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Also posted in Art, Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

Conserving Barbara Hepworth’s “Figure for Landscape”

Figure for Landscape / Hepworth
Figure for Landscape, 1960, Barbara Hepworth. Bronze, 107 x 52 x 27 in. The J. Paul Getty Museum, Gift of Fran and Ray Stark, 2005.108. © Bowness, Hepworth Estate

Barbara Hepworth’s bronze figure is conserved. More»

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Also posted in Getty Research Institute

The Artists the Internet Almost Forgot

Stacey Allan, editor at East of Borneo
Stacey Allan, editor at East of Borneo and organizer of Unforgetting L.A., hosts the first Wikipedia edit-a-thon at the Getty Research Institute.

Building Los Angeles architecture and its architects, one Wikipedia entry at a time. More»

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Also posted in Architecture and Design, Getty Research Institute

Wikipedia Edit-a-Thon at the Getty Research Institute to Focus on Architecture and Design

Wikipedia edit-a-thon at the Getty Research Institute

Join us to build a better history of L.A. art through Wikipedia. More»

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Also posted in Getty Research Institute, Photographs, Film, and Video

This Just In: The Shunk-Kender Archive

Harry Shunk (left) and Janos Kender in 1961
Harry Shunk (left) and János Kender in 1961 at a dinner for artist Lucio Fontana at La Coupole in Montparnasse, Paris. Photo: Shunk-Kender. The Getty Research Institute, 2014.R.20

The 20th-century art scene, told in photographs. More»

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Also posted in Getty Research Institute, Paintings

Treasures from the Vault: Correspondence of the Art Dealer M. Knoedler & Co

Portrait of a Woman Praying / Hans Memling
Brukenthal National Museum, Sibiu. © Muzeul Naţional Brukenthal

A failed bid for Renaissance masterpieces is revealed in a collection of newly catalogued letters. More»

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Also posted in Getty Research Institute, Prints and Drawings

Treasures from the Vault: Heinrich Geissler’s Groundbreaking Archive

Black and white photograph of an unsigned drawing of a man holding a bow
Study photograph of an unsigned drawing of a man holding a bow

A newly catalogued archive sheds light on how art history was written in Germany after the war. More»

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Also posted in Art, Getty Research Institute

Treasures from the Vault: The Guerrilla Girls Archive

Props used in the Guerrilla Girls' actions: plastic gun, bananas, and gorilla fingers with nail polish
Copyright © Guerrilla Girls, courtesy guerrillagirls.com

Why did art professionals put on gorilla masks and take to the streets? More»

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Also posted in Art, Behind the Scenes

Beyond Borders: The Humanities in the Digital Age

Terms for marble in multiple languages, superimposed on a carved marble sculpture of Athena
Selected multilingual terms from the entry for marble in the Art & Architecture Thesaurus

The Web has revolutionized the way we study art and culture. More»

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Also posted in Getty Research Institute, Paintings

Database of Knoedler Gallery Stock Books Now Online

Scan of a Knoedler stock book
Scan of a Knoedler stock book noting inventory of paintings by Moreau, Gérôme, and others. The Getty Research Institute, 2012.M.54

New online: searchable records from the 19th-century stock books of famed art dealers Knoedler Gallery. More»

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Also posted in Getty Research Institute, Manuscripts and Books, Photographs, Film, and Video

100,000 Digitized Art History Materials from the Getty Research Institute Now Available in the Digital Public Library of America

Barnsdall Park / Julius Shulman
Barnsdall Park, Shulman Retrospective (Los Angeles, California), 1969, photographed by Julius Shulman. Print: Frank Taylor. The Getty Research Institute, 2004.R.10 (Job 4460)

There’s a new place to explore digital treasures from the vast collections of the Getty Research Institute. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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