Monthly Archives: May 2014

Posted in Art, Photographs, Film, and Video

The California Dream, In Photographs

View to patio and swimming pool, Mr. and Mrs. Jack Moss residence, Pacific Palisades, c. 1944
View to patio and swimming pool, Mr. and Mrs. Jack Moss residence, Pacific Palisades, c. 1944, Maynard Parker

A foil to Julius Shulman’s B&W glamour, Maynard Parker captured middle-class modernism. More»

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Posted in Behind the Scenes, J. Paul Getty Museum

A New York Soundtrack for a New York Painting

Liz Tooley and Lance Baressi of Permanent Records
Photo: Jim Newberry

It’s a jazz thing: Jackson Pollock’s Mural inspires a music playlist. More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

The Middle Ages and Modern Abstraction

The Virgin and Child with the Archangels Michael and Gabriel from Gospel Book, about 1504 - 1505. 13 9/16 x 10 ¼ in. (34.5 x 26.5 cm). MS. 102, FOL. 19V
The Virgin and Child with the Archangels Michael and Gabriel from Gospel Book, about 1504 - 1505. 13 9/16 x 10 ¼ in. (34.5 x 26.5 cm). MS. 102, FOL. 19V

Abstraction was no modern innovation—it’s been an integral part of art across the centuries. More»

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Posted in Behind the Scenes, Paintings

Three Cameras, One Painting—Pollock’s “Mural” on Video

Laptop with Jackson Pollock's Mural
Behind the scenes during production of videos about Jackson Pollock’s Mural. Painted 1943, oil and casein on canvas, 95 5/8 x 237 3/4 in. The University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6. Reproduced with permission from The University of Iowa

Midcentury painting inspires 21st-century video. More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

Tableaux of the Seasons

The Princess Royal and Prince Arthur as “Summer” in the Tableaux of the Seasons, 1854, Roger Fenton. Royal Collection Trust / Her Majesty Queen Elizabeth II 2014
Royal Collection Trust / Her Majesty Queen Elizabeth II 2014

The royal children enact the seasons in a rare album now on display at the Getty Museum. More»

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Posted in Architecture and Design, Getty Research Institute, Scholarship

Treasures from the Vault: The Ada Louise Huxtable Archive

Portrait of Ada Louise Huxtable, 1970s
Photograph by L. Garth Huxtable

Inside the archive of one of the greatest 20th-century writers on architecture. More»

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Posted in Art, Exhibitions and Installations, Getty Villa

Seeking Shelter: A Story of Greek Refugees and the Virgin Episkepsis

Detail of Mosaic Icon with the Virgin and Child / Byzantine
Image courtesy of the Byzantine and Christian Museum, Athens, inv. no 990

What dramatic stories could this Byzantine icon tell? More»

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Posted in Art, Exhibitions and Installations, Getty Villa

Myth and Miraculous Performance: The Virgin Hodegetria

Icon with the Virgin and Child / Byzantine
Image courtesy of the Byzantine Museum, Kastoria, no. 457

Revered in Constantinople, the icon known as the Virgin Hodegetria was believed to hold special powers. More»

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Posted in Getty Center

Your Music Guide to Saturdays Off the 405

KiTblog

Liner notes for this season’s outdoor music. More»

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Posted in Behind the Scenes, J. Paul Getty Museum

Musicians and Artists Take Over the Getty for This Summer’s Friday Flights

Friday Flights at the Getty Center - summer 2014

Music nights that make you think: Friday Flights launches May 30. More»

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      #ProvenancePeek: Shark Attack!

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This dynamic painting of a 1749 shark attack in Havana, Cuba, by John Singleton Copley was too good to paint only once. The original hangs at the National Gallery of Art in Washington, D.C. A second full-sized version of the painting, which Copley created for himself, was inherited by his son and eventually gifted to the Museum of Fine Arts, Boston.

      The third version (shown here) is slightly reduced in size, with a more vertical composition. It resides in the Detroit Institute of Arts.

      A quick peek into the digitized stock and sales books of art dealer M. Knoedler & Co. at the Getty Research Institute shows the sale of Copley’s masterpiece. It was entered under stock number A3531 in July 1946 and noted as being sold to the Gallery by Robert Lebel, a French writer and art expert. The Knoedler clerk also carefully records the dimensions of the painting—30 ¼ x 36 inches, unframed.

      On the right side of the sales page you’ll find the purchaser listed as none other than the Detroit Institute of Arts. The corresponding sales book page gives the address: Woodward Ave, Detroit, Mich., still the location of the museum.

      Watson and the Shark, 1782, John Singleton Copley. Detroit Institute of Arts

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      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      02/10/16

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