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Also posted in Behind the Scenes, Conservation, Voices

Getty Voices: The Stones of Rome

Detail of a stone fountain in Rome, Italy, showing damage caused by weathering
Rome is defined by its beautiful stone buildings, bridges, and sculptures. But stone isn't eternal, even in the Eternal City. Photo: Scott S. Warren

Conservators from around the world have gathered in Rome to learn techniques for preserving stone artworks and monuments. More»

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Also posted in Architecture and Design, Art, Behind the Scenes, Conservation

The Eames House – Conserving a California Icon

GCI staff Emily Macdonald-Korth carrying out paint excavation on exterior metal work.

A multidisciplinary team is investigating the iconic Eames House in order to preserve it for the future. More»

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Also posted in Architecture and Design, Conservation

Architecture Critic Paul Goldberger Advises “Don’t Squeeze Out All the Fresh Air”

Paul Goldberger
Paul Goldberger

“We’re much more sensitive in general to historic buildings than we once were.” How to move forward while preserving the past. More»

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Also posted in Antiquities, Behind the Scenes, Conservation, J. Paul Getty Museum, Research, Voices

Getty Voices: Attic Pots and Atomic Particles

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How did the ancient Greeks make their characteristic red-and-black pottery? Modern science may finally yield the answer. More»

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Also posted in Behind the Scenes, Conservation, Voices

Getty Voices: Peru Field Notebook

EAI_PER_ICA_SW_201112_0280_detail

Our new Getty Voices series kicks off with a weeklong view into one of the Getty Conservation Institute’s international field projects. More»

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Also posted in Art, Conservation, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

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Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Posted in Getty Conservation Institute

¡América Tropical! Celebrating a Siqueiros Masterpiece

Asumi on the viewing platform of the América Tropical Interpretive Center.
Asumi on the viewing platform of the América Tropical Interpretive Center.

A few weeks ago, on October 9, the much-anticipated unveiling of the recently conserved mural América Tropical by David Alfaro Siqueiros—one of the great Mexican artists of the 20th century—took place. Los Angeles mayor Antonio Villaraigosa and James Cuno, president… More»

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Also posted in Conservation

América Tropical Is Reborn on 80th Birthday

América Tropical after conservation in 2012. Mural: © ARS, New York / SOMAAP, Mexico City (c) J. Paul Getty Trust
Artwork: © ARS, New York / SOMAAP, Mexico City. Photo: © J. Paul Getty Trust

Today is América Tropical’s 80th birthday. Artist David Alfaro Siqueiros unveiled his mural to a disapproving Los Angeles on Sunday, October 9, 1932. Eighty years later his mural—L.A.’s mural—is now again publicly accessible. This is, frankly, a day that we… More»

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Also posted in Behind the Scenes, Conservation, Research

Mars Rover Technology Helps Unlock Art Mysteries

Giacomo Chiari, head of the science department at the Getty Conservation Institute, examines the painting on the west wall in the tomb of King Tutankhamen

This coming weekend, NASA’s latest Mars Rover, Curiosity, is scheduled to touch down on the Red Planet to begin two years of scientific discovery, helping scientists unlock some of the planet’s as yet undiscovered secrets. Interestingly, the same technology being… More»

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Also posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Paintings

Getty to Conserve Jackson Pollock’s Watershed Work “Mural”

Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa
Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa

It’s official—abstract expressionist painter Jackson Pollock’s seminal work Mural (1943) will be undergoing technical study and conservation at the Getty Center as part of a new collaboration between the Getty and the University of Iowa Museum of Art. The painting… More»

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    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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