swing on dozens of Pacific Standard Time exhibitions slated for 2017. More»

Tagged , , , 1 Response
Also posted in Art, Education, J. Paul Getty Museum

Barbara Kruger and L.A. Teenagers Team Up to Ask, “Whose Values?”

Hello / Goodbye, an installation by Barbara Kruger at the Hammer Museum
Courtesy of Barbara Kruger. Photo: Brian Forrest

The contemporary artist will work with nearly 500 high schoolers to question, comment, and create. More»

Tagged , , , , Leave a comment
Also posted in Exhibitions and Installations, J. Paul Getty Museum

Peter Paul Rubens Unrolls in L.A.

It's almost up!
Tapestry © PATRIMONIO NACIONAL

See how Peter Paul Rubens’s enormous tapestries were installed at the Getty. More»

Tagged , , , , , , Leave a comment
Also posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

“Where You and Image Blend”: On Learning from Minor White

Somerville, Massachusetts / Carl Chiarenza
© Carl Chiarenza

“Concentration, contemplation, and meditation were at his core whether making, studying, listening, or engaging. He preferred to be alone with silence, spirit, self.” More»

Tagged , , , , 1 Response
Also posted in Getty Research Institute

Meet FRED!

editFRED

What’s used in law enforcement and at the Getty Research Institute? FRED! More»

Tagged , , , , , Leave a comment
Also posted in Getty Research Institute, Prints and Drawings

This Just In: Anatomy in Wax, Wood, and Ink

“These prints preserve a fascinating moment in the history of art and science, through the meeting point of anatomy.” More»

Tagged , , , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

  • Flickr