Card to George Herms&raquo;Pacific Standard Time at the Getty

Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.

Card to George Herms

Card to George Herms, 1967, Dean Stockwell. Letterpress, ink, and gelatin silver prints on board. 5 1/4 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.17. © Dean Stockwell

On View at the Getty Center: Greetings from L.A.: Artists and Publics 1950-1980

The essentially private nature of the assemblage artists’ work found its purest expression in the cards they sent each other. Handmade and highly personalized, they attest to the belief in art’s power to bring individuals together as a community.

Styles & Materials

Assemblage & Collage

Time Periods & Venues

1960s

Works of Art

Semina cover with altered press photograph of William George Heirens (the “Lipstick Killer”), 1963, Dean Stockwell. Semina journal, no. 8 (1963) by Wallace Berman. Halftone reproduction on cardstock, mounted on cardboard. 7 1/16 x 5 1/2. The Getty Research Institute, 2864-801.no8.6. Courtesy of Dean Stockwell and the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1968, Dean Stockwell. Letterpress, ink, and tinted gelatin silver print on board. 5 x 3 3/8 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.12. © Dean Stockwell
Card to George Herms, 1966, Russel Tamblyn. Photomontage and ink board. 4 9/16 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.10. © Russel Tamblyn
Card to Betty Asher, ca. 1965, Wallace Berman. Photomontage and ink on board. 4 x 2 15/16 in. The Getty Research Institute, Gift of Michael Asher, 2009.M.30.25. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles

Explore the Archive

Video: Artist George Herms shares anecdotes about the California assemblage community
Video: George Herms speaks about his work, March 2011
Dean Stockwell and Wallace Berman at Stone Brothers Printing, 1957. The Getty Research Institute, Charles Brittin papers, 2005.M.11.18. © J. Paul Getty Trust. Photo by Charles Brittin

Explore the Era