Ancient World, Behind the Scenes, Exhibitions and Installations

Why the Cyrus Cylinder Matters Today

Through this remarkable document, one of the world’s great rulers speaks across 2,500 years

The Cyrus Cylinder is a document of baked clay, nine inches wide by four tall. It memorializes an event that, at first glance, seems vanishingly remote in both space and time: the conquest of Babylon in 539 B.C. by the Persian king Cyrus the Great. Yet this small object has outsized historical importance.

As the Cylinder arrives for a nearly nine-week stay at the Getty Villa—the final stop on a successful tour of the United States organized by the British Museum in partnership with the Iran Heritage Foundation and generously supported in Los Angeles by Farhang Foundation—we turned to four experts to ask: what does the Cylinder mean, and what can we learn from it today?


See the one-minute trailer »

An Enlightened Ruler

The Cyrus Cylinder is one of many kingly proclamations on stone or clay known from ancient Mesopotamia. What makes it unique is not its form, but rather the policy it records: Cyrus’s decision to allow deported peoples to return to their settlements and to restore their desecrated sanctuaries.

This support of religious and cultural diversity was highly unusual in the ancient Near East, and Cyrus has served as the model of an enlightened ruler. “Cyrus ruled a vast multi-ethnic domain—effectively, all of the Middle East we know today,” says Dr. Timothy Potts, director of the J. Paul Getty Museum and a specialist in the ancient Near East. “He realized that it was sensible statescraft to allow different peoples to worship their own gods and to have their own culture.”

Jews on the Map of History

Cyrus’s actions had particularly momentous consequences for one group of exiles in Babylon: the Jews.

Though the Cylinder does not mention the Jews by name, it echoes Cyrus’ biblical edict that exhorted the Jewish people to return to Jerusalem and rebuild their temple. Had Cyrus not freed the peoples of Babylon, says Bible historian Dr. Tamara Cohn Eskenazi, “the exiled Jews would probably have disappeared from the map of history, the way so many other peoples from the biblical period disappeared.”

The Cyrus Cylinder as installed at the Getty Villa

The Cyrus Cylinder, Achaemenid, after 539 B.C. Terracotta, 22.9 x 10 cm. The British Museum

An Ancient Persian Voice

The Cyrus Cylinder is remarkable for yet another reason—for the simple fact that it bears the words of this ancient king. Though historians had long known of Cyrus from the Bible and from ancient Greek writers, the Cylinder’s discovery in 1879 revealed “what we can say is the actual voice of Cyrus,” commented Dr. Jennifer Rose, a scholar of the Zoroastrian religion. “That makes it an extremely important piece of historical information.”

The Cylinder—and the conquest of Babylon that it describes—mark a key moment in the establishment of the ancient Persian Empire. “The Cylinder and the artifacts associated with it represent an empire that lasted for two centuries in the ancient world, and yet is rarely studied,” said historian Dr. Touraj Daryaee. The Persian Empire was not only the largest the world had yet known, but was rich with innovations in art, economics, writing, transportation, and religion, threads that are also explored in the exhibition. “People know about the Bible, they know about Alexander the Great [who conquered the Persian Empire], but there are a lot of things in between that make this an important world civilization.” The Cyrus Cylinder is an ambassador for that civilization, and its inheritors.

Gold armlet with griffins as installed at the Getty Villa / Achaemenid

In addition to the Cyrus Cylinder, the exhibition includes an array of objects representing the art and culture of the ancient Persian Empire. Here, a gold armlet with griffins (Achaemenid, 500–330 B.C.). The British Museum

The Cyrus Cylinder and Ancient Persia: A New Beginning is on view at the Getty Villa through December 2, when it returns to the British Museum. The exhibition is free and requires an advance, timed ticket, available here.

Video by Steve Saldivar and Sarah Waldorf

Tagged , , , , , , , , Bookmark the permalink. Post a comment or leave a trackback: Trackback URL.

One Comment

  1. Lenora Lowe
    Posted October 18, 2013 at 12:57 pm | Permalink

    I find the info About Cyrus’ cylinder seal amazing. Having studied ‘Ancient Civilizations’ and the ‘History of Culture’ while matriculating at UCLA many years ago, I wonder why Cyrus was never mentioned as one of the forerunners of the ‘freedom of religion’ concept in government. Alexander did share this belief as evidenced in his relationship with the Jews as well. Among my ancestors who left Israel for Greece in 300 B.C. there is the story told to me by my father who was born in Ioannina, Capital of the Epirus that when Alexander traveled through Greece, he stayed in Jewish homes. The reason given was that since the Jews were a minority, they would never seek to overthrow him.

Post a Comment

Your email is never published or shared. Required fields are marked *

*
*

You may use these HTML tags and attributes <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>

  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

  • Flickr