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Also posted in Getty Research Institute

Rethinking Latin American Art

Anthropologia de la Mula, Anthropology of the Mule / Adriana Bustos

Is there any consensus about the definition and field of “Latin American art”? This question was the subject of discussion by a group of international art historians and curators at a recent two-part, two-continent symposium, Between Theory and Practice: Rethinking… More»

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Also posted in Behind the Scenes, Getty Conservation Institute, Getty Research Institute, J. Paul Getty Museum, J. Paul Getty Trust

Reflections on My First Days at the Getty—And What’s Next

Jack Brogan, fabricator, and Rani Singh of the Getty Research Institute inspect De Wain Valentine's Red Concave Circle in Brogan's studio in Inglewood, California, June 17, 2011

The J. Paul Getty Trust is an extraordinary arts institution. That I knew before coming to work at the Getty this week as its president and CEO. What I didn’t know—couldn’t know until I became a full part of this organization—was… More»

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Also posted in Behind the Scenes, Philanthropy

Exploring Multidimensional Practice at Arts Summit

Participants in the Getty Foundation's Multicultural Undergraduate Internship (MUI) program attend a session at the 2011 Arts Summit

On June 27, 119 students participating in the Getty Foundation’s Multicultural Undergraduate Internship program came to the Getty Center for the program’s annual Arts Summit. Interns chose from discussion topics led by arts professionals who shared their personal experience and… More»

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Also posted in Conservation

Getty Foundation Grant Allows Newly Conserved Cosmati Pavement to Be Unveiled at Royal Wedding

Conservators consolidating the Purbeck marble tracery within one of the original remaining roundels. Courtesy of Westminster Abbey.

The Cosmati Pavement, the medieval tile mosaic floor in front of the Abbey’s High Alter where Prince William and Middleton are expected to take their vows, has in past been rarely visible due to its age and condition, but the floor has been newly conserved thanks in large part to a grant from the Getty Foundation. More»

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Also posted in Getty Research Institute

Symposium on Latin American Art: Live Online This Weekend

Mapa quemado/Burned Map, Horacio Zabala (Argentinian, b. 1943), 1974, mixed media on printed map. Courtesy of the artist and Henrique Faria Fine Art, New York

Update—videos of this event have been archived here. The three-day symposium Between Theory and Practice: Rethinking Latin American Art in the 21st Century is streaming live this weekend, from Friday March 11 through Sunday March 13. We invite you to… More»

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Also posted in Conservation, Exhibitions and Installations, Getty Conservation Institute, Sculpture and Decorative Arts

Cambodia’s Enduring Mystery

Shiva's Bull, Nandin.  The National Museum of Cambodia.

The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the Khmer… More»

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Also posted in Research

Looking With New Eyes at Scholarly Art Catalogues

SFMOMA, one of the participants in the OSCI initiative, has chosen to focus on Robert Rauschenberg, given their significant holdings of his work, and their team is gathering together curatorial essays, conservation documentation, audio interviews and related materials in a single online resource. Image: Collection (formerly Untitled), Robert Rauschenberg, 1954, oil, paper, fabric, wood, and metal on canvas, SFMOMA
SFMOMA, one of the participants in the OSCI initiative, has chosen to focus on Robert Rauschenberg, given their significant holdings of his work, and their team is gathering together curatorial essays, conservation documentation, audio interviews and related materials in a single online resource. Image: Collection (formerly Untitled), Robert Rauschenberg, 1954, oil, paper, fabric, wood, and metal on canvas, SFMOMA

The scholarly catalogue has long been a critical part of a museum’s mission, providing authoritative information about collection objects for scholars, students, and the general public. Richly illustrated and often based on years of painstaking research, print catalogues form one… More»

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Also posted in Conservation, Getty Conservation Institute, Paintings

Dürer’s Conserved Adam and Eve Unveiled at the Prado

Conservator George Bisacca from the Metropolitan Museum of Art working on a panel. Image courtesy of the Museo del Prado

In 1507, German Renaissance painter Albrecht Dürer painted life-size figures of Adam and Eve, defining their forms with a fluid and continuous line.  These spectacular oil-on-panel paintings, which have just undergone a lengthy conservation, went on display again last week… More»

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Also posted in Art

Finding Art (and Baskets) Online

Strawberry basket by Kelly Church (Ottawa/Chippewa) at the Autry

Bringing collections online in such a comprehensive way is a huge undertaking, encompassing not only cataloguing and technology but also photography, rights issues, and more. More»

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Also posted in Behind the Scenes, Getty Research Institute

Innovating Art History from Brazil to L.A. and Back

Eliana de Azevedo Marques (center) looks at materials from the Research Library with me and Wim de Wit, head of the Department of Architecture & Contemporary Art

Last week the Getty Research Institute hosted a visitor from Brazil, Eliana de Azevedo Marques. She is chief librarian at the Faculty of Architecture and Urbanism at the University of São Paulo. We gave her a tour of our architectural… More»

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