Research

Creating knowledge through collaboration, exchange, and scholarship—where all our work begins

Also posted in Behind the Scenes, Manuscripts and Books, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

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Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

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Also posted in Art, Publications, Voices

It’s Time to Rethink and Expand Art History for the Digital Age

Google Image Search result for "Mona Lisa"
But is it art history? Google Image Search result for "Mona Lisa"

We need a 21st-century rethink of art history, one that takes us beyond academia to include artistic creation and the reception of artworks by the public. More»

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Also posted in Art, Behind the Scenes, Publications, Voices

Getty Voices: Rethinking Art History

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In the digital age, is art history still relevant? The discussion is needed, and needed now. More»

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Also posted in Art, Education

Six Questions for Art Detective Victoria Reed

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What does a provenance researcher do? And how does she do it? More»

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Also posted in Getty Research Institute, Publications

New Online Resource to Reveal Stories about Nazi-Looted Art, Wartime Art Market

Paintings in storage at the Munich Central Collecting Point / Johannes Felbermeyer
Paintings in storage at the Munich Central Collecting Point, ca. 1945–49, Johannes Felbermeyer. This was one of several sites used by the Allies to identify, photograph, and restitute Nazi-seized artworks after the war. Photo Study Collection. The Getty Research Institute, 89.P.4

Featuring over 2,000 newly digitized catalogs, a new database will revolutionize Nazi-era art research. More»

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Also posted in Art, Getty Research Institute

Nazis Collecting Art: Art Dealer Gustav Cramer’s Wartime Records

Postcard showing the interior of Galerie G. Cramer in The Hague, circa 1967

A rare resource for the study of the art market in Europe during World War II is now available for research at the Getty Research Institute: the correspondence of Gustav Cramer and his son Hans Max Cramer, owners of the G. Cramer… More»

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Also posted in Behind the Scenes, Conservation, Getty Conservation Institute

Mars Rover Technology Helps Unlock Art Mysteries

Giacomo Chiari, head of the science department at the Getty Conservation Institute, examines the painting on the west wall in the tomb of King Tutankhamen

This coming weekend, NASA’s latest Mars Rover, Curiosity, is scheduled to touch down on the Red Planet to begin two years of scientific discovery, helping scientists unlock some of the planet’s as yet undiscovered secrets. Interestingly, the same technology being… More»

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Posted in Research

Why Have There Been No Great (Wikipedia Articles on) Women Artists?

Sign for an edit-a-thon at the Wikimedia Foundation in San Francisco reading Welcome Wikipedians: Mind the Gap

What’s the top hit when you google Louise Nevelson, Dorothea Lange, or Betye Saar? Wikipedia, of course. The online encyclopedia anyone can edit, Wikipedia features 22 million articles edited by 1 million+ volunteer editors in 285 languages. Of those editors,… More»

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Also posted in Getty Research Institute, Publications

Walking through the Getty Research Portal

Screen capture of the Getty Research Portal, showing how to enter a query

Today the Getty Research Institute launches the Getty Research PortalTM, an unprecedented resource that will provide broad, free access to digitized texts in the field of art and architectural history. The Getty Research Portal is a free online search gateway… More»

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      From you have I been absent in the spring,
      When proud-pied April, dressed in all his trim,
      Hath put a spirit of youth in everything,
      That heavy Saturn laughed and leaped with him,
      Yet nor the lays of birds, nor the sweet smell
      Of different flowers in odor and in hue,
      Could make me any summer’s story tell,
      Or from their proud lap pluck them where they grew.
      Nor did I wonder at the lily’s white,
      Nor praise the deep vermilion in the rose;
      They were but sweet, but figures of delight,
      Drawn after you, you pattern of all those.
      Yet seemed it winter still, and, you away,
      As with your shadow I with these did play.

      —William Shakespeare, born April 23, 1564

      Vase of Flowers (detail), 1722, Jan van Huysum. The J. Paul Getty Museum

      04/23/14

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