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Also posted in Behind the Scenes, Getty Research Institute

Form versus Function: Rare Journals Acquired by the Getty Research Institute

Cover, Das Interieur
Cover, Das Interieur, 1904, Vol. 5, Part 2 (July–December). The Getty Research Insitute, 88-S330

New acquisitions provide researchers crucial context for two key international art movements—Jugendstil and Concrete Art. More»

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Also posted in Conservation, Getty Conservation Institute, Paintings

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Also posted in Art, Getty Research Institute

Treasures from the Vault: Harry Smith and Patterns in the Wind

Paper airplane made from a flyer for The Event from the Cafe Au Go-Go, 1967
Paper airplane made from a flyer for "The Event from the Cafe Au Go-Go" published by Verve Folkways and the Infinite Poster, Inc., 1967. Harry Smith papers. The Getty Research Institute, 2013.M.4, box 273

What drove artist Harry Smith to collect paper airplanes on the streets of New York? More»

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Also posted in Art, Getty Research Institute, Photographs, Film, and Video

Small Format, Big Style: Images from the Alexander Liberman Photography Archive Now Available

Coco Chanel, Alexander Liberman
Coco Chanel, Alexander Liberman. The Getty Research Institute, 2000.R.19

The Getty Research Institute and Artstor partner to offer 1,500 digitized images by the prolific photographer. More»

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Also posted in Art, Getty Research Institute, Paintings

Frederick Hammersley Foundation Donates Archive to the Getty Research Institute

Page from Notebook 3 / Frederick Hammersley
Page from Notebook 3, Frederick Hammersley, 1978. Artwork © Frederick Hammersley Foundation

“Despite their precise lines and construction, Hammersley’s work displays a personal touch, guided by his belief in intuition as an important principle for art making.” More»

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Also posted in Art, Education, Getty Research Institute

5,400 Images from the Getty Research Institute’s Special Collections Now Available as Open Content

Lantern design in Kangxi dengtu / Chinese
Lantern design in Kangxi dengtu (Kangxi-era lantern patterns), Chinese, 1790. Ink and watercolor, 29.7 x 24 cm. The Getty Research Institute, 2003.M.25

Thousands more images, from Renaissance prints to early photographs, join the Open Content Program. More»

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Also posted in Art, Getty Research Institute

Letters by René Magritte Join Research Institute’s Collection

Photo of Rene Magritte painting Les Promenades d'Euclide, 1955
© 2013 C. Herscovici, London / Artists Rights Society (ARS), New York

The artist’s business dealings with gallerist Alexander Iolas are the focus of nine revealing letters from the 1950s and ’60s. More»

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Also posted in Art, Conservation, Getty Conservation Institute, Photographs, Film, and Video, Publications

Getty Conservation Institute Releases Critical New Resource for Conserving Historic Photographs

An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection.
An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection

This new digital publication offers science-based tools to identify how photographs were made. More»

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Also posted in Behind the Scenes, Conservation, Getty Conservation Institute, Voices

Behind the Scenes at the GCI | Getty Voices

GCI Lab \ Beril Bicer-Simsir
Scientist Beril Bicer-Simsir testing grouts in the Getty Conservation Institute's laboratories.

A relatively new discipline, conservation science merges art and analysis to solve thorny conservation problems. More»

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Also posted in Education, J. Paul Getty Museum, Manuscripts and Books

Thrust, Parry, Download!

Aiming Points on the Body / Fiore dei Liberi, Fior di Battaglia
Aiming Points on the Body (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 32

Fight like it’s 1410 with this zesty combat manuscript, free to download via the new Open Content Program. More»

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