Education

Learning, teaching, and sharing knowledge, from K–12 and family programs to professional development around the world

Also posted in Conservation, Getty Conservation Institute, Voices

Getty Voices: Preserving the Photographs of the Middle East

Cairo
© Fouad Debbas Collection

Training a new generation of museum professionals to preserve the rich photographs collections of the Middle East. More»

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Also posted in Behind the Scenes, Conservation, Getty Conservation Institute, Getty Foundation

Conserving and Protecting Mosaics in the Mediterranean: The MOSAIKON Initiative

Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia
Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia

Featuring over 300 Roman and Byzantine mosaics, Bulla Regia in Tunisia is serving as an outdoor lab for mosaics conservation and training. More»

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Also posted in Behind the Scenes, Getty Conservation Institute

Graduate Internships Offer Hands-On Opportunities for Emerging Conservation Professionals

Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall
Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall by architect James Stering in the conservation studio at the Getty Research Institute. With permission of the Canadian Centre for Architecture, Montreal

What do graduate interns do all year at the Conservation Institute? Study, travel, learn from colleagues, and launch fascinating careers. More»

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Also posted in J. Paul Getty Museum, Manuscripts and Books, Research

Thrust, Parry, Download!

Aiming Points on the Body / Fiore dei Liberi, Fior di Battaglia
Aiming Points on the Body (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 32

Fight like it’s 1410 with this zesty combat manuscript, free to download via the new Open Content Program. More»

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Also posted in Art, J. Paul Getty Trust

Open Content, An Idea Whose Time Has Come

The Getty announces its new Open Content Program

A new commitment to share, freely and without restriction, as many of the Getty’s digital resources as possible. More»

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Also posted in Art, Getty Foundation, Philanthropy

Connecting the Art Historical Dots

Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy. © J. Paul Getty Trust
Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy.

A Getty Foundation initiative is expanding the frontiers of art history by bringing scholars together from around the globe. More»

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Also posted in Art, Voices

Getty Voices: The 30-Second Look

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How do you teach students to look—really look—at art? From the classroom to the gallery, longer looking leads to better learning. More»

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Also posted in Art, Behind the Scenes, J. Paul Getty Museum

Artists Reinventing the Museum, A Google Art Talk with Sam Durant

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Artists are helping museums transform themselves for the 21st century. A conversation. More»

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Also posted in Getty Center, Voices

Getty Voices: “I like art. Now what?”

Question_SarahWaldorf

How do you make a career in the arts? Ask a question and get an answer this week as Getty Voices talks careers. More»

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Also posted in Art, Photographs, Film, and Video

Time to Focus: Community Photoworks 2013

Student photo by Jesus Martinez
Photo by student Jesus Martinez

“I learned not to rush taking the picture, to capture the moment when you think it’s ready.” More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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