Monthly Archives: August 2013

Posted in Art & Archives, Education, J. Paul Getty Museum, Manuscripts and Books, Scholarship, technology

Thrust, Parry, Download!

Aiming Points on the Body / Fiore dei Liberi, Fior di Battaglia
Aiming Points on the Body (detail), from Fiore dei Liberi, Fior di Battaglia, possibly Venice or Padua, ca. 1410. Tempera colors, gold leaf, and ink on parchment, 11 x 8 1/8 in. The J. Paul Getty Museum, Ms. Ludwig XV 13, fol. 32

Fight like it’s 1410 with this zesty combat manuscript, free to download via the new Open Content Program. More»

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Posted in Art, Art & Archives, Manuscripts and Books, Scholarship, Voices

The Getty Graffiti Black Book

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One of the first looks at some of the pages for the Getty Graffiti Black Book. We examined a few of our special collections volumes to compare illustrations.

A cross-century, cross-community collaboration between L.A. graffiti and tattoo artists—in the tradition of Albrecht Dürer. More»

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Posted in Art, Art & Archives, Editor's Picks, Education, J. Paul Getty Trust, technology

Open Content, An Idea Whose Time Has Come

The Getty announces its new Open Content Program

A new commitment to share, freely and without restriction, as many of the Getty’s digital resources as possible. More»

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Posted in Art, Art & Archives, Exhibitions and Installations, Manuscripts and Books

A Field Guide to Renaissance Gardens

The Temptation of Adam and Eve / Boucicaut Master
The Temptation of Adam and Eve (detail) in Concerning the Fates of Illustrious Men and Women, about 1415, Boucicaut Master. Tempera colors, gold leaf and gold paint on parchment, 16 9/16 x 11 5/8 in. The J. Paul Getty Museum, Ms. 63, fol. 3

In the Renaissance as now, gardens came in many forms and carried many associations. A visual tour. More»

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Posted in Behind the Scenes, Getty Center

Travertine Improv

Four hands transform the Getty Center into a massive musical instrument. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Peru Field Notebook: An Update from Kuño Tambo

kunotambo_featured

A field team from the Conservation Institute reaches a milestone in its efforts to preserve earthen buildings from earthquakes. More»

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Posted in Art & Archives, Exhibitions and Installations, Photographs, Film, and Video, Voices

Getty Voices: Directing Landscape

werner_herzog

Music and landscape combine to create a powerful “separate reality” in Werner Herzog’s work. More»

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Posted in J. Paul Getty Museum

The Adventures of Cricket and Flatfoot (aka The Okee Dokee Brothers)

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How’s this for a job: float down a river, then sing about it. The Okee Dokee Brothers reveal how they make it work. More»

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Posted in Art, Art & Archives, Education, Getty Foundation, Philanthropy

Connecting the Art Historical Dots

Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy. © J. Paul Getty Trust
Connecting Art Histories participants studying frescoes in the Casa Vasari palace in Florence, Italy.

A Getty Foundation initiative is expanding the frontiers of art history by bringing scholars together from around the globe. More»

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      Color for Healing

      This sanitorium (tuberculosis hospital) in Paimio, Finland, was designed by architect Alvar Aalto in the 1920s. Unlike many hospitals, it was full of bright colors—including welcoming yellow on the main stairs and calming green for ceilings above bedridden patients. Aalto even created special chairs to open the chest and speed healing.

      The building’s colors were mostly whitewashed later in the 20th century, but now—due to a grant from the Getty Foundation as part of its Keeping It Modern initiative—its colors are being reconstructed and the building preserved for the future.

      More of the story: Saving Alvar Aalto’s Paimio Sanitorium

      Pictured: Paimio Sanatorium, patients’ wing and solarium terraces. Photo: Maija Holma, Alvar Aalto Museum. A color model for Paimio Sanatorium interiors by decorative artist Eino Kauria. Photo: Maija Holma, Alvar Aalto Museum, 2016.Paimio chairs (Artek no 41) in the Paimio Sanatorium lecture room, 1930s. Photo: Gustaf Welin, Alvar Aalto Museum. Aino Aalto resting in a chair on the solarium terrace. Photo: Alvar Aalto, Alvar Aalto Museum, 1930s. Main stairs of Paimio Sanatorium. Photo: Maija Holma, Alvar Aalto Museum.

      04/30/16

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