Getty Conservation Institute

Dedicated to advancing conservation practice around the world

Also posted in Exhibitions and Installations

See Valentine on Valentine’s!

De Wain Valentine at the Getty Center with Gray Column, 2012

Artist De Wain Valentine created his own kind of love letter to the California sea and sky: Gray Column, a 3,500-pound sculpture made of polyester resin that’s twelve feet high and eight feet across. This February 14, come visit From… More»

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Also posted in Behind the Scenes, Getty Foundation, Getty Research Institute, J. Paul Getty Museum, J. Paul Getty Trust

What We’re Grateful For

A moment at the Getty Villa by Flickr user Jason "JFish" Fischer
A moment at the Getty Villa, contributed by Jason "JFish" Fischer to our Flickr group, My Getty Visit

All of us who work at the Getty are pretty lucky; after all, we spend our days around great art and great people. For Thanksgiving, I asked several folks who’ve blogged on the Iris over the past year to name… More»

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Also posted in Behind the Scenes, Conservation, Philanthropy

Paving the Way: Mosaic Conservation Training in the Mediterranean Region

MOSAIKON course participants at the site of Herculaneum, Italy, preparing and presenting a site exercise on planning priority conservation interventions.

The Getty Conservation Institute recently completed the first training course for MOSAIKON, an ambitious collaboration dedicated to improving the  conservation and maintenance of ancient mosaics in the Mediterranean region. Begun in 2008, MOSAIKON is a partnership between the Conservation Institute,… More»

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Also posted in Exhibitions and Installations

Talking with Artist De Wain Valentine

De Wain Valentine polishing one of his eight-foot-diameter polyester Circles in his Venice studio in the late 1960s

One of the most influential sculptors active in Los Angeles in the 1960s and ’70s, De Wain Valentine is perhaps best known for his large-scale polyester resin sculptures of simple geometric forms that interact intensely with the surrounding light. Not… More»

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Also posted in Behind the Scenes, Conservation, Getty Research Institute

New Online: The Ernest A. Long Outdoor Mural Image Archive

Ghosts of the Barrio mural by Wayne Healy / photographed circa 1970-1974

A new image archive of L.A. murals has just been made available online. As a Multicultural Undergraduate Intern working at the Getty Conservation Institute (GCI) this summer, I worked with colleagues in Field Projects and the Information Center on the… More»

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Also posted in Behind the Scenes, Conservation, Research

Seeing Artwork in a New Light

Getty Conservation Institute scientist Jim Druzik holding one of several filters being evaluated for use in conservation lighting.

Jim Druzik is obsessed with light. More particularly, he’s concerned with the destructive power of light on priceless museum treasures, and it’s his pioneering work in conservation and preservation that could protect great works of art. Jim, a senior scientist… More»

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Also posted in Conservation, Exhibitions and Installations, Sculpture and Decorative Arts

Gray Column Rises

Gray Column / De Wain Valentine

One of the most influential sculptors active in Los Angeles in the 1960s and 1970s, De Wain Valentine is perhaps best known for his striking, semitransparent, and delicately colored large-scale polyester resin sculptures of simple geometric forms that interact intensely… More»

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Also posted in Architecture and Design, Behind the Scenes, Conservation

A Project of Seismic Proportions

Earthen structures in the vast adobe city of Chan Chan, capital of the Chimu Kingdom in present-day Perum

As Californians, we are well aware of the damage that results from earthquakes, even in new buildings constructed with modern materials. But what happens to historic buildings made of earthen materials such as adobe? These structures can be particularly vulnerable… More»

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Also posted in Exhibitions and Installations, Getty Center, Getty Research Institute, J. Paul Getty Museum

Countdown to Pacific Standard Time

Ablutions performance at Guy Dill’s studio
Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol

This morning we launched a new website dedicated to Los Angeles art from 1945 to 1980. Here you can get acquainted with Pacific Standard Time, the region-wide collaborative project that will tell the story of the L.A. art scene and… More»

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Also posted in Behind the Scenes, Getty Foundation, Getty Research Institute, J. Paul Getty Museum, J. Paul Getty Trust

Reflections on My First Days at the Getty—And What’s Next

Jack Brogan, fabricator, and Rani Singh of the Getty Research Institute inspect De Wain Valentine's Red Concave Circle in Brogan's studio in Inglewood, California, June 17, 2011

The J. Paul Getty Trust is an extraordinary arts institution. That I knew before coming to work at the Getty this week as its president and CEO. What I didn’t know—couldn’t know until I became a full part of this organization—was… More»

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      ryanlintelman:

      thegetty:

      On this day in history, a British colonial magistrate in India began using fingerprints as identifiers. It is considered the first official use of nature’s signature.

      Can you find the painter’s accidental fingerprint on this Classical Athenian mug fragment? Click through for a close up!

      Are you kidding me, Getty? This post is about the fingerprint on this mug? How about WHAT THE F**K IS THIS GUY DOING?

      Good point. We asked our antiquities expert and here’s what he said!

      08/27/14

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