
All of us who work at the Getty are pretty lucky; after all, we spend our days around great art and great people. For Thanksgiving, I asked several folks who’ve blogged on the Iris over the past year to name… More»

All of us who work at the Getty are pretty lucky; after all, we spend our days around great art and great people. For Thanksgiving, I asked several folks who’ve blogged on the Iris over the past year to name… More»
Is there any consensus about the definition and field of “Latin American art”? This question was the subject of discussion by a group of international art historians and curators at a recent two-part, two-continent symposium, Between Theory and Practice: Rethinking… More»
The J. Paul Getty Trust is an extraordinary arts institution. That I knew before coming to work at the Getty this week as its president and CEO. What I didn’t know—couldn’t know until I became a full part of this organization—was… More»
On June 27, 119 students participating in the Getty Foundation’s Multicultural Undergraduate Internship program came to the Getty Center for the program’s annual Arts Summit. Interns chose from discussion topics led by arts professionals who shared their personal experience and… More»
The Cosmati Pavement, the medieval tile mosaic floor in front of the Abbey’s High Alter where Prince William and Middleton are expected to take their vows, has in past been rarely visible due to its age and condition, but the floor has been newly conserved thanks in large part to a grant from the Getty Foundation. More»
Update—videos of this event have been archived here. The three-day symposium Between Theory and Practice: Rethinking Latin American Art in the 21st Century is streaming live this weekend, from Friday March 11 through Sunday March 13. We invite you to… More»
The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the Khmer… More»

The scholarly catalogue has long been a critical part of a museum’s mission, providing authoritative information about collection objects for scholars, students, and the general public. Richly illustrated and often based on years of painstaking research, print catalogues form one… More»
In 1507, German Renaissance painter Albrecht Dürer painted life-size figures of Adam and Eve, defining their forms with a fluid and continuous line. These spectacular oil-on-panel paintings, which have just undergone a lengthy conservation, went on display again last week… More»
Bringing collections online in such a comprehensive way is a huge undertaking, encompassing not only cataloguing and technology but also photography, rights issues, and more. More»