Getty Conservation Institute

Dedicated to advancing conservation practice around the world

Also posted in Conservation, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Also posted in Architecture and Design, Behind the Scenes, Conservation

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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Also posted in Art, Conservation, Photographs, Film, and Video, Publications, Research

Getty Conservation Institute Releases Critical New Resource for Conserving Historic Photographs

An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection.
An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection

This new digital publication offers science-based tools to identify how photographs were made. More»

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Also posted in Conservation, Education, Voices

Getty Voices: Preserving the Photographs of the Middle East

Cairo
© Fouad Debbas Collection

Training a new generation of museum professionals to preserve the rich photographs collections of the Middle East. More»

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Also posted in Behind the Scenes, Conservation, Education, Getty Foundation

Conserving and Protecting Mosaics in the Mediterranean: The MOSAIKON Initiative

Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia
Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia

Featuring over 300 Roman and Byzantine mosaics, Bulla Regia in Tunisia is serving as an outdoor lab for mosaics conservation and training. More»

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Also posted in Behind the Scenes, Education

Graduate Internships Offer Hands-On Opportunities for Emerging Conservation Professionals

Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall
Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall by architect James Stering in the conservation studio at the Getty Research Institute. With permission of the Canadian Centre for Architecture, Montreal

What do graduate interns do all year at the Conservation Institute? Study, travel, learn from colleagues, and launch fascinating careers. More»

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Also posted in Behind the Scenes, Conservation, Research, Voices

Behind the Scenes at the GCI | Getty Voices

GCI Lab \ Beril Bicer-Simsir
Scientist Beril Bicer-Simsir testing grouts in the Getty Conservation Institute's laboratories.

A relatively new discipline, conservation science merges art and analysis to solve thorny conservation problems. More»

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Also posted in Behind the Scenes, Conservation

Peru Field Notebook: An Update from Kuño Tambo

kunotambo_featured

A field team from the Conservation Institute reaches a milestone in its efforts to preserve earthen buildings from earthquakes. More»

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Also posted in Behind the Scenes, Conservation, Voices

Getty Voices: The Stones of Rome

Detail of a stone fountain in Rome, Italy, showing damage caused by weathering
Rome is defined by its beautiful stone buildings, bridges, and sculptures. But stone isn't eternal, even in the Eternal City. Photo: Scott S. Warren

Conservators from around the world have gathered in Rome to learn techniques for preserving stone artworks and monuments. More»

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Also posted in Architecture and Design, Art, Behind the Scenes, Conservation

The Eames House – Conserving a California Icon

GCI staff Emily Macdonald-Korth carrying out paint excavation on exterior metal work.

A multidisciplinary team is investigating the iconic Eames House in order to preserve it for the future. More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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