colonialism

Posted in Art, Exhibitions and Installations, Getty Research Institute

Colorful Board Game Turns the French Colonies into Child’s Play

Trading Game: France - Colonies / O.P.I.M.
Trading Game: France—Colonies, 1941, O.P.I.M. (Office de publicite et d'impression), Breveté S.G.D.G. Lithograph on linen, 22 7/8 x 32 1/4 in. The Getty Research Institute, 970031.6

Through game play, French children master the craft of colonialism. More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute, Voices

Portraits of Africa, from Colonization to E-Waste | Getty Voices

Triumph of the Will (FARDC Soldiers Demonstrate the Purpose of an Old Belgian Commando Training Structure at Rumangabo Military Base) / Richard Mosse
© Richard Mosse. Courtesy Jack Shainman Gallery

Richard Mosse and Pieter Hugo create arresting portraits that evoke Africa’s colonial past. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings, Photographs, Film, and Video

Rethinking Orientalism, Again

Les Femmes du Maroc: Revisited #1, Lalla Essaydi, 2009, chromogenic print. Image courtesy the artist

It’s been 27 years since art historian Linda Nochlin published her essay “The Imaginary Orient,” a critique of sexist and racist depictions of “brown and black folk” by Western artists such as Jean-Léon Gérôme. Back then, “I was put off… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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