Monthly Archives: August 2013

Posted in Education, J. Paul Getty Museum, Manuscripts and Books, Research

Thrust, Parry, Download!

Aiming Points on the Body / Fiore dei Liberi, Fior di Battaglia
Aiming Points on the Body (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 32

Fight like it’s 1410 with this zesty combat manuscript, free to download via the new Open Content Program. More»

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Posted in Art, Manuscripts and Books, Research, Voices

The Getty Graffiti Black Book

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One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

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Posted in Art, Education, J. Paul Getty Trust

Open Content, An Idea Whose Time Has Come

The Getty announces its new Open Content Program

A new commitment to share, freely and without restriction, as many of the Getty’s digital resources as possible. More»

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Posted in Art, Exhibitions and Installations, Manuscripts and Books

A Field Guide to Renaissance Gardens

The Temptation of Adam and Eve / Boucicaut Master
The Temptation of Adam and Eve (detail) in Concerning the Fates of Illustrious Men and Women, about 1415, Boucicaut Master. Tempera colors, gold leaf and gold paint on parchment, 16 9/16 x 11 5/8 in. The J. Paul Getty Museum, Ms. 63, fol. 3

In the Renaissance as now, gardens came in many forms and carried many associations. A visual tour. More»

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Posted in Behind the Scenes, Getty Center

Travertine Improv

Four hands transform the Getty Center into a massive musical instrument. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Peru Field Notebook: An Update from Kuño Tambo

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A field team from the Conservation Institute reaches a milestone in its efforts to preserve earthen buildings from earthquakes. More»

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Posted in Exhibitions and Installations, Photographs, Film, and Video, Voices

Getty Voices: Directing Landscape

werner_herzog

Music and landscape combine to create a powerful “separate reality” in Werner Herzog’s work. More»

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Posted in J. Paul Getty Museum

The Adventures of Cricket and Flatfoot (aka The Okee Dokee Brothers)

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How’s this for a job: float down a river, then sing about it. The Okee Dokee Brothers reveal how they make it work. More»

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Posted in Art, Education, Getty Foundation, Philanthropy

Connecting the Art Historical Dots

Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy. © J. Paul Getty Trust
Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy.

A Getty Foundation initiative is expanding the frontiers of art history by bringing scholars together from around the globe. More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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