Art of Ancient Greek Theater

Posted in Art, Exhibitions and Installations, Getty Villa

Seeking Shelter: A Story of Greek Refugees and the Virgin Episkepsis

Detail of Mosaic Icon with the Virgin and Child / Byzantine
Image courtesy of the Byzantine and Christian Museum, Athens, inv. no 990

What dramatic stories could this Byzantine icon tell? More»

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Posted in Antiquities, Getty Villa, J. Paul Getty Museum

Stilt-Walking Actors Extend Their Stay at the Getty Villa

Storage Jar with a Chorus of Stilt Walkers, black-figured amphora attributed to the Swing Painter, Greek (Attic), active about 550-525 B.C. Terracotta, 16 1/8 x 11 7/16 in.  (41 x 29 cm). James Logie Memorial Collection, University of Canterbury

The Art of Ancient Greek Theater closed on January 3, but one loan object from the exhibition won’t be making its way back home for a while. An Attic black-figured amphora, or storage vessel, from the James Logie Memorial Collection at… More»

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Posted in Antiquities, Getty Villa, J. Paul Getty Museum

Art and Performance in Classical Greece (AUDIO)

Fragmentary Mixing Vessel with Oedipus Discovering the Truth, Greek, made in Sicily, 330–320 B.C.; found in Syracuse. Fragmentary red-figured calyx krater attributed to the Capodarso Painter. Terracotta, 9 7/15 x 18 1/2 in. (24 x 30 cm). Museo Archeologico Regionale Paolo Orsi, Syracusa, Italy, 66557. Su concessione dell'Assessorato ai Beni Culturali e dell'Identità Siciliana della Regione Siciliana - Palermo
Fragmentary Mixing Vessel with Oedipus Discovering the Truth, Greek, made in Sicily, 330–320 B.C.; found in Syracuse. Fragmentary red-figured calyx krater attributed to the Capodarso Painter. Terracotta, 9 7/15 x 18 1/2 in. (24 x 30 cm). Museo Archeologico Regionale Paolo Orsi, Syracusa, Italy, 66557. Su concessione dell'Assessorato ai Beni Culturali e dell'Identità Siciliana della Regione Siciliana - Palermo

Works of art offer a tantalizing window onto the world of ancient Greek theater, providing rich clues to the stories, music, costumes, masks, and actors of ancient tragedies, satyr plays, and comedies. I hope you’ll enjoy this talk, which complements… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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