Research

Creating knowledge through collaboration, exchange, and scholarship—where all our work begins

Also posted in Getty Foundation, Philanthropy, Publications

What Is a Page in the Digital Age?

On Performativity / Walker Art Center
View of the Walker’s new OSCI publication, On Performativity. Image courtesy Walker Art Center

A new crop of digital museum catalogues reinvents the page for the 21st century. More»

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Also posted in Art, Behind the Scenes, Getty Research Institute

Unlocking Archives through Digital Tech

Decourcy McIntosh, Thomas Gaehtgens, and Gail Feigenbaum
In the Special Collections Reading Room, workshop participants look inside an art dealer's photograph album. Foreground, left to right: independent scholar Decourcy McIntosh, Research Institute director Thomas Gaehtgens, and associate director Gail Feigenbaum.

The vast archives of the Getty Research Institute contain many stories yet untold. More»

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Also posted in Art, J. Paul Getty Museum, Prints and Drawings

Who Is George Seurat’s “Indian Man”?

An Indian Man / Georges Seurat
Detail of Seurat's An Indian Man showing the finely rendered beard and topknot

Help us solve an art-historical mystery. More»

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Also posted in Architecture and Design, Getty Research Institute

The Fiery Career of Architecture Critic Ada Louise Huxtable

Ada Louise Huxtable with Richard Meier in 1996
Photo: Vladimir Lange

“I wanted her attention, but I was scared of it…She was tough, but her words were beautiful.” More»

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Also posted in Architecture and Design, Getty Research Institute

Treasures from the Vault: The Ada Louise Huxtable Archive

Portrait of Ada Louise Huxtable, 1970s
Photograph by L. Garth Huxtable

Inside the archive of one of the greatest 20th-century writers on architecture. More»

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Also posted in Art, Getty Foundation

Pacific Standard Time: LA/LA Begins Today

Caixa de fazer amor / Teresinha Soares
Photo: Miguel Aun. Courtesy of Teresinha Soares

A major new initiative to study and celebrate Latin American and Latino art. More»

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Also posted in Architecture and Design, Behind the Scenes, Getty Research Institute

Connecting Seas: The Getty Research Institute in Manila

Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez
Exterior of San Sebastian Church. Completed in 1891, this neo-Gothic all-steel church, the only one of its kind in Asia, is made of pre-fabricated steel elements fabricated in Belgium. Photo: Jaime S. Martinez

“For all of us, the trip was revelatory on many levels.” More»

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Also posted in Art, Getty Research Institute, Photographs, Film, and Video, Sculpture and Decorative Arts

77,000 Images of Tapestries and Italian Monuments Join the Open Content Program

Italian sculpture / Max Hutzel
Max Hutzel photographed Italy for 30 years, documenting architecture, paintings, frescoes, sculpture, manuscripts, metalwork and other "arte minore" (minor arts). The Getty Research Institute, 86.P.8

Photographs of Italian monuments and European tapestries join the Open Content Program. More»

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Also posted in Art, Getty Research Institute, Manuscripts and Books

16th-Century Album Records Social Network of Europeans in Istanbul

Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24
Leaf 119 verso and 120 recto from Johann Joachim Prack von Asch’s liber amicorum (book of friends), 1587–1612. The Getty Research Institute, 2013.M.24

Newly acquired “book of friends” provides insight into European contact with the Ottoman Empire. More»

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Also posted in Art, Getty Research Institute

Art & Architecture Thesaurus Now Available as Linked Open Data

Linked Open Data / Vincent van Gogh's Irises

A key reference database on art and architecture is now available for free download. More»

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    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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