In 1507, German Renaissance painter Albrecht Dürer painted life-size figures of Adam and Eve, defining their forms with a fluid and continuous line. These spectacular oil-on-panel paintings, which have just undergone a lengthy conservation, went on display again last week… More»
Getty Conservation Institute
Dürer’s Conserved Adam and Eve Unveiled at the Prado
Ancient Greek Pottery Lends Its Secrets to Future Space Travel
What do cutting-edge research into future space travel and the investigation of ancient ceramic pots have in common? More than you’d think. More»
Photographic History Smells Oh So Sweet
I’m always amazed when science can provide a new glimpse into the life and works of an artist who lived long before my time. It makes me feel closer to the artist’s intention to be able to understand how he or… More»
Inside the Getty Conservation Institute’s Modern and Contemporary Art Research Lab

I popped by the Getty Conservation Institute’s science labs this week to be met with a surprise: a large white Doug Wheeler painting (1964, Untitled, acrylic) alongside the beakers and other scientific equipment. Wheeler is best known for his neon… More»
Conserving David Siqueiros’ “América Tropical”
América Tropical, the only surviving public mural by David Alfaro Siqueiros in the United States, is one step closer to being on view to you and me. At El Pueblo Historic Monument in downtown Los Angeles, project leaders today broke… More»
Career Profile: Rand Eppich, Field Projects Manager
This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a unique… More»
What’s Simmering in That Beaker? Understanding Ancient Technology by Manufacturing Pigments

Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of a… More»
What Does Plastic Have to Do with Art?
Many types of plastic used in artworks are now beginning to exhibit serious signs of deterioration – discoloration, crazing and cracking, warping, becoming sticky, and in extreme cases, turning completely to powder. The sheer number of plastics available constitutes a huge challenge for the conservation profession. More»
GCI and the Jordanian Department of Antiquities: Proud Parents of MEGA-J
When eight colleagues from Jordan’s Department of Antiquities (DoA) came to the Getty Conservation Institute (GCI) in early April, they had only an inkling of what was in store. Sure, they knew they were going to be trained on “MEGA-J,”… More»
Accelerated Aging Lab: The Scariest Place at the Getty?
For those of us over 21, the idea of premature aging is definitely not attractive. Every time I pass the Getty Conservation Institute’s Accelerated Aging Lab, I get somewhat apprehensive. But the lab is not intent on hastening wrinkles and… More»









