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Inside the work of the Getty, from international field projects to maintaining the gardens

Also posted in J. Paul Getty Trust, Voices

New “Getty Voices” Project Features Creative Angles on Art and Culture, One Week at a Time

voices_featured

This morning we launched Getty Voices, a new social media project on The Iris led by a different member of the Getty community every week. More»

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Also posted in Conservation, Getty Conservation Institute, Voices

Getty Voices: Peru Field Notebook

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Our new Getty Voices series kicks off with a weeklong view into one of the Getty Conservation Institute’s international field projects. More»

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Also posted in Art, Conservation, Getty Conservation Institute, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

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Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Also posted in J. Paul Getty Trust

The Arts on the World Economic Stage—Notes from Davos

World Economic Forum, 2013
Photo: swiss-image.ch/Moritz Hager. © World Economic Forum

Notes and video excerpts from the Getty’s participation in the World Economic Forum. More»

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Also posted in Art, Getty Research Institute, Photographs, Film, and Video

Treasures from the Vault: Robert Mapplethorpe Papers and Photographs

Self-portrait / Robert Mapplethorpe
Gift of The Robert Mapplethorpe Foundation to the J. Paul Getty Trust and the Los Angeles County Museum of Art. © Robert Mapplethorpe Foundation. Held at the Getty Research Institute

After much anticipation, the Robert Mapplethorpe archive is now available at the Getty Research Institute. More»

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Also posted in Getty Research Institute, Publications, Research

New Online Resource to Reveal Stories about Nazi-Looted Art, Wartime Art Market

Paintings in storage at the Munich Central Collecting Point / Johannes Felbermeyer
Paintings in storage at the Munich Central Collecting Point, ca. 1945–49, Johannes Felbermeyer. This was one of several sites used by the Allies to identify, photograph, and restitute Nazi-seized artworks after the war. Photo Study Collection. The Getty Research Institute, 89.P.4

Featuring over 2,000 newly digitized catalogs, a new database will revolutionize Nazi-era art research. More»

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Also posted in Art, Getty Research Institute, Prints and Drawings

Rare Chinese Battle Prints Come to the Getty Research Institute

Detail of Chinese emperor Qianlong in Pictures of the Campaigns against the Gurkhas / Chinese
Detail of Chinese emperor Qianlong being carried in triumph from the plate above

These amazingly detailed prints depict the successful military campaign of the Qianlong Emperor against Nepalese warriors. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Paintings

A Call to Arms! Heraldry in Renaissance Florence (And a Mystery You Can Help Solve)

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The Virgin and Child Surrounded by Saints, between 1350 and 1365, Follower of Bernardo Daddi (possibly Pietro Nelli). Tempera and gold leaf on panel, 37 ½ x 26 in. (95.3 x 66 cm). Portland Art Museum, 61.51

Heraldry is a fascinating and complex system by which coats of arms are devised and decoded.  My familial arms—yes, my family has a coat of arms, and yours may have too—are composed of an intricate grouping of objects, including a… More»

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Also posted in Conservation, Getty Foundation, Paintings, Philanthropy

Conserving Pacino di Bonaguida: My Getty Foundation Fellowship

Madonna and Child with Saints / Pacino

The Panel Paintings Initiative is training the next generation of conservators of paintings on wood panels, and including professionals from Eastern Europe is a high priority. In this post, Polish conservator Aleksandra Hola describes her experience with the program. For… More»

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Also posted in Architecture and Design, Exhibitions and Installations, J. Paul Getty Museum

Church Pews and iPads? Designing “Florence at the Dawn of the Renaissance”

Installation view of Florence at the Dawn of the Renaissance showing pews and iPads
Installation view of Florence at the Dawn of the Renaissance showing the design treatment for a gateway object, Giotto's Peruzzi Altarpiece from about 1309–15. (North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation, GL.60.17.7). At left, The Virgin Mary with Saints Thomas Aquinas and Paul, about 1330, Bernardo Daddi. The J. Paul Getty Museum. At right, the Carmina regia manuscript, about 1335–40, Pacino di Bonaguida. The British Library

When we first started planning for the design of Florence at the Dawn of the Renaissance in the fall of 2011, we faced a major challenge: how to deliver the wealth of information we wanted to convey about the artworks…. More»

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      Remarkably realistic for medieval illuminated beasts, which were often fabulous admixtures of fantasy and fur. The unicorn is clearly drawn from life, for example.


      05/23/13

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