Walter Hopps Hopps Hopps
On View at the Getty Center: Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970
Walter Hopps Hopps Hopps (1959) was the centerpiece of an exhibition at the Ferus Gallery in 1959. It both satirizes and pays homage to Kienholz’s former partner in the gallery, curator Walter Hopps. Adding Hopps’s trademark glasses and skinny necktie to a motor-oil advertising mascot known as the “Bardahl Man,” Kienholz represented his friend as a hustler hawking miniature works by Jackson Pollock, Franz Kline, and Willem de Kooning out of his coat lining. The satire, deriding Hopps’s penchant for the New York School, is reinforced by the notes and lists housed in compartments on the rear of the figure—handwritten by Hopps at Kienholz’s request. One such list, “Major Artists I Want To Show,” consists not of those L.A. artists that the Ferus Gallery had championed, but rather of puns on the names of East Coast figures such as “Franz Climb” and “Willem de Conning.”