J. Paul Getty Museum

Eight thousand years of art on view in two locations, plus a year-round offering of education programs, music, theater, and more

Also posted in Art, Education, Exhibitions and Installations, Getty Center, Prints and Drawings

The Art of Suggestion

Poetry of Paper haiku station with visitors

Visitors to the Getty Museum’s exhibition The Poetry of Paper reflect on negative space in the drawings on view by writing haiku. More»

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Also posted in Art, Prints and Drawings

Father-and-Daughter Pastels by William Hoare Now on View

Henry Hoare, "The Magnificent," of Stourhead; Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury
L: Henry Hoare, “The Magnificent,” of Stourhead, about 1750–1760, William Hoare. R: Susannah Hoare, Viscountess Dungarvan, later Countess of Ailesbury, about 1750–1760, William Hoare

Newly acquired portraits tell the unusual story of British banking heir Henry Hoare and the artist who depicted him. More»

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Also posted in Art, Exhibitions and Installations, Manuscripts and Books, Voices

Getty Voices: Living with the St. Albans Psalter

Conservator's hands holding the parchment of the St. Albans Psalter
Artwork: Dombibliothek Hildesheim. Photo: Peter Kidd

Studying a precious manuscript, page by page, illumination by illumination. More»

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Also posted in Behind the Scenes, Exhibitions and Installations, Voices

Getty Voices: Designing Canterbury and St. Albans

The digital rendering of the installation of the pieces.
The digital rendering of the installation of the pieces.

Perfectly angled lecterns and a massive glass wall presented plenty of creative challenges for the designers of the exhibition “Canterbury and St. Albans.” More»

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Also posted in Art, Manuscripts and Books

Sicily, The International Island

The Crucifixion and the Harrowing of Hell / Sicilian
The Crucifixion and the Harrowing of Hell in a New Testament, Sicilian, late 1100s. Tempera colors, gold leaf, and ink on parchment, 9 11/16 x 6 3/8 in. The J. Paul Getty Museum, Ms. Ludwig I 5, fol. 191v

Medieval Sicily was a hotbed of political turmoil and artistic innovation. More»

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Also posted in Education, Manuscripts and Books, Research

Thrust, Parry, Download!

Aiming Points on the Body / Fiore dei Liberi, Fior di Battaglia
Aiming Points on the Body (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 32

Fight like it’s 1410 with this zesty combat manuscript, free to download via the new Open Content Program. More»

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Posted in J. Paul Getty Museum

The Adventures of Cricket and Flatfoot (aka The Okee Dokee Brothers)

ODB_Canoe_pic1

How’s this for a job: float down a river, then sing about it. The Okee Dokee Brothers reveal how they make it work. More»

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Also posted in Art, Behind the Scenes, Exhibitions and Installations, Prints and Drawings

Getty Voices: The Poetry of Paper

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Our new drawings exhibition takes an unusual look at negative space, through the lens of poetry. More»

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Also posted in Architecture and Design, Exhibitions and Installations, Getty Research Institute

Subterranean L.A.: The Urban Oil Fields

Union 76 Refinery / Connell
Union 76 Refinery at Night, about 1950, Will Connell. Gelatin silver print, 18 1/4 x 23 1/4 x 1/4 in. Lent by Stephen White, Collection II. Artwork © Will Connell

Since the 1890s, Los Angeles has literally and figuratively been built upon acres of ancient oil deposits deep beneath its shifting surface. More»

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Also posted in Behind the Scenes, Getty Villa, Voices

Getty Voices: Backstage at the Villa

AV staff setting up the tech booth in the Getty Villa's Outdoor Classical Theater, July 2, 2013.
AV staff setting up the tech booth in the Outdoor Classical Theater, July 2, 2013.

What does it take create live theater? Art, creativity, plotting, paperwork, energy, love, and tears. Plus lots of caffeine. More»

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      What unexpected thing have you learned by working at a museum?

      "The more time you take with the art, the better. 

      The first time I saw a work by James Turrell, my eyes totally deceived me. I walked into the room (Acton, at the Indianapolis Museum of Art) and saw a gray rectangle “painting”, but I was baffled and could not figure it out- I got closer and closer until my face was pressed against the wall next to it, trying to figure out what it was. When my friend stuck her arm into the painting and revealed the illusion (a square cut into the wall and lit to look flat), my mind was blown! You got me so good, James.

      Also, always offer to take a family photo for the tourists!”

      What do you wish you could tell all people about yourself, museums or life? 

      Everyone is creative.” 

      Emily, Education Technologist at the Getty, July 24, 2014

      07/29/14

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