Explore the Era
Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
Exhibitions at the Getty Center
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Semina cover with photograph of Cameron, 1955, Wallace Berman. Semina journal, no. 1 (1955) by Wallace Berman. Gelatin silver print mounted on cardstock. 7 1/2 x 4 in. The Getty Research Institute, 2564-801.no1.2. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
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Semina cover with Wife (photograph of Shirley Berman), 1959, Wallace Berman. Semina journal, no. 4 (1959) by Wallace Berman. Halftone reproduction on cardstock. 9 7/16 x 8 x 1/16 in. The Getty Research Institute, 2564-801.no1.2. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
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Stage II, 1958, Karl Benjamin. Oil on canvas. 50 x 70 in. Collection of Louis Stern. © Karl Benjamin, courtesy Louis Stern Fine Arts. ©Photography by Gerard Vuilleumier
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Wallace Berman with a copy of Semina no. 1 in the Stone Brothers Printing display window, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.17. © J. Paul Getty Trust. Photo by Charles Brittin
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Ed Moses in his studio, 1958. The Getty Research Institute, Mizuno Gallery Records, 2010.M.84. Gift of Riko Mizuno
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Arthur Richer and Wallace Berman at Syndell Studio in Los Angeles, 1957. Richer’s art is in the background. The Getty Research Institute, Charles Brittin papers, 2005.M.11.16. © J. Paul Getty Trust. Image courtesy of Lauri Richer. Photo by Charles Brittin
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Untitled, 1959, Henry Takemoto. Stoneware with iron and cobalt brushwork. 26 3/4 x 27 3/4 in. Collection of Pier Voulkos. © Henry Takemoto. Photo by Joe Schopplein
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Untitled (Art is Love is God), 1955, Robert Alexander. Wooden box, photograph, bullet, and paper. 3 7/16 x 6 7/16 x 3 5/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.29. Courtesy of the Temple of Man, Inc.
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Untitled (Peyote Vision), 1955, Cameron (from Semina journal, no. 1). Reproduction of ink drawing mounted on cardstock. 3 13/16 x 4 in. Courtesy of Cameron Parsons Foundation
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Up with in, 1957–58, Frederick Hammersley. Oil on linen. 47 7/8 x 36 in. Pomona College Museum of Art, Claremont, CA. Museum purchase with funds provided by the Estate of Walter and Elise Mosher. © The Frederick Hammersley Foundation. Photo: Schenck & Schenck, Claremont
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Video: George Herms speaks about his work, March 2011
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Video: John Mason speaks about his work, March 2010
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Video: Billy Al Bengston speaks about his work, March 2010
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Video: Ed Ruscha speaks about his work, April 2011
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Video: Irving Blum, John Mason, and Billy Al Bengston speak about the work of Peter Voulkos, 2010–11