Getty Research Institute

Dedicated to furthering knowledge and advancing understanding of the visual arts

Also posted in Behind the Scenes, Research

The Art of Search and Rescue

Dr. Frederick Pleasants at the Central Collecting Point / Johannes Felbermeyer
Dr. Frederick Pleasants with the 40,000th picture recovered at the Central Collecting Point in Munich, where Nazi-looted artwork was assembled and redistributed after the war. Photo by Johannes Felbermeyer. The Getty Research Institute, 89.P.4

Rare documents and photographs in the Research Institute’s collections tell the real-life story of key Monuments Men (and Women). More»

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Also posted in Art, Research

Beyond Digitization—New Possibilities in Digital Art History

Madonna, Saint Thomas Aquinas, and Saint Paul / Bernardo Daddi
Digital Daddis. In the Getty Center galleries with Madonna, Saint Thomas Aquinas, and Saint Paul, about 1330, Bernardo Daddi. Tempera and gold leaf on panel, 47 1/2 x 22 in. The J. Paul Getty Museum, 93.PB.16

Museums and libraries have digitized millions of works of art. Now what? More»

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Also posted in Art, Behind the Scenes, Conservation

Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

Untitled box / Robert Mapplethorpe
© Robert Mapplethorpe Foundation

A conservator’s view of a complex and unusual object by Robert Mapplethorpe. More»

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Also posted in Exhibitions and Installations, Voices

Getty Voices: Aztec Idols, Explorers, and Egyptomania

Bust of an Aztec Priestess / Jean Massard the Elder
Bust of an Aztec Priestess, Jean Massard the Elder. Lithograph in Alexander von Humboldt, Vues des Cordillères, et monumens des peuples indigènes de l'Amérique (Paris, 1813), plate 1. The Getty Research Institute, 85-B1535

How did one of the 19th century’s greatest scholars misidentify an Aztec sculpture as Egyptian? Simple: Egyptomania. More»

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Also posted in Behind the Scenes, Research

Form versus Function: Rare Journals Acquired by the Getty Research Institute

Cover, Das Interieur
Cover, Das Interieur, 1904, Vol. 5, Part 2 (July–December). The Getty Research Insitute, 88-S330

New acquisitions provide researchers crucial context for two key international art movements—Jugendstil and Concrete Art. More»

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Also posted in Art, Exhibitions and Installations, Voices

Encounters with Indigenous Mexico | Getty Voices

The Zocalo, Mexico City / Cartas de relacion
The Zócalo, Mexico City's main square, depicted soon after the Spanish Conquest. Detail from Tenochtitlan, woodcut in Hernán Cortés, Cartas de relación (Nuremberg, 1524). The Getty Research Institute, 93-B9631

“There is so much to think over that I do not know how to describe it, seeing things as we did that had never been heard of or seen before, not even dreamed about.” More»

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Also posted in Architecture and Design, Photographs, Film, and Video

Dynamic L.A.: Images from the Julius Shulman Photography Archive Now Available

Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960
Julius Shulman photographing Case Study House no. 22, West Hollywood, 1960. Julius Shulman photography archive. The Getty Research Institute, 2004.R.10

6,500 newly digitized images depict the development of Los Angeles architecture across decades. More»

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Also posted in Art, Publications

“As Inspiration Dictates”: Henri Matisse on Color

Chatting with Matisse

“Through his own unique voice, Matisse and his work come alive in new and unexpected ways.” More»

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Also posted in Art, Research

Treasures from the Vault: Harry Smith and Patterns in the Wind

Paper airplane made from a flyer for The Event from the Cafe Au Go-Go, 1967
Paper airplane made from a flyer for "The Event from the Cafe Au Go-Go" published by Verve Folkways and the Infinite Poster, Inc., 1967. Harry Smith papers. The Getty Research Institute, 2013.M.4, box 273

What drove artist Harry Smith to collect paper airplanes on the streets of New York? More»

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Also posted in Art, Photographs, Film, and Video, Research

Small Format, Big Style: Images from the Alexander Liberman Photography Archive Now Available

Coco Chanel, Alexander Liberman
Coco Chanel, Alexander Liberman. The Getty Research Institute, 2000.R.19

The Getty Research Institute and Artstor partner to offer 1,500 digitized images by the prolific photographer. More»

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      She’s young, she’s vulnerable, she’s uncertain. 

      She’s a young girl facing the outside world scaled for grown-ups. The daughter of a composer, a friend of the artist, is depicted here in an off-balanced porch, in front of a closed door, with quite the haunting gaze.

      See the full picture here.

      Eye-to-eye connects the peoples of yesterday to you through art.

      Jeanne Kefer, 1885, Fernand Khnopff. J. Paul Getty Museum.

      09/17/14

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