Paintings

Old Master paintings, oil sketches, ancient encaustic portraits, and more

Also posted in Art, Conservation, Getty Conservation Institute, Manuscripts and Books

What Do Rocks Have to Do with Renaissance Art?

jerome_azurite_featured

Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

A Call to Arms! Heraldry in Renaissance Florence (And a Mystery You Can Help Solve)

virgin_child
The Virgin and Child Surrounded by Saints, between 1350 and 1365, Follower of Bernardo Daddi (possibly Pietro Nelli). Tempera and gold leaf on panel, 37 ½ x 26 in. (95.3 x 66 cm). Portland Art Museum, 61.51

Heraldry is a fascinating and complex system by which coats of arms are devised and decoded.  My familial arms—yes, my family has a coat of arms, and yours may have too—are composed of an intricate grouping of objects, including a… More»

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Also posted in Behind the Scenes, Conservation, Getty Foundation, Philanthropy

Conserving Pacino di Bonaguida: My Getty Foundation Fellowship

Madonna and Child with Saints / Pacino

The Panel Paintings Initiative is training the next generation of conservators of paintings on wood panels, and including professionals from Eastern Europe is a high priority. In this post, Polish conservator Aleksandra Hola describes her experience with the program. For… More»

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Also posted in Getty Foundation, Philanthropy, Publications

Gil de Castro, Painter of Latin American Independence Movement, Gets a Fresh Look in New Getty-Supported Publication

José Olaya / José Gil de Castro
José Olaya, 1828, José Gil de Castro. Oil on canvas, 204 x 137 cm. Museo Nacional de Arqueología, Antropología e Historia del Peru, Lima. Gil de Castro Project. Photo: Daniel Giannoni

In 2008 a team of Latin American scholars led by Natalia Majluf, director of the Museo de Arte de Lima (MALI) in Peru, was awarded a Collaborative Research Grant from the Getty Foundation for a study of painter José Gil… More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

From the Black Death to Black Friday

Saint Eloy in His Goldsmith’s Workshop / Master of the Misericordia
Saint Eloy in His Goldsmith’s Workshop, about 1370, Master of the Misericordia. Tempera and gold leaf on panel, 13 3/4 x 15 3/8 in. Museo Nacional del Prado, Madrid, no. 2841

There’s been a lot of talk about shopping over the past few days, from Black Friday to Cyber Monday (now expanded to Cyber Week). In late medieval Florence, shopping—for art—was also all the rage. In the years leading up to the… More»

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Also posted in Art, Photographs, Film, and Video, Prints and Drawings

Dogs Behaving Badly

A Merry Company / Jacob Jordaens
A Merry Company, about 1644, Jacob Jordaens. Watercolor and white gouache heightening over black chalk. The J. Paul Getty Museum, 2000.59

Most dogs are impeccably well behaved—in art, anyway. They sit quietly on laps, raise a paw for their beloved master, or contort themselves into perfect S curves. The king of Old Master dogs is Guercino’s heroic mastiff, who looks like… More»

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Also posted in Exhibitions and Installations, J. Paul Getty Museum

Everyone’s Talking about Giotto

Panel paintings by Giotto: Virgin and Child and Crucifixion

There’s been almost seven hundred years of chatter about Giotto di Bondone (about 1267–1337), a painter from Florence considered one of the greatest artists of all time. After six years of careful planning and negotiation, we at the Getty Museum are… More»

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Also posted in J. Paul Getty Museum

Fragonard’s “Fantasy Portrait” of Dashing French Duke on Temporary Loan

François-Henri, Duke of Harcourt / Jean-Honoré Fragonard

A delightfully jaunty visitor has alighted for a long-term visit at the Getty Center: François-Henri, Duke of Harcourt (1726–1802), in a portrait by Fragonard. Dashing in sea-green velvet, with a white ruff and red cape, the duke holds a feathered… More»

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Also posted in Behind the Scenes, Conservation, Getty Foundation, Philanthropy

Rubens’s Masterful “Triumph of the Eucharist” Series to be Conserved

Detail from Triumph of the Eucharist over Idolatry, Peter Paul Rubens, 1625-6, oil on panel. ©Museo Nacional del Prado, Madrid.
Detail from Triumph of the Eucharist over Idolatry, Peter Paul Rubens, 1625-6, oil on panel. ©Museo Nacional del Prado, Madrid.

Thanks to a two-year grant from the Getty Foundation as part of the Getty’s ongoing Panel Paintings Initiative, the Museo Nacional del Prado is now conserving a magnificent series of six panel paintings completed in 1626 by artist Peter Paul… More»

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Also posted in Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum

Getty to Conserve Jackson Pollock’s Watershed Work “Mural”

Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa
Jackson Pollock (American, 1912-1956) Mural, 1943 Oil on canvas, 8’ ¼” x 19’ 10” Gift of Peggy Guggenheim, 1959.6 University of Iowa Museum of Art Reproduced with permission from The University of Iowa

It’s official—abstract expressionist painter Jackson Pollock’s seminal work Mural (1943) will be undergoing technical study and conservation at the Getty Center as part of a new collaboration between the Getty and the University of Iowa Museum of Art. The painting… More»

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    • photo from Tumblr

      Eye-to-eye with a mystery man.

      He closely resembles painter Francois Boucher, whose eyes rendered paintings like this one

      In 18th century France, terracotta busts were popular additions to the home as they were relatively inexpensive, and fit for both middle class and wealthy consumers.

      See the full picture here.

      Eye-to-eye connects the peoples of yesterday to you through art.

      Bust of a Man, about 1760, Attributed to Jean-Jacques Caffieri. J. Paul Getty Museum.

      10/01/14

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