Explore the Era

Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.

From the Archive

Los Angeles artists at Culture Day at LACMA, 1968

Several Los Angeles artists at Culture Day at LACMA (L.A. County Museum of Art), 1968. Photo by and © Julian Wasser.

In March 1965, the completion of the Los Angeles County Museum of Art (LACMA) at its new and current location on Wilshire Boulevard was one of the most concrete markers of L.A. art’s transformation from its largely private, underground roots to a more public, official scene. Local artists would clamor for greater representation at LACMA throughout the 1960s, and Edward Kienholz, Ken Price, Robert Irwin, and others received exhibitions there. Also included in this photograph are the artists Tony Berlant, Judy Chicago, Ed Ruscha, Larry Bell, Billy Al Bengston, John Altoon, and architect Frank Gehry.

Historic Map Locations

Works of Art

  • Walter Hopps Hopps Hopps

    Walter Hopps Hopps Hopps, 1959, Edward Kienholz. Paint and resin on wood, printed color reproductions, ink on paper, vertebrae, telephone parts, candy, dental molds, metal, pencil, and leather. 87 x 42 x 21 in. The Menil Collection, Houston, Gift of Lannan Foundation. © Nancy Reddin Kienholz. Photo: Susan Einstein

  • Untitled, Wall Piece

    Untitled, Wall Piece, 1967, Larry Bell. White and black glass, vacuum coated. 120 x 300 in. Collection of Michael Straus, Birmingham, Alabama. © Larry Bell

  • Untitled, 1969, Larry Bell.

    Untitled, 1969, Larry Bell. Mineral-coated glass. 40 x 40 x 40 in. Courtesy The Pace Gallery. © Larry Bell. Photo by Ellen Labenski

  • The Los Angeles County Museum on Fire, 1965–68, Ed Ruscha.

    The Los Angeles County Museum on Fire, 1965–68, Ed Ruscha. Oil on canvas. 53 1/2 x 133 1/2 in. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C., Gift of Joseph H. Hirshhorn, 1972. © Ed Ruscha. Photography by Lee Stalsworth

  • The Future as Afterthought

    The Future as Afterthought, 1962, Edward Kienholz. Paint and resin on plastic and rubber doll parts with sheet metal, tricycle pedals, and wood. 54 x 21 x 16 15/16 in. Onnasch Collection. © Nancy Reddin Kienholz. Photo courtesy L.A. Louver, Venice, CA

  • Standard Station, Amarillo, Texas

    Standard Station, Amarillo, Texas, 1963, Ed Ruscha. Oil on canvas. 64 1/2 x 121 3/4 in. Hood Museum of Art, Dartmouth College, Hanover, New Hampshire; gift of James Meeker, Class of 1958, in memory of Lee English, Class of 1958, scholar, poet, athlete and friend to all. © Ed Ruscha

  • Sonny

    Sonny, 1961, Billy Al Bengston. Oil on Masonite. 36 x 36 in. Billy Al Bengston Studio Holdings. © Billy Al Bengston. Photo by Brian Forrest

  • Ocean Park Series

    Ocean Park Series, 1962, John Altoon. Oil on canvas. 72 x 84 in. Orange County Museum of Art, Newport Beach, CA: Museum purchase with additional funds provided by Dr. James B. Pick and Dr. Rosalyn M. Laudati, Mr. Ward Chamberlin, Mrs. E.G. Chamberlin, Patricia Fredericks, Mr. and Mrs. Carl Neisser, Mr. and Mrs. John Martin Shea, Mr. and Mrs. Samuel Goldstein, Zada Taylor, Mr. David H. Steinmetz, and Mrs. Bernard McDonald. Permission courtesy of the Estate of John Altoon and Braunstein/Quay Gallery, San Francisco, CA. Photo by Gene Ogami

  • Green and Cream

    Green and Cream, 1966, Ken Price. Glazed ceramic. 4 x 8 1/2 x 3 1/2 in. Private collection. Permission courtesy Ken Price Studio. Photo by Zoe Zimmerman

  • Car Hood

    Car Hood, 1964, Judy Chicago. Sprayed acrylic lacquer on Corvair car hood. 42 15/16 x 49 3/16 x 4 5/16 in. Moderna Museet, Stockholm. Acquired 2007 with means from The Second Museum of our Wishes. © Judy Chicago, 1964. Photo © Donald Woodman

  • Big Blue Pink from the Flesh Gardens series

    Big Blue Pink from the Flesh Gardens series, 1971, Judy Chicago. Sprayed acrylic lacquer on acrylic. 96 in x 96 in. Tom Jancar Gallery, Los Angeles. © Judy Chicago, 1971. Photo © Donald Woodman

  • BG Red

    BG Red, 1963, Ken Price. Fired clay with acrylic and lacquer on wooden base. 10 in. high. Collection of Mr. & Mrs. Gifford Phillips. Permission courtesy Ken Price Studio. Photo by Taylor Sherill

  • Avocado Mountain

    Avocado Mountain, 1959, Ken Price. Glazed ceramics (2 parts). 24 x 21 x 21 in. James Corcoran Gallery, Los Angeles. Permission courtesy Ken Price Studio

Explore the Archive

  • Judy Chicago and Sunset Squares installation

    Judy Gerowitz, also known as Judy Chicago, with her Sunset Squares installation at Rolf Nelson Gallery in Los Angeles, 1966. © 2011 Judy Chicago / Artists Rights Society (ARS), New York. The Getty Research Institute, Gift of Rolf G. Nelson, 2010.M.38. Image courtesy of Jerry McMillan and Craig Krull Gallery, Santa Monica. © Jerry McMillan

  • Ed Ruscha holding "Every Builging on the Sunset Strip"

    Ed Ruscha holding his book Every Building on the Sunset Strip, 1967. © Ed Ruscha. Image courtesy of Jerry McMillan and Craig Krull Gallery, Santa Monica. © Jerry McMillan

  • Billy Al Bengston polishing an artwork

    Billy Al Bengston polishing an artwork, 1963. © Billy Al Bengston. Image courtesy of Marvin Silver and Craig Krull Gallery, Santa Monica. © Marvin Silver

  • Ken Price

    Ken Price at a party in Los Angeles in 1965. Image courtesy of Ken Price Studio

  • Ed Moses and Frank Gehry

    Ed Moses and Frank Gehry in Greece, 1975. Image courtesy of Ed Moses and Frank Gehry

  • John Altoon, ca. 1963

    John Altoon smoking, ca. 1963. Image courtesy of Larry Bell. Photo by Dennis Hopper and © The Dennis Hopper Trust

  • Ed Ruscha in his studio

    Ed Ruscha in his studio at 1024 3/4 N. Western Avenue in Hollywood, California, 1970. Image courtesy of Billy Al Bengston. Photo © Larry Bell

  • Edward Kienholz, 1958

    Edward Kienholz in 1958. Image courtesy of Marvin Silver and Craig Krull Gallery. © Marvin Silver

  • Larry Bell in his studio

    Larry Bell in his Market Street studio in Venice, California, 1961. Image courtesy of Larry Bell, Marvin Silver and Craig Krull Gallery, Santa Monica. © Marvin Silver