For 25 years the Getty Research Institute has been inviting scholars from around the world to visit, do research, and ask provocative questions. During his recent stay, Zhu Qingsheng (LaoZhu), director of the Center of Visual Studies at Peking University,… More»
Paintings
Labeling Turner
Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an object,… More»
Question of the Week: Is the Viewer Part of an Artwork?
More than 60 people sit, chat, and play in this elaborate composition outside the entrance to the Jardin Turc, or Turkish Garden Café, in early-1800s Paris. The café was known for its spacious gardens, exotic pavilions, and excellent ice cream,… More»
Manet of Mystery (and Melancholy)
My love affair with Édouard Manet, who was born on this day in 1832, is now decades in the making—dating back to my very first high school art history course, when the teacher showed a slide of the artist’s 1863… More»
Question of the Week: Does Art Have to Be Serious?
Nowadays, seeing a silly picture of a person is hardly unusual. Showing personality is a good thing. Social customs weren’t quite the same in 18th-century France, when Joseph Ducreux painted this self-portrait. An official court painter, he was known for refined… More»
Dürer’s Conserved Adam and Eve Unveiled at the Prado
In 1507, German Renaissance painter Albrecht Dürer painted life-size figures of Adam and Eve, defining their forms with a fluid and continuous line. These spectacular oil-on-panel paintings, which have just undergone a lengthy conservation, went on display again last week… More»
Beyond the First Impression: Rediscovering Monet in Paris
Though his name has become synonymous with the 19th century’s canonical movement of Impressionism, and though his masterpieces hang proudly in the halls of the world’s finest museums, Claude Monet has long been—for me—a confounding artist. He was one of… More»
Objects and Memories: Edmund de Waal on Tracing a Family Collection
When you visit a museum, it’s easy to forget that objects have a story, a journey from where they began to where they are now. Take Pierre-Auguste Renoir’s portrait of the composer Albert Cahen d’Anvers. It’s one of the most… More»
The Language of Drapery
Drapery—artfully folded fabric—has been used by European artists for centuries, from ancient Greek sculpture to contemporary photography. As I prepare for the studio course I’m leading this Wednesday on sketching drapery after the Old Masters, I’ve been thinking about why…. More»











