Getty Foundation

The Getty’s philanthropic arm, supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts

Also posted in Behind the Scenes

Grad Intern Diary: Jennifer Potter

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A fruitful year at the Getty Foundation More»

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Also posted in Behind the Scenes, J. Paul Getty Museum

Grad Intern Diary: Rheagan Martin

Rheagan Martin / Graduate Intern

A year of manuscripts, coins, and English weather. More»

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Also posted in Paintings, Research

New E-Book Explores Early Netherlandish Art

Screen capture showing The Legend of St. Joseph / follower of Robert Campin
Detail of The Legend of St. Joseph, possibly ca. 1490–1500, follower of Robert Campin. Hoogstraten, Church of St. Catherine. From Frames and Supports in 15th- and 16th-Century Southern Netherlandish Painting

New online resource explores panel paintings of the 1400s and 1500s More»

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Also posted in Behind the Scenes

Studying Art History with an Ethnographic Eye

Project participants discuss features of a Chinese Republican period painting at the National PalaceMuseum in Beijing. Painting: Chen Hengque (Chen Hengke, 1876-1923), Viewing Paintings, 1918. Hanging scroll, ink and colour on paper. 87.7 x 46.6 cm. Collection: Palace Museum, Beijing. Photo: Wu Fang
Project participants discuss features of a Chinese Republican period painting at the National PalaceMuseum in Beijing. Painting: Chen Hengque (Chen Hengke, 1876-1923), Viewing Paintings, 1918. Hanging scroll, ink and colour on paper. 87.7 x 46.6 cm. Collection: Palace Museum, Beijing. Photo: Wu Fang

The Getty Foundation connects a new generation of scholars from across China. More»

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Also posted in Behind the Scenes, Publications

Online Museum Collection Catalogues, Mantra and Metaphor

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What do you want to be, a grocery store or a restaurant? More»

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Also posted in Behind the Scenes, Paintings

Best Supporting Role

Peter Paul Rubens's Triumph of the Church during treatment
© José de la Fuente

Conserving Peter Paul Rubens, panel by panel. More»

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Also posted in Art, Getty Conservation Institute

Conserving Mosaics in the Middle East and North Africa, A MOSAIKON Trainer’s Account

mosaikon-1
A participant in 2014 MOSAIKON training workshop organized by the Centro di Conservazione Archeologica (CCA) and supported by the Getty Foundation conserves a second-century Roman mosaic

A conversation with mosaics expert Roberto Nardi about conservation training. More»

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Also posted in Art, Publications

Museum Catalogues from Eight Institutions You Can Now Read Online

The Online Scholarly Catalogue Initiative, or OSCI, led by the Getty Foundation, is finding solutions for the complex task of creating museum publications in a free digital format.
The Online Scholarly Catalogue Initiative, or OSCI, led by the Getty Foundation, is finding solutions for the complex task of creating museum publications in a free digital format.

Another online collections catalogue supported by the Getty Foundation has launched More»

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Also posted in Behind the Scenes

The Getty Foundation’s 30th Anniversary

Shelf of exhibition catalogues from Pacific Standard Time: Art in L.A., 1945-1980
Pacific Standard Time publications

A look back at the Getty Foundation’s 30 years of support for study and preservation of the visual arts. More»

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Also posted in Conservation, Getty Conservation Institute

Advancing Conservation Practice, One Intern At a Time

Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross
Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross

Graduate internships at the Getty Conservation Institute offer training in both conservation and leadership. More»

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    • photo from Tumblr

      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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