Publications

From scholarly monographs and research databases to apps and social media

Also posted in Art, Behind the Scenes, Research, Voices

Rethinking Art History | Getty Voices

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In the digital age, is art history still relevant? The discussion is needed, and needed now. More»

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Also posted in Getty Research Institute, Research

New Online Resource to Reveal Stories about Nazi-Looted Art, Wartime Art Market

Paintings in storage at the Munich Central Collecting Point / Johannes Felbermeyer
Paintings in storage at the Munich Central Collecting Point, ca. 1945–49, Johannes Felbermeyer. This was one of several sites used by the Allies to identify, photograph, and restitute Nazi-seized artworks after the war. Photo Study Collection. The Getty Research Institute, 89.P.4

Featuring over 2,000 newly digitized catalogs, a new database will revolutionize Nazi-era art research. More»

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Also posted in Getty Foundation, Paintings, Philanthropy

Gil de Castro, Painter of Latin American Independence Movement, Gets a Fresh Look in New Getty-Supported Publication

José Olaya / José Gil de Castro
José Olaya, 1828, José Gil de Castro. Oil on canvas, 204 x 137 cm. Museo Nacional de Arqueología, Antropología e Historia del Peru, Lima. Gil de Castro Project. Photo: Daniel Giannoni

In 2008 a team of Latin American scholars led by Natalia Majluf, director of the Museo de Arte de Lima (MALI) in Peru, was awarded a Collaborative Research Grant from the Getty Foundation for a study of painter José Gil… More»

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Also posted in Antiquities, Art, J. Paul Getty Museum

Developing an Online Scholarly Museum Catalogue

Lollypop Viewer
A glimpse of the disabled "lollipop" viewer with Pendant: Divinity Holding Hares, Etruscan, 600–550 B.C. Height: 97 mm; width: 64 mm; depth: 24 mm; Diameter of suspension holes: 2.5 mm; Weight: 76 g. Gift of Gordon McLendon. The J. Paul Getty Museum, 77.AO.82

We just launched our first online scholarly catalogue, Ancient Carved Ambers in the J. Paul Getty Museum, available at museumcatalogues.getty.edu/ambers. This catalogue was a collaborative effort between our Publications team, the Museum’s curatorial and conservation staff, and the department I… More»

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Also posted in Getty Research Institute, Research

Walking through the Getty Research Portal

Screen capture of the Getty Research Portal, showing how to enter a query

Today the Getty Research Institute launches the Getty Research PortalTM, an unprecedented resource that will provide broad, free access to digitized texts in the field of art and architectural history. The Getty Research Portal is a free online search gateway… More»

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Also posted in Photographs, Film, and Video

Photographer Mary Ellen Mark and Filmmaker Martin Bell Go to Prom

Spread from Prom by Mary Ellen Mark, published by Getty Publications

What will I wear? Who will be my date? Should we rent a limo?  With prom season approaching, these are questions going through American teenagers’ minds. This all-American experience of going to prom marks the end of high school and… More»

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Also posted in Behind the Scenes, Getty Foundation, J. Paul Getty Museum, Philanthropy

Online Scholarly Catalogues: Where Are We Now?

Cover of Moving Museum Catalogues Online, a Report from the Getty Foundation

How does the museum collections catalogue, traditionally made for print, fit into today’s world of apps, e-books, and iPhones? It turns out that going digital requires a profound rethinking of the ways in which art historical content can be interactively… More»

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Also posted in Art, Manuscripts and Books

Illuminating the End of Time

Page from Illuminating the End of Time from Getty Publications

2012 was the year proclaimed as the end of time by Mayan hieroglyphs, extra-terrestrial communicators, and bad disaster movies. The Getty Apocalypse, a medieval manuscript of the biblical Book of Revelation recently published as a facsimile by Getty Publications, suggests… More»

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Also posted in Antiquities, Architecture and Design, Getty Foundation, Philanthropy

Unlocking the Secrets of an Ancient Fountain

“Mudmen” pose in front of Chambers I and II at Peirene, on or about July 6, 1909

Do you picture archaeological sites as dry, dusty piles of stones? Meet Peirene, an ancient Greek ruin so tantalizing that archaeologists have literally died for it. Dry and dusty this place is not. The story of the alluring ruin is… More»

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Also posted in Architecture and Design, Getty Research Institute, Photographs, Film, and Video

“The Photographer with the Soul of an Architect”: Lucien Hervé

Cover of Le Corbusier & Lucien Herve / Getty Publications

In 1949, self-taught photographer Lucien Hervé (1910–2007) traveled from Paris to Marseille to see Unité d’habitation, a housing complex by architect Le Corbusier. Awed by the groundbreaking modern design, Hervé took 650 photographs of it in a single day. When… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour I heard multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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