Explore the Era
Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
Exhibitions at the Getty Center
Category: Show All > Assemblage & Collage
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Semina cover with Wife (photograph of Shirley Berman), 1959, Wallace Berman. Semina journal, no. 4 (1959) by Wallace Berman. Halftone reproduction on cardstock. 9 7/16 x 8 x 1/16 in. The Getty Research Institute, 2564-801.no1.2. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
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Sonday, 1964, Melvin Edwards. Welded steel. 12 1/2 x 7 x 7 1/2 in. Collection of and © Melvin Edwards. Photo by Kristopher McKay
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The Future as Afterthought, 1962, Edward Kienholz. Paint and resin on plastic and rubber doll parts with sheet metal, tricycle pedals, and wood. 54 x 21 x 16 15/16 in. Onnasch Collection. © Nancy Reddin Kienholz. Photo courtesy L.A. Louver, Venice, CA
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The Librarian, 1960, George Herms. Wooden box, papers, books, loving cup, and painted stool. 57 x 63 x 21 in. Norton Simon Museum, Gift of Molly Barnes. © George Herms
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The Mexican Night Clerk, 1960–65, Gordon Wagner. Mixed media, 81 15/16 x 34 x 4 3/4 in. Tobey C. Moss Gallery, Los Angeles, CA. © Estate of Gordon Wagner
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The Phrenologer's Window, 1966, Betye Saar. Assemblage of two-panel wood frame with print and collage. 18 1/2 x 29 3/8 x 1 in. Private collection, courtesy of Michael Rosenfeld Gallery, LLC, New York, NY. © Betye Saar
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Untitled, 1966, Noah Purifoy. Mixed media, including debris from the Watts rebellion. 29 3/4 x 16 3/16 in. Private collection. Permission granted by the Noah Purifoy Foundation
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Untitled (Art is Love is God), 1955, Robert Alexander. Wooden box, photograph, bullet, and paper. 3 7/16 x 6 7/16 x 3 5/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.29. Courtesy of the Temple of Man, Inc.
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Untitled (Faceless Faces with Kabala), 1963–70, Wallace Berman. Verifax collage with transfer lettering. 29 7/8 x 28 11/16 in. Collection of Nicole Klagsbrun. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
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Untitled (Peyote Vision), 1955, Cameron (from Semina journal, no. 1). Reproduction of ink drawing mounted on cardstock. 3 13/16 x 4 in. Courtesy of Cameron Parsons Foundation
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Untitled (Verifax Collage), 1969, Wallace Berman. Verifax collage on board. 45 x 48 in. Collection of Michael D. Fox, Berkeley, CA, courtesy Steven Wolf Fine Arts, San Francisco, CA. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles. Photo by Joe Schopplein
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Video: Joe Goode speaks about his work, March 2011
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Video: George Herms speaks about his work, March 2011
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Video: Betye Saar speaks about her work, March 2011. Footage of the Watts Towers courtesy and © Over the Moon Productions
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Video: Attend the opening of Edward Kienholz’s 1961 exhibition at the Ferus Gallery. Excerpt from the television program Story of an Artist, 1962, directed by William Kronick. Licensed by Warner Bros. Entertainment, Inc.