Getty Conservation Institute

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Also posted in Conservation, Getty Foundation, Paintings

Dürer’s Conserved Adam and Eve Unveiled at the Prado

Conservator George Bisacca from the Metropolitan Museum of Art working on a panel. Image courtesy of the Museo del Prado

In 1507, German Renaissance painter Albrecht Dürer painted life-size figures of Adam and Eve, defining their forms with a fluid and continuous line.  These spectacular oil-on-panel paintings, which have just undergone a lengthy conservation, went on display again last week… More»

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Also posted in Conservation, Research

Ancient Greek Pottery Lends Its Secrets to Future Space Travel

XANES maps a) optical image showing black gloss (right) and coral red (left), b) distribution of Fe2+ species (measuring iron present in an oxidation state), and c) distribution of Fe3+ species (measuring specific minerals present).  Getty Conservation Institute

What do cutting-edge research into future space travel and the investigation of ancient ceramic pots have in common? More than you’d think. More»

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Also posted in Conservation, Photographs, Film, and Video

Photographic History Smells Oh So Sweet

Le Cardinal d'Amboise, Joseph Nicéphore Niépce, (1765–1833), about 1826. Heliograph on pewter. The Royal Photographic Society Collection at National Media Museum

I’m always amazed when science can provide a new glimpse into the life and works of an artist who lived long before my time. It makes me feel closer to the artist’s intention to be able to understand how he or… More»

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Also posted in Conservation, Paintings

Inside the Getty Conservation Institute’s Modern and Contemporary Art Research Lab

Local conservator Chris Stavroudis and GCI Senior Scientist Tom Learner work on a painting by artist Doug Wheeler.
Local conservator Chris Stavroudis and GCI Senior Scientist Tom Learner work on a painting by artist Doug Wheeler.

I popped by the Getty Conservation Institute’s science labs this week to be met with a surprise:  a large white Doug Wheeler painting (1964, Untitled, acrylic) alongside the beakers and other scientific equipment.  Wheeler is best known for his neon… More»

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Also posted in Conservation, Paintings

Conserving David Siqueiros’ “América Tropical”

Leslie Rainer, GCI senior project specialist, working on América Tropical

América Tropical, the only surviving public mural by David Alfaro Siqueiros in the United States, is one step closer to being on view to you and me. At El Pueblo Historic Monument in downtown Los Angeles, project leaders today broke… More»

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Also posted in Behind the Scenes

Career Profile: Rand Eppich, Field Projects Manager

rand_eppich

This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a unique… More»

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Also posted in Behind the Scenes, Conservation, Education, Getty Villa

What’s Simmering in That Beaker? Understanding Ancient Technology by Manufacturing Pigments

Elizabeth Drolet filters mixtures of dye extracted from madder roots with different inorganic materials, such as alum, lye or chalk. The different inorganic materials used produce different shades of red.
Elizabeth Drolet filters mixtures of dye extracted from madder roots with different inorganic materials, such as alum, lye or chalk. The different inorganic materials used produce different shades of red.

Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of a… More»

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Also posted in Conservation, Sculpture and Decorative Arts

What Does Plastic Have to Do with Art?

Vestito Blu, Enrica Borghi, 2005. Mineral water bottles, plastic bags, and plexiglas, 85.8 x 85.8 x 263.3 in. (220 x 220 x 675 cm). Collection Mamac, Nice. Photo: Muriel Anssens. © Enrica Borghi

Many types of plastic used in artworks are now beginning to exhibit serious signs of deterioration – discoloration, crazing and cracking, warping, becoming sticky, and in extreme cases, turning completely to powder. The sheer number of plastics available constitutes a huge challenge for the conservation profession. More»

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Also posted in Antiquities, Conservation

GCI and the Jordanian Department of Antiquities: Proud Parents of MEGA-J

One of many pleasant surprises: a chance meeting with Arnold Schwarzenegger.  With him are Sa'te Masa'deh and Ahmad Lash, from left.

When eight colleagues from Jordan’s Department of Antiquities (DoA) came to the Getty Conservation Institute (GCI) in early April, they had only an inkling of what was in store. Sure, they knew they were going to be trained on “MEGA-J,”… More»

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Also posted in Behind the Scenes, Conservation, Research

Accelerated Aging Lab: The Scariest Place at the Getty?

Inside the Accelerated Aging Lab: tools for studying rock and mortar. The machine that looks like an industrial Kitchenaid is, in fact, a Kitchenaid—it’s used for mixing lime putty and mortars.

For those of us over 21, the idea of premature aging is definitely not attractive. Every time I pass the Getty Conservation Institute’s Accelerated Aging Lab, I get somewhat apprehensive. But the lab is not intent on hastening wrinkles and… More»

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      Remarkably realistic for medieval illuminated beasts, which were often fabulous admixtures of fantasy and fur. The unicorn is clearly drawn from life, for example.


      05/23/13

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